The Lebor Feasa Runda Should Go Through a Woodchipper: a book review

   Too often we simply avoid bad books without ever knowing why they are bad and to be avoided, but relying on friend's opinions or word of mouth reviews. I have read other reviews of this book, Akins' Lebor Feasa Runda, which took a highly scholastic approach and were very valuable, but I think that by arguing semantics of language and nuances of source material many readers may get lost in the details. So here I offer my simplified book review, an Idiot's Guide to Why This Book is Awful, if you will.
    To begin with Akin's appeals to people's curiosity and desire for genuine material to lure an audience in and draw interest for his book by claiming it is a translation of a previously unknown ancient book of Druidic teaching, which he has exclusively gained access to but cannot produce for others to view. In reality his book is nothing but a badly written version of commonly known Irish mythology followed by his own personal ideas and a generous amount of uncredited plagiarized material from known traditional sources.
    The psuedo-archaic writing style is painful to read, rather reminiscent of the King James Bible, and I can see no point to it beyond making the work look somehow either older or more prestigious. There is no reason for a text he claims to have translated himself to be written in this way except for effect.  Beyond that there is a lot of non-Celtic material mixed in which clashes with extant Celtic sources, and the clear threads of Celtic material are not credited. He invents a system of aligning the days of the week with different planets and gods which is exactly like any Ceremonial Magic compendium with Sunday ruled by the sun and Monday by the moon, etc.,. He also uses the Greco-Roman ideas about four elements, instead of a more authentic Celtic view, to give a few samples of the foreign ideas in the book that are passed off as Irish.
   Particularly troublesome to me is the use of charms and prayers from the first two volumes of the Carmina Gadelica slightly re-written to be pagan without any acknowledgement of the true source of the material which could not possibly be a "secret" manuscript that would predate the Gadelica by almost three thousand years. It is beyond belief that nearly three millenia later the charms and prayers would have translated the same from Scottish to English as they allegedly did from Irish to German to English in this book. Akin's alleged personal translation from German is word for word identical to Carmichael's from 1900. To give a sample of this on page 148 of the Lebor Feasa Runda "The wicked who would do me harm / May his throat be diseased / Globularly, spirally, circularly / Fluxy, pellety, horny-grim" now compare that to the opening lines of charm 193 from volume 2 of the Carmina Gadelica printed in 1900, page 155, "The wicked who would do me harm / May he take the throat disease / Globularly, spirally, circularly / Fluxy, pellety, horny-grim.". This clear, obvious, plagierism cannot be defended, and this is only a small sample of the many such occurances throughout this book. I might not care about the poor writing or random nature of the work if Akins had simply published this as his own personal inspiration with credit to his sources, but I think plaigerism is simply wrong and cannot be justified away with appeals to spiritual inspiration. A core Druidic principle is Truth.
   I also find it disturbing that in his recipe for "oil of enlightenment" he repeats a medieval witches flying ointement that includes toxic ingredients like Hemlock, Aconite and Belladonna. Were anyone to follow his recipe for this oil and use it they could easily poison themselves, yet at no point does Akins mention that any of these plants are poisonous or require special handling.
    In short the book is clearly a mish-mash of plagierized sources Frankenstiened together. A beginner who reads this first will find information that is both wrong, misleading, and in at least the one case potentially dangerous.
 Other reviews:
https://wildhunt.org/2008/11/lost-racist-book-of-ancient-celtic.html
http://cr-r.livejournal.com/318578.html

My Gaelic Heathen Yule

  So Yule is fast approaching, and this Yule will represent my first attempt at incorporating some Celtic elements and traditions into what has so far been a Germanic and Norse festival period for me. Prior to becoming heathen in 2006 I didn't celebrate the winter solstice in any special way, beyond the secular; after becoming heathen I began celebrating the "traditional" 12 days of Yule, beginning on Mother Night and ending usually either on New Year's Eve or New Year's Day. I followed the CR approach of celebrating the four Irish fire festivals as holidays and not acknowledging any Celtic aspects of the solstices or equinoxes. However this year I am looking at what the more modern Celtic traditions of this time of year are and how they may relate to older Heathen ones in order to create a more synchretic personal approach (celebrating with my kindred is still Norse oriented).

  In Germanic and Norse traditions Yule is a 13 night, 12 day festival that is considered one of the most sacred times of the year. Yule begins on Mother Night, the night before the solstice which is often celebrated in honor of Frigga and the disir; in my family we celebrate Mother Night two days before the calendar date of the solstice because the eve of Yule has developed its own family traditions.  Many modern heathens that I know choose to stay up on the night before the solstice in order to greet the dawn on the solstice morning. The day of the solstice itself is considered both the most powerful of Yule and also the most dangerous as both trolls and ghosts are roaming free on the night of Yule. On this day the Yule log is burnt and the most sacred oaths are sworn. Celebrations continue until New Year's, a day that itself is important since it sets the tone for the year to come; actions taken on the last day of Yule/New year's eve (or day) influence the year to come.
Swearing oaths and making sacred toasts were sacred activities, as well as leaving out food offerings for the gods and spirits. Odin was especially associated with Yule time, as are the goddesses Perchte, Berchte or Holda. Yule bucks were made (the mask of a goat head, or a straw goat) and used for guising but was also believed to have its own separate spirit that had to be propitiated - often with ale or porridge - in order not to harm anyone in the family. Porridge is also left out as an offering to the house wight or spirit that lives in the home. A Yule tree was used for decoration and a yule log was burnt or in some modern cases a log is set with candles which are burnt.
    Now working with that as a base we can look at what we have for Yule traditions in Scotland. In Scotland McNeill states that while Odin may be known as the Yule Father it is Thor to whom this holiday actually belongs, as does all of the month of December. A Yule log of oak was traditionally burnt and Thor was asked to bring a prosperous new year. She relates a story of Norsemen in Scotland celebrating Yule with a great feast and then a bonfire, around which they danced and then chanted "Thor with us, Thor and Odin! Haile Yule, haile!" (McNeill, 1961, p. 52). In Scotland the "Christmas" season ran from Christmas eve until 12th Night, reflecting the older heathen practice of a 12 day celebration of Yule. Prior to the start of Yule the home was cleaned from top to bottom and stocked with food. During the period of Yule all household work like spinning and weaving was strictly prohibited as it was believed that to do such work, even drawing water, during the 12 days of Yule would risk the girls of the house being taken by a Kelpie. The hearth was cleaned and decorated to please the gods and garlanded with rowan to keep out mischievous spirits. On the eve of Yule the family would go out and collect the Yule log which would be brought in with great ceremony, an offering of ale is poured over it, and it is placed in the fire to burn through the night. In some parts of the Highlands the Yule log is associated with the Cailleach, the spirit of winter, and in those places the Yule log chosen would be the stump of an old tree. Special breads and cakes were baked on Yule eve, and ale and sowans were made with omens taken from how they cooked. First thing on Yule morning weather omens were taken to predict the year to come; green Yule meant snow in spring, warm Yule a cold spring, and a light Yule a good harvest. The rest of the day was spent in social gatherings and feasting. Another Yule tradition is guisers and mummers who travel from house to house in costume singing and offering entertainment and blessings in exchange for welcome into the home and some food. 
     New Year's Eve, called Hogmany, has many traditions of it's own, including special cleaning of the home, settling any debts, returning borrowed items, and generally setting everything in the household right in preparation for the new year. At the exact stroke of midnight on New Year's eve the head of the household opens the front door and lets the old year out while welcoming the new year in with the words "Welcome in New Year! When ye come, bring good cheer!" (McNeill, 1961, p. 104). Another important tradition of New Year's is first footing, or the belief that the first non-family member who enters the home after midnight on new years while indicate the family's luck in the coming year, with a cheerful dark haired man being the best first-footer, with a pretty woman being second best. Anyone born with a deformity, of bad character, who is stingy, whose eyebrows meet in the middle, or who may have the Evil Eye are bad luck. To avert the ill luck of a bad first footing throw salt in the fire, burn a wisp of straw, or put a burning coal in water.
    In Scotland New Years is also a time of blessing the home and of omens. Holly, Hazel, and Rowan are hung up around the home and the entire home was fumigated with burning juniper. Burning the juniper was considered very important to cleanse the home and was done immediately upon waking before anyone ate breakfast. On New Year's eve a silver coin was left out on the doorstep and if it was still there in the morning it was seen as a sign of prosperity for the year to come, but if it was gone it was an ill omen. Wearing new clothes on New Year's day is good luck so is carrying a silver coin in your pocket. To see a red dawn on New Year's day means bad luck and strife to come and the direction of the wind is an omen of the year to come as well: "Wind from the west, fish and bread, wind from the north, cold and flaying, wind from the east, snow on the hills, wind from the south, fruit on trees." (McNeill, 1961, p. 115).
   In Ireland Yule was also started with a complete cleaning of the home which was  followed by decorating with Holly, Ivy, Bay and other evergreens, and as in Scotland food was stocked up on. Preparations were made that included placing lit candles in the windows of the home; these are now associated with Christmas but may well be older as some believe the candles' light serves to guide and welcome the visiting dead who wander at this time of year. Some choose to light a special candle for any family members who have passed in the last year. As in Scotland the weather is seen as being an omen of the year to come with cold weather foretelling a warm spring; additionally a new moon was seen as especially lucky. Mumming and guising is also seen and New Years eve and day were strongly associated with divination and omens. While first footing isn't seen in Ireland the way it is in Scotland there is a belief that if the first person or animal to enter the home after midnight on New Year's eve is male and black or dark haired the house will have good luck. A special bread was baked and then hit three times against the door while the head of the house or house wife chanted either "We warn famine to retire, To the country of the Turks, from this night to this night twelvemonth, and even this very night." or "Happiness in and misfortune out from this night, Until a year from to-night" (Danaher, 1972, p. 261). After this the loaf was tossed out the door.
   So this actually gives us a lot to work with for celebrating both Germanic/Norse Yule traditions and Celtic ones over the course of  a 12 day celebration. I like the idea of including Thor more in the Yule celebrations, especially as they relate to the Yule log, and of lighting candles for my ancestors, which I may do each night of Yule. Including the Cailleach makes sense as well. I also can easily see how to incorporate the specific New Year's eve and day traditions, such as welcoming the new year in and also the Irish custom of banging the bread on the door. And the multitude of divinations and omens can easily be used on the day of Yule and on New Year's day, as can the cleaning of the home before the start of Yule and the cleansing and blessing rituals of New Year's day.

  I'm excited to see how Yule this year is going to go as I work on finding the synergy of this path, which clearly has so much potential.

References:
 Our Troth volume 2, the Troth, 2007
 The Year in Ireland, Danaher, 1972
 the Silver Bough volume 3, McNeill, 1961

A modern Celtic House Blessing

So yesterday I went out to a friend's new house (at their request) to cleanse and bless the space. It occurs to me that this sort of simple thing would be good to post here for anyone to do themselves. This method is entirely my own, as far as I know, and thoroughly modern, but is based on older methods and concepts.
  So first I walked through the house, room by room, burning herbs associated with cleansing. In general I recommend using a combination of vervain, rosemary, and juniper when possible, but any one of those alone is also good. Using smoke to purify and bless spaces and the home is an old Celtic practice, particularly using juniper. F. Marian McNeill in the Silver Bough says "Juniper, or the mountain yew, was burned by the Highlanders both in the house and in the byre as a purification rite on New Year's morning" and the Gadelica itself says "Iubhar beinne [juniper] and caorran, mountain ash or rowan, were burnt on the doorstep of the byre on the first day of the quarter, on Beltaine Day and Hallowmas." Likewise rosemary also has a strong historical association with cleansing, as according to Grieve's Modern Herbal it was burned to cleanse a sick room and was also believed to remove any evil influences in general (http://botanical.com/botanical/mgmh/r/rosema17.html). Vervain in both the Celtic and Roman world was considered a sacred herb and used as an offering to the Gods (http://botanical.com/botanical/mgmh/v/vervai08.html)
   Next I lit a white candle and walked through each room again praying for blessing on the home. This is based on traditions associated with certain holidays, like Samhain, where fire - usually in the form of a burning torch - would be taken around the boundary of a property to bless it and protect it.
    In the end I stood in the middle of what would be the living room, holding the candle, and recited a prayer modified from the Carmina Gadelica:

"Gods bless this house,
From site to stay,
From beam to wall,
From end to end,
From ridge to basement,
From balk to roof,
From foundation to summit,
Foundation and summit."

The above prayer is the modifed version from my book, it is changed very little from the original which can be found in the first volume of the Carmina Gadelica by Carmichael here http://www.sacred-texts.com/neu/celt/cg1/cg1048.htm

House Blessing 45

God bless the house,
From site to stay,
From beam to wall,
From end to end,
From ridge to basement,
From balk to roof-tree,
From found to summit,
Found and summit.

References:
 The Silver Bough by F. Marian McNeill
 Carmina Gadelica by A. Carmichael
a Modern Herbal by M. Grieve
By Land, Sea, and Sky by M. Daimler

Celtic Rites of Passage for Children/Young Adults

I'm a big believer in the importance of rites of passage to help anchor us in our spirituality and our sense of self. It's a very tribal way to do things, I think, to commemorate life changes with ritual. I know not everyone agrees or sees the need but for those who do...
 I divided these up into girl and boy rituals, but there is flexibility in either to be reworked for the other gender,or for teens that identify with the other gender. I fully intend to use the first one, for girls, when my daughters are old enough - unless they'd rather go on a hunt ; )
      Morgan

          This first ritual is a rite of passage for a girl entering adulthood. Personally I would suggest doing it at the onset of menses, or roughly around 12 or 13. It is based on the Invocation of the Graces #3 from the Carmina Gadelica.  Before the ritual the girl should have to face a challenge; this may include solving a riddle, making something by hand that challenges her skill, or finding something hidden. The exact challenge should be tailored to the girl, and should be difficult but not impossible.
  Prepare the altar and ritual space as usual; place a bowl of sacred water on the altar. Process to the space and call on the ancestors, spirits of the land, and the gods to witness the ritual. The assembled people should form a rough circle around the altar, while the officiant and girl stand before the altar. The officiant should ask the girl her name, why she has come before the assembly, and if she is ready to assume her new role within the community. The girl should answer honestly and from her heart to all the questions, present proof that she has passed her challenge, and if she is ready to proceed, the officiant should pick up the bowl of water and lightly wash her hands while reciting:
 "I wash your palms
In showers of wine,
In the lustral fire,
In the three elements,
In the juice of the rasps,
In the milk of honey."
Then the officiant should drip the sacred water on the girl's head, one drop for each line of the following, as it is recited,
"I place the nine pure choice graces
In your fair fond face,
         The grace of form,
         The grace of voice,
         The grace of fortune,
         The grace of goodness,
         The grace of wisdom,
         The grace of generosity,
         The grace of choice honor,
         The grace of whole-souled loveliness,
         The grace of goodly speech."
At this point the officiant should put the bowl of water down and stand with their hands on the girl's shoulders while saying:
"Dark is yonder town,
Dark are those therein,
You are the young brown swan,
Going in among them.
Their hearts are under your control,
Their tongues are beneath your foot,
Nor will they ever utter a word
     To give offence to you.
You are shade in the heat,
You are shelter in the cold,
You are eyes to the blind,
You are a staff to the traveller,
You are an island at sea,
You are a fortress on land,
You are a well in the desert,
     You are health to the ailing.
Yours is the skill of the Fairy Woman,
Yours is the virtue of Brighid the calm,
Yours is the generosity of Danu, ever-flowing,
Yours is the bounty of Boann the fair,
Yours is the beauty of Emir the lovely,
 Yours is the tenderness of Airmed, the gentle,
Yours is the courage of Macha the strong,
   Yours is the charm of Fand of the wave.
You are the joy of all joyous things,
You are the light of the beam of the sun,
You are the door of the chief of hospitality,
You are the surpassing star of guidance,
You are the step of the deer of the hill,
You are the step of the steed of the plain,
You are the grace of the swan of swimming,
     You are the loveliness of all lovely desires.
The best hour of the day be yours,
The best day of the week be yours,
The best week of the year be yours,
The best year in the lifetimes of men be yours.
Dagda has come and Ogma has come,
Brighid has come and Aine has come,
Boann and Manannan Mac Lir have come,
Lugh the many skilled has come,
Angus mac Og the beauty of the young has come,
Morrighan of the augury has come,
Dian Cecht, gifted god of healing has come,
And Miach the skilled healer of the host has come,
     And Airmed the mild has come,
     And the Spirit of true guidance has come,
     And Danu, mother of the people of skill has come,
     To bestow on you their affection and their love,
          To bestow on you their affection and their love."
 Afterwards the girl should thank the gods, spirits, and ancestors and should make offerings to them. The ritual should be concluded in the normal manner and then the assembled people should celebrate with feasting and gift giving to the girl.


     This second ritual is a rite of passage for a boy entering adulthood. Personally I would suggest doing it  roughly around 12 or 13, but it is up to the parents to decide when the boyis ready. It is based on Blessing the Hunter #114 from the Carmina Gadelica.This prayer was said as a consecration over a hunter before he went out to hunt. A very specific ritual was followed were he was anointed with oil while standing with his feet apart, each foot on a patch of bare ground, then handed a bow (Carmichael, 1900).  Much like the blessing of a king or judge this blessing came with specific prohibitions that acted as geis for the hunter throughout his life, usually relating to what animals he could and could not hunt. Specifically nursing or brooding animals were prohibited, as were unweaned or unfledged ones, and resting animals (Carmichael, 1900).
  I would recommend that as part of the ritual, if possible, the boy actually participate in a hunt, either literally hunting and killing an animal or else a hunt that relies on skill, perhaps to retrieve a number of hidden items to prove himself. At the start of the ritual he may present the result of his hunt or the items that he found as proof of his success.
     Prepare the altar and ritual space as usual; place oil for anointing the boy and a weapon, either real and to be used in the actual hunt or symbolic, on the altar. Process to the space and call on the ancestors, spirits of the land, and the gods to witness the ritual. The assembled people should form a rough circle around the altar, while the officiant and boy stand before the altar. The officiant should ask the boy his name, why he has come before the assembly, and if he is ready to assume his new role within the community. The boy should answer honestly and from his heart to all the questions and present proof of his success at completing his hunt, and if he is ready to proceed, the officiant should pick up the oil and anoint the boy's head while reciting:
"You are the product of your ancestors,
May you be guided in the way that is right,
In the names of the Spirits of sea, earth and sky,
In name of the Gods of Life who bless you.
In the names of Ogma, and Nuada
Manannan of the wave, and Daghda the Good God,
Dian Cecht the healer, and Giobnui the smith
Macha the red, and Danu the mother of the aos sidhe.
In name of Lugh the many-skilled,
And Boann of the river,
Angus beloved, and sovereign Eriu,
Tailtiu calm, and Brighid of the milk and cattle.
In the name of Morrighan goddess of hosts,
In the name of Anu, giver of abundance,
In the name of Flidias of the woodland glens,
And Airmed of the healing herbs."
 The officiant should put down the oil and pick up the weapon, handing it to the boy with proper ceremony. When the boy takes it the officiant should continue, saying,
"Until the time you shall have closed your eyes,
You shall not bend your knee nor move,
You shall not wound the duck that is swimming,
Never shall you harry her or her young.
The white swan of the sweet gurgle,
The speckled dun of the brown tuft,
You shall not cut a feather from their backs,
Till the world ends, on the crest of the wave.
They must be on the wing
Before you place missile to your ear,
And the fair Danu will give you of her love,
And the lovely Brighid will give you of her blessing.
You shall not eat fallen fish nor fallen flesh,
Nor one bird that was not brought down by skill,
Be thankful for the one,
Though nine should be swimming.
The fairy swan of Brighid of flocks,
The fairy duck of Danu of the people of peace."
  Afterwards the boy should thank the gods, spirits, and ancestors and should make offerings to them. The ritual should be concluded in the normal manner and then the assembled people should celebrate with feasting and gift giving to the boy. If an actual hunt was held then at the feast the assembled people can eat what the boy caught.

 Reference:
Carmichael, A., (1900) Carmina Gadelica volume 1
 Daimler. M (2010) By Land, Sea, and Sky

the 12 Days of Yule - a holiday song parody

The Twelve Days of Yule-tide - sung to the tune of the 12 Days of Christmas

On the twelfth day of yule-tide, my kindred gave to me
twelve happy heathens
eleven rounds of sumble
ten bottles of mead
nine sets of runes
eight hammer pendants
seven hours of feasting
six songs to Sunna
five amber rings
four drinking horns
three ash spears
two viking movies
and a yule log carved with holly

© M C Daimler
http://www.odins-gift.com/poth/recent/thetwelvedaysofyuletide.htm

Facing Fear - or why I don't blog about heathenry often

     This is a blog I've needed to write probably since the beginning, but I have been putting off because it's personal, it's painful and it's messy. It's also unresolved, but it still needs to be said, and maybe saying it will help me push myself into blogging more about heathenry and related topics...
   People ask me sometimes why I write so much Celtic material if I am also heathen. Well there are two main reasons. Firstly I have studied the Celtic side of things for about 20 odd years now so its definitely my comfort zone; not that I know everything, or even comparatively that much, but I'm comfortable with Celtic mythology and paganism and feel confident talking about it. It's sort of my metaphysical comfy sweater.
  The second reason is that heathenry is a difficult emotional subject for me to talk about. On the one hand I love my kindred, and I very much enjoy the heathen practices in my life, which are probably more numerous than most people would assume. On the other hand I often find the larger heathen community enormously frustrating for me, personally. When I "converted" to heathenry in early 2006 it was the first time in my life I had ever moved from one religion to another - and initially it was a full conversion, only later did my religion become dual-tradition and only now is it evolving into something more synchretic as I explore Gaelic Heathenry, but I digress. The first several years went very well; I started a kindred, was hijacked by Odin, met lots of great people, and generally really liked it. And then the train de-railed in late 2008 when my youngest daughter, then only a year old, started really struggling with chronic health issues. I had to pull back from several community commitments and also had to start turning down invitations to other groups events. And in the middle of these months of feeling alienated from the larger community, feeling that I had failed at something that is a core aspect of heathenry, I had the inevitable crisis of faith. Oh it wasn't quite that clearly defined, since I had already been missing some aspects of my Irish practices and had already been reaching out to the Druid community in particular, but it was at this point that I really had a dark night of the soul experience. I missed the easy comfort of Celtic paganism and I felt that I had no connection to any of the gods (except Odin but he's an all around exception). I felt cut off from my new community due to my own inability to participate in it and while my kindred remained strong I felt increasingly alienated form heathenry at large. Which is a problem in a faith that is so deeply community based. I started to feel like I needed more to depend on, but was stuck in the Catch-22 of feeling like I had no one to go to to explain my nebulous feelings of insecurity, the nagging sense that I was doing it all wrong, which only fed into the feelings of failing at being a self-sufficient, persevering heathen. Now looking back I can see that a lot of this probably related directly to me projecting my feelings about my daughter's health issues onto my religion because I could not let myself feel weak or ineffective as her caregiver, as the person she depended on, but I could feel that way about my faith even though it made me totally miserable. I had my kindred who stood by me through everything, I had friends I could have gone to, I had people who I could have reached out to, but I convinced myself that my problems would be a waste of their time, or that I was already bothering them enough with other things going on at the same time. Maybe it was pride. Maybe it was fear of judgement. Either way I fell back into what was comfortable, my comfy sweater religion, only I didn't stop being heathen either - which was a very good way to alienate myself from both the CR and heathen communities, so maybe that was another subconscious expression...or maybe it's just that on a deep level I need both Celtic and Norse paganism to find any real balance in my life. I'm still sorting that one out, but it certainly is a system that works for me.
      Anyway, I never stopped being heathen, I just also had other separate Celtic practices and I struggled for a long time to find a balance between the two, in the end settling on an equal division of time.  I joke that I treat it like a divorced couple sharing custody, although as I mentioned earlier I am now exploring Gaelic Heathenry which is more directly synchretic in it's approach....I never stopped being dedicated to Odin (as if I could!), or being a gythia to my kindred, never stopped living the 9 noble virtues as best I could, or honoring the gods, vaettir, and ancestors with fainings, but these years of struggle and difficulty put me in a place where I feel very apart from the larger, and local, heathen community, a fact which in and of itself makes me feel worse about all of it; community is a huge part of heathenry, so feeling cut off from that, even if it's only in my own mind, makes me feel less heathen, less worthy. And that just sucks. I've made a right mess of things at my end and there is no easy way to fix it, so I keep stumbling on, one foot in front of the other.
  This all makes it hard for me to write about heathenry or my heathen practices, because it immediately pulls up a mess of emotions. But I realize that not doing it out of fear isn't helping anything, is just perpetuating the feeling. The only way to defeat fear is to face it, and I need to face this one, so I am going to start writing one heathen themed blog each week, on whatever topic comes up.
  So if you've ever wondered why my heathen themed content so far was limited mostly to book reviews, now you know. No one has as much power to mess us up as we do over ourselves.

Book review - Heathen Gods

  I'm doing my weekly book review on Thursday this week...
  I have a new book to add to my recommended reading for new heathens: Heathen Gods by Mark Ludwig Stinson. This book is a great way for anyone to get a feel for what heathenry is and not only learn the basics of it but get some good advice about starting out as a new heathen, starting a group, and living as a heathen.
  The book itself is a collection of short essays, each of which has a different topic. It is broken into roughly 7 sections: Essays for new heathens, Building a kindred or tribe, Maintaining a kindred or tribe, Living a heathen life, Personal and miscellaneous essays, Iceland trip journal, and Poetry by the author. It also includes a good recommended reading list at the back. Each of the first 4 sections contains around a dozen individual essays that fall under the larger section topic, such as "What is a Heathen?", "Differing Views within the Heathen Community", "Why Start a Kindred", and "Wyrd and Worth", to name but a few. The final three sections are much more personal to the author's life and experiences, including personal anecdotes and reflections as well as his journal about a trip to Iceland and provide a look at one person's journey living as a heathen.
  One of the main strengths of this book for me was the way that it touches lightly on many important topics without overwhelming the reader or getting bogged down in details or history. The writing style is engaging and interesting while still being informative and the author tackles difficult topics in a way that encourages the reader to think about the issues. It manages to present a workable modern heathenry in a way that is both understandable and often unflinching to the realities that people in community-based faith face, such as jump-starting spiritual practice and dealing with bad experiences in the community.
   Another thing that I really like about the book is the essay-based format. I admit initially I was unsure about it because I wasn't sure how all the short essays would flow together, but I found that it was perfect for reading a few a day, or skipping around to whatever essay seemed most appropriate each day. It made referencing specific ideas much easier and having the material organized the way it is actually does flow very well.
  All in all a good addition to any heathen's library and definitely a good starting place for a new heathen looking for a better understanding of what modern heathen practice is.

Green Faced Witches

   One thing that never changes about the larger pagan community is that there are always trends going around. When I originally wrote this in 2011 I kept running across a poem written in 1999 by "Angel" that talks about witches being depicted with green faces as a result of torture ( Halloween Witch if you want to read it). Written in 1999 it had been circulated for a while but around 2011 it seemed to have really gained steam and more than that people were believing it as factual and repeating the idea that witches were believed historically to have green faces and that the green color was actually a result of being tortured during trial. One site even went so far as to describe a very long theory about the green faces being the result of gangrene, while another had people linking it to Celtic mythology. At the time I was sufficiently annoyed by this trend that I decided to devote a whole blog to trying to educate people about the reality of where the green faced witch came from and why it has nothing to do with the witch hunts. Now, twelve years later, the concept has been untethered from its poetic root and is shared as a prose meme as well as by various social media sites, pages, and personalities as if it were an inarguable fact of the past. Every year I reshare this blog so this year (2023) I am updating it slightly, making sure all the links actually work, and adding some art history and Andrew Sneddon for spice. 

Jean Veber, Les Sorcières ou Tandem (1900); public domain

  So just to get this out of the way - as far as I have been able to find the earliest appearance of a green faced witch is in the Wizard of Oz movie - the movie specifically because in the book the character of the Wicked Witch of the West did not have a green face. It seems likely that this was a purely cinematic decision, based on a desire to show off the new technology of color film (Gerry, 2011). I suspect that the Wicked Witch in the movie was so scary and so memorable that after the movie came out the idea of green faced witches became embedded in our collective minds.

In early modern sources we find no reference to witches with green faces, or to the idea that a green face was the witches' natural appearance. Looking to artwork from the 15th century forward we find that wild hair, bare breasts, and debauched imagery were the hallmarks of witch depictions, positioning the female witch in contrast to the expected civilized behaviour of women (Sneddon, 2021). Witches in art were either depicted as very old women or as young beautiful women, but usually with those key features; witches hair was often red, connecting them to folklore around the danger or uncanniness of redheads (Sneddon, 2021). These depictions of witches also often incorporated anti-Semitic themes and concepts as well, playing into existing cultural prejudices to link imagery of witches with images of anti-Jewish propaganda, magnifying a fear of the other. Witches were most often depicted with human skin tones, and there are no examples that I am aware of a green skinned witch in pre-20th century European or American art. Rather than skin tone in art it was the witches wild, unbound hair and overt, even grotesque, sexualization that signaled their nature and separation from the community. 

  Now that we have that out of the way lets look at the idea - visceral and emotional - that victims of torture would have green faces and that people seeing this would think it was a sign of witchcraft. Everyone knows that older bruises turn greenish colored so at first glance this idea seems plausible. But lets stop and think about this for a minute. First of all is it possible to bruise someone's entire face - every inch of it? I don't think so; the shape of the face with it's curves and crevices would make such a thing very difficult and unlikely and the way blood pools would mean that you would never see any kind of even coloring that could be described as "green faced". Secondly this idea assumes that the people seeing the person would not realize that it was bruises turning green and I find that highly unlikely. People hundreds of years ago may have had less technology and a more primitive understanding of physiology but they weren't ignorant; they knew as well as we do about bruises and the colors they turn over time. These accused witches were members of the community, well known to friends and neighbors and don't think for a moment that everyone didn't know that the person had been tortured. Thirdly most accused witches were tortured in complex ways but not necessarily beaten - and remember the point of the torture was to gain a confession so beating the person around the face in a way that might limit their ability to speak would be counter-productive. Finally, this green-faced theory assumes a fairly quick turn over between confession and execution which is also unrealistic. In fact an accused person was involved in a long trial where witnesses spoke against them and they may be tortured but often with a week or more between each interview with the court (Kors & Peters, 1972).

    And since this sometimes was mentioned on some of the sites, I want to be perfectly clear that none of the Salem witches were tortured to obtain confessions. The only person who could have been said to be tortured was Giles Cory and that was because he refused to enter a plea either innocent or guilty; without a plea either way his land could not be seized and he could not be brought to trial (Giles was pretty darn smart, even if he was crushed to death under big freakin' rocks). Nobody was burned at Salem either - they were all hung or died in prison during their extended stay. Never trust any source that says different.

    As to the idea of gangrene being the cause of the green face - gangrene is not actually green. The word gangrene comes originally from the Greek gangraina which means an eating sore, and that says a lot right there. It is an infection that occurs when blood flow is cut off and tissue dies and there are multiple types of gangrene; however in this case wet gangrene is the only possibility. When caused by trauma it creates a tight red swelling that slowly turns purplish-blue and then black and can cause a secondary septic infection which is fatal. I'll spare you the visual and won't include pictures but trust me it doesn't include the color green that I have ever seen or heard of and large infections will kill you, especially if they happen to be on your face. If you don't believe me you can read more here: http://www.mayoclinic.com/health/gangrene/DS00993/DSECTION=symptoms

   Now finally the Celtic mythology link. I have read stories that link the color green to fairies and stories about green skinned children that came from the world of fairy. I have read stories about "green" hags who lurked in rivers and ate children. And I am familiar with the idea of people wearing green, or described as wearing green, being connected to fairy. But I have never personally read anything or heard anything about green skinned witches in Celtic mythology; if anyone can point me towards any such evidence I would certainly be interested in seeing it, but until then I have to conclude that people talking about green faced witches in Celtic myth is a mistaken conflation of the two separate concepts. Green dressed witches, possibly, green faced witches, no.

   During the period of the witch hunts witches were not seen as ugly or scary to look at. In point of fact they weren't seen as only being women; both men and women were suspected, accused, and tried. The Malleus Maleficarum has an entire section on male witches, for example. That same text makes a point of noting that witches could be anyone, young or old, and would often use their beauty to lure good men into sin (it's considered a glaring example of misogynistic writing for a reason). That was part of what drove the hysteria, the idea that absolutely anyone could be a witch and that there was no easy visual cue to indicate who was a witch.

   So basically there is no basis for believing that the green faced witch is anything but a modern 20th century invention. While there certainly are several stereotypical images used historically of witches, as discussed above, they relate to hair and nudity not to inhuman skin colors. We can blame Hollywood for the green faced witch, not the witch trials. 

   I also think that we need to seriously consider how disrespectful we are being by creating this false history of the green faced witch as a sort of emotional touchstone for modern pagans. Real people, men, women, and children, died during the witch hunts and those people deserve to be respected and remembered not exploited as yet another thing for neopagans to hold up as a symbol of modern "persecution".

References:
 Gerry, D (2011). The Secret Symbolism of a Witch's Wardrobe. http://www.life123.com/holidays/halloween/witches/witch-symbolism.shtml
  Kors, A. and Peters, E. (1972). Witchcraft in Europe 1100 - 1700. University of Pennsylvania Press

Rodriguez, L., (2014) Why Are Witches Green? Retrieved from https://boingboing.net/2014/10/29/why-are-witches-green.html 

Sneddon, A., (2021) 'Bad Hair: Folklore Witches and Hair'; online lecture

Samhain

 I love this time of year. Halloween has been my favorite holiday for as long as I can remember and when I became pagan I incorporated the practices that I loved about Halloween with the ones I learned went along with Samhain; luckily for me trick'or'treating and dressing up in costume are pretty strongly connected to the old Celtic custom of guising which have continued until today. In Ireland up until around  a hundred years ago there was still a practice of  a small parade led by someone dressed as a white mare that would go from house to house singing and asking for "tolls" (Estyn Evans, 1957; Danaher, 1972) . In some parts of modern Ireland  children still  chant “Help the Halloween party! Any apples or nuts?” when trick or treating (Danaher, 1972)  All through Scotland it was the custom of groups of boys in costume to go door to door  asking for money or treats, often while singing or chanting which slowly became the custom of younger children that we consider trick or treating in modern times (McNeill, 1961) .
   I took my children out trick or treating, with the girls dressed up as Cleopatra and a pirate queen respectively. It was extremely fun being out at night with the children, under the crescent moon, with the snap of snow in the air. We had actually had an unusual early snow storm last Saturday that knocked out power and generally mucked things up for awhile, but by yesterday everything was enchanted.

 Now the modern dating of Samhain is given as October 31st and this is when I choose to celebrate it for convenience, but in reality the date was originally not a set calender or astrological date, as far as we know, but rather was an agrarian date In Ireland and Scotland; although the Coligny calendar of Gaul does list three specific days as "Trinuoxtion Samonii" or the three nights of summers end (Kondratiev, 1999). In practice Samhain celebrations occurred in November because this was the end of the harvest and the time when the herds were brought back in from the fields, but it wasn't until the Catholic church moved their celebration of All Saints and All Souls day to the first days of Novemeber that Samhain seem to have gotten a set calendar date in a modern context (Estyn Evans, 1957; McNeill, 1961). Of course then the switch was made from the Julian to Gregorian calendar and so you still see people celebrating Samhain on November 12th, refusing to acknowledge the change (McNeill, 1961). I debated for awhile trying to hold to a more traditional agrarian marking of the date, perhaps at the first hard frost each year, but with the kids it was just too difficult to get them engaged and excited about it when it seemed random to them. I do however follow what Caesar said about the Celts starting the new day at sunset and the new year at Samhain and begin my celebrations at sunset of the 31st and I also generally make it a three day celebration, something that is supported by the Coligny calendar and at least tenuously by the Irish belief that it was actually on November 2nd that the spirits of the dead returned to visit the living (Freeman, 2002; Danaher, 1972).      
    After trick or treating we came home and had a small ceremony together. We lit a candle for those we love who have passed and talked about them, things we remembered and missed.

My cauldron with the candle for the ancestors burning inside; the skull in front is from my ancestor altar and represent all of my ancestors whose names I do not know, but who are still with me, who I also honor

It was an old practice in Ireland to light a candle for each deceased member of the family and to leave the doors unlocked - in some cases even open - and to leave out either fresh water or porridge as an offering to those ancestors who chose to visit (Estyn Evans, 1957; Danaher, 1972). Our lighting the candle carved with their names is our way of carrying on this tradition. Then, in honor of the idea of leaving out food for the dead, we took a cake that we had baked earlier in the day and put pieces outside for the Gods, daoine sidhe, and ancestors, all in different places, as well as leaving out something for any wandering spirits. And we went back inside and each had a little piece of cake ourselves. Then the children went to bed and I did some divination on my own.
  Tonight is the second night of my Samhain celebration. I will honor an Morrigan and an Dagda who united on Samhain, and who are both deities I am personally close to. I will kindle a sacred fire symbolically relighting the fire of my hearth and of the world* and  I will do some more divination and make charms to bless my home in the coming year; Samhain was associated with a solar cross charm similar to the Brighid's cross of Imbolc and with using fire to sain the property (Danaher, 1972; McNeill 1962). Tomorrow will be focused especially on honoring the dead and on blessing the people of the house for the year to come using the ashes of tonight's fire. And then Samhain will be over for another year.

 References:
Danaher, K., (1972) . The Year in Ireland. Mercier Press
Estyn Evans, E., (1957) . Irish folk Ways. Routledge and Kegan Paul
Freeman, P., (2002) War, Women, and Druids. University of Texas Press
Kondratiev, A., (1998) . The Apple Branch: a path to Celtic Ritual. Citadel Press.
McNeill, F., (1961) . The Silver Bough, volume 3: Halloween to Yule. Stuart Titles Limited

* If anyone is curious about why I place the ceremony with the ritual fire on the second day and not on the first where it should more logically be - the first night is very much about doing as much as I can with my children and my youngest daughter, at this point, has several issues that make anything involving total darkness a bad idea. I am still working out what exactly should go where, ritually speaking, and next year I hope to have the fire on the first night in a more "traditional" way since fire was such a major part of this holiday. But this year, this is how things worked out. Sometimes you just have to roll with it.

Scél lemm dúib...

In honor of our unusual October snow storm, arriving today, and Samhain:

Scél lemm dúib:
Dordaid dam,
Snigid gaim,
Ro-fáith sam;
Gáeth ard úar,
Ísel grían,
Gair a rith,
Ruirthech rían;
Ro-rúad rath
Ro-cleth cruth,
Ro-gab gnáth
Guigrann guth;
Ro-gab úacht
Etti én
Aigre re
É mo scél.

- 9th century Irish

 

 

I have news for you:
The stag bells,
Winter snows,
Summer has gone;
Wind high and cold,
The sun low,
Short its course
The sea running high;
Deep red the bracken
Its shape lost,
The wild goose has
Raised its accustomed cry;
Cold has seized
The birds’ wings
Season of ice
This is my news.

Book review - 21 Spells for Assured Sucess

 And now for something completely different.... 21 Spells for Assured Success by Boudica
   This book is written by a Facebook friend of mine and while it isn't my usual genre I found it to be both interesting and useful so I decided to put a review of it up here on my blog.
   I really enjoyed this book, being fond of spellwork that is pragmatic and intended to be useful. It is a thoroughly modern, Hoodoo style take on practical folk magic that is non-denominational and could be worked by anyone. I enjoyed the writing style which is personal and engaging, as if the author was sitting down to chat with the reader, and the little personal anecdotes that were mixed in were a nice touch. You definitely are given the impression that the author has experience with her subject and is looking to pass that experience on in the most helpful possible way. The spells themselves cover a good range of possibilities under the topic of "success", from job interviews to office blessings and winning in court to removing writer's block, and are all geared at real-world usefulness, which is nice. I also liked the section on magical symbols that can be used for sucess. I would definitely recommend this book for anyone interested in learning magic to be used, as opposed to just reading about theory, and for anyone trying to draw success to their lives. My only complaint about it would be that I wish it was longer, but that is really just the sign of a good book - I wish it didn't have to end!

Book review - Freya, Lady, Vanadis

 For this Monday's book review I am going to look at the book Freya, Lady, Vanadis: an introduction to the goddess by Patricia Lafayllve.
  This book is an excellent resource for anyone wanting to learn more about the Goddess Freya. This is an indepth, academic look at her which goes beyond the surface examinations found elsewhere. Each chapter deals with different aspects of the mythology and how they shape our understanding of this goddess in relation to sex, love, war, death, magic, wealth, other gods and more. What I particularly liked was that the author uses a wide array of traditional material to look at who the Goddess was in antiquity but also brings that information forward in a useful, viable way and includes a modern look at Freya, resulting in an academically and spiritually sound understanding of this goddess.
   The text itself is fairly short, only 91 pages, but is well researched and documented, including end notes for each chapter, four appendices, and a bibliography. The first 7 chapters look at the historical attributes of Freya as we understand them from mythology and secondary sources, and the final 8th chapter looks at different personal gnosis that people have had relating to Freya in a modern context. The appendices discuss the sources in lore, modern practice, offer an example of a blot to Freya, and a selection of modern poetry to her.
   I especially liked the final chapter which looks at modern interactions with the goddess as interpreted through a selection of different peoples' personal gnosis, something that is often lacking in books that are this scholarly in tone. Overall, while short, the book is an excellent resource for learning about the goddess Freya and really does encompass what is known about her as well as giving a view into modern ideas about her. This would be a good book to have on hand whether a person is interested in worshipping this goddess specifically, or is just seeking to better understand the goddesses of the Northern pantheon.

Book review - Faery Wicca 1 and 2

 There are some bad books that just never seem to die, even after being pulled from publication for plagiarism issues. I was at a pagan conference in my state over the weekend at one of the workshops I taught someone asked about the book Faery Wicca (volume 1) by Kisma Stepanich, and I was actually rendered temporarily incoherant. I did recover and explain some of the issues with the book, but as I thought about it later I realized this might be a good time to post a book review of both of the Faery Wicca books here on my blog, since these were originally published in 1996 and 1998 respectively and all the melodrama about them went down so long ago that perhaps many people aren't aware of it anymore.
     Faery Wicca Book 1: Theory and Magic: a book of shadows and light. This one was pulled from print years ago but can still be found easily used; however it's not even worth the money to buy used. Her information is so inaccurate it makes me wonder if she read half the sources she lists in her bibliography. She relies on several authors which have been largely discredited, such as Robert Graves ideas about the Celtic tree calendar, or Seamus McManus's archeologically inaccurate idea that the Fomorians were Scythian or the Fir Bolg Greek. Beyond the shaky references, there are the author's rampant self contradictions - in one section she states that Cu Chulainn is Lugh reincarnated then two paragraphs later refers to Lugh coming to Cu Chulainn's aid, without ever explaining how that could be possible if they were the same person. Her information in general, but especially relating to any mythology, is so off it leaves a reader wondering what she is talking about. She inaccurately refers to the Fianna as members of the Tuatha de Danann and says that Badb was the main Celtic war goddess who "contained" three aspects including the Morrigan. She fall sinto the common trap of seeing moon and sun deities everywhere, despite the fact that Celtic deities did not fit a classical mold. Her text is full of Kabbalistic and Biblical references which have no place in the fairy faith, for example she states that Dana is GOD, in the Christian sense of the ulitimate deity that contains both male and female, the source of all, and quotes a Bible passage that she says shows that Macha was a also a biblical goddess/queen. And for someone claiming the title of Ollamh - the highest rank among the Fili, or poets of Ireland - her Irish Gaelic is atrocious. She mangles the language mercilessly (if only because she includes no accent marks), both in spelling and her pronounciation guide reducing it to meaningless gibberish, making it very plain that she does not speak the language at all - it seems to be included for no other reason than to make her book look more "Irish" and authentic, when it is in fact neither. Anyone who reads this at the least needs to be aware that it is not genuinely Irish in any way, and should skip right over any Irish Gaelic included in the text. The information about the gods and faeries is blatantly wrong and often contradictory. In short I would never recommend this book as it only spreads a lot of misinformation. There are much better books on Celtic Wicca, if that is what you are interested in, such as Celtic Wicca: Ancient Wisdom for the 21st Century by Jane Raeburn, or Lora O'Brien's book Irish Witchcraft from an Irish Witch
   Faery Wicca Book 2: The Shamanic Practices of the Cunning Arts (the Ancient Oral Faery Tradition of Ireland). As with the first book some of her information is simply wrong, such as her assertion that Cu Chulain was a shapeshifter who could take on the form of a wolf, hound, eel or bird, and her confusion of the Daghda with his harp. This occurs in that same section where she states he could take the form of a harp whose playing changed the seasons. In reality it was one of his famed possessions, not himself - in point of fact in one tale it is stolen and he must go with Ogma to reclaim it which would be rather difficult if he and it were one and the same. Those details aside though my biggest issue with this book is that the author takes Christian charms from the Carmina Gadelica, Vol. I & II: Hymns and Incantations (Forgotten Books), alters them slightly to be more appropriate for her "Faery Wicca" by changing references to God and Jesus to Danu, and calls them traditional Faery Wicca charms, without ever citing the real source she is drawing on. Not only is this misleading to people reading the book who are not familiar with the source material, but it is unfair to the source material itself to fail to credit it. Her faery faith is not old or traditional - it is clearly her own invention based off of altering genuine traditional material without ever admitting that is what she is doing. If you want to practice faery faith magic just read the Gadelica for yourself - you can rewrite the charms your own way and know where they came from. The author also falsely says that the term Ollamh means "faery shaman" and was traditionally used to describe those who mastered the faery shamanism she describes, when in reality Ollamh was the term used for the highest ranking poet and translates to "master-poet" or just "master" in modern Irish dictionaries.
  Effectively the author has made up her own tradition, which is fine in and of itself, although I don't agree with many aspects of it myself; currently she has new books out using the name Kisma Stepnaich-Reidling and a website called the Irish-American Fairy-Faith. The website also has some serious issues with using common domain, out of copyright, materials without credit to the sources while implying Mrs. Stepanich-Reidling wrote the material. Where the real problem lies with her books and tradition is the way she did it - by plagiarizing from many other sources including RJ Stewart and the Carmina Gadelica, and by asserting her own often contradictory opinions about mythology as if they were facts and generally accepted. The result is that people who read this material will either have a massive amount to unlearn later or will be buying into the lie the author is selling that her tradition is the modern face of the ancient Faery faith.
   Some links further discussing the books:
When Is A Celt Not A Celt
Open Letter from Former Student
Discussing the Plagiarism

Pagan Piety

  I'm in the mood for a bit of a rant today, so you've been warned.... 
   There is probably no faster way to start a fight on a pagan discussion board than to bring up the subject of piety in any form. For some reason the topic itself seems to immediately put people on the defensive, as if even discussing it is implicitly judging everyone. If I could have one wish relating to how the pagan community interacts among itself (hey a girl can dream) I think I would wish that each individual would stop judging everyone else based on what works for the individual.
  For example if you bring up the topic of devotions on a discussion group, instead of an actual discussion about devotional practices many times it very quickly devolves into more-pagan-than-thou pissing matches. Not everyone sinks to this level, but inevitably someone will comment on how essential frequent devotions are and someone else will react by accusing anyone who does devotional work of having Christian baggage, and then it just becomes a big argument. There doesn't seem to be any respect for the natural variation that occurs within any community; no acknowledgement that with such a personal thing as connection to the gods and spirits what works for one person may be useless for another. And it doesn't seem to matter at all how valuable the practice is for the people who like it, which makes no sense to me. I understand discussing how historically accurate something is or how a practice fits into reconstruction, but the idea of ignoring evidence in support of something and condemning a practice entirely as "unpagan" just because the speaker doesn't like it is ridiculous.
  This is also seen a lot when the subject of dedication to a deity comes up. Within the pagan community you'll see the full range, from people who aren't sure the gods exist and only acknowledge them on holy days to those who feel enough of an affinity to a deity to dedicate themselves to that Power. Actually even within the sub-culture of those who have chosen to dedicate there can be a lot of judgment based on each individual's definition of what dedication means. But one way or another it always seems to come back to some people feeling threatened by others who do things differently, as if the other people's different practice is a judgment on the individual's own piety. A heathen who only acknowledges the gods at blot is no more or less "right" than one who is fulltrui with a deity - the relationships are just different ways to connect to deity based on what works for that individual (and of course what the gods want from them). In the same way a CR who does daily devotionals to the deithe and an-deithe is no more or less right than one who doesn't.
  None of this is to say that there aren't legitimate issues within the subject of piety that are worth arguing over; however it seems like whenever the subject comes up people lose all perspective and let their own bias take over. The community might judge our actions to decide how well or poorly we fit into the community, but in the end it is the gods and spirits themselves who will decide the value of our efforts.
  Piety isn't a competition to see who can get the most god-brownie-points, it's a way to live in right relation with the gods and spirits around us. And, however tribal my overall view of religion is, when you get down to it how we each individually relate to those gods and spirits is unique to each of us. Actions are meaningless if they are being done without the right intention or as empty duty, and not doing what we feel moved to do out of piety because of community judgment also detracts from our connection to deity.
    For my own part I think the most important factor is the spirit any action for the gods is done in, because piety, true piety, is the inner motivation that moves us. Although there can be value in pushing through spiritual dry periods by continuing to practice even when we aren't feeling very connected, in general I don't think we should do what we do not feel in our hearts nor should we hesitate to act when we feel called to if we want to build a real connection to Powers outside ourselves. So I will leave you with this quote I stumbled across on patheos.com: "Are you not aware that all offerings whether great or small that are brought to the Gods with piety have equal value, whereas without piety, I will not say hecatombs, but, by the Gods, even the Olympian sacrifice of a thousand oxen is merely empty expenditure and nothing else?"
- Flavius Claudius Julianus the Pious and Philiosopher

Book review - Taking Up the Runes

    If you can only afford to buy one rune book I recommend Taking Up the Runes by Diana Paxson. Not only because the author includes a wide variety of valuable information and suggestions, but because she extensively quotes and references many of the other most often recommended rune authors including Aswynn and Gundarsson. Because of this through buying this book you get the advantage of the knowledge contained in the other authors' books as well. This is a wonderful advantage for people on limitied budgets who can't afford to buy all of the indivudal books on their own. Although ultimately I do think getting a variety of different rune books is the best way to go, when that isn't an option, especially starting out, this is th eperfect book for you.
     I liked the set up of the book very much, finding it both easy to use and easy to break down into small segments for an effective rune study program.  Each chapter featuring two paired runes and including the Icelandic, Norwegian, and Anglo-Saxon rune poems, as well as suggestions for divinatory meanings and magical uses. Reading the original rune poems is wonderfully enlightening and allows the individual to get a feel for what the runes might mean on their own, without the modern filter of current authors' interpretations. I found it very useful to go over the rune poems for each rune and then mediatate on them for a little while and form my own opinions before reading further and seeing what the modern ideas about each rune was. As I said before Paxson includes not only her own ideas but also the highlights of the interpreations for each rune by the other major rune authors which provides a very well-rounded view of the meanings. While the ritual and meditation suggestions might not be to everyone's taste they do serve to illustrate the possibilities, and could easily be tailored to suit the individual. This is not a historical a study of the ancient runes, but rather a modern exploration of the uses of the runes in the world today and it serves that purpose very well. The magical applications are often aimed at very modern needs like car travel, and should be points of interest even to those who don't intend to use the runes magically.
     The book  was designed based on a series of classes taught by the author and lends itself very well to study groups, particularly those structured (as the author suggests) over a longer period of time. Ideally I would suggest reading it in small segments, either one, or possibly two of the paired runes, at a time so that you could get the most out of each section. Personally I have read it through, used it for a study group, and keep it on hand as a convenient reference. It is generally the first book on runes that I recommend to anyone and the first I go to to check anything.

Catching up...

 So I have been offline now for a while thanks to hurricane Irene. We were very fortunate in that we didn't lose power or water but our phone and internet were out. Being forcibly unplugged was a distinctly odd experience - I didn't realize how much time I had been spending online, both with my college classwork and my random socializing. That is something I do want to address and cut down on...

  In the past week and a half I was able to get out into nature and even travel to the local seashore several times. It was refreshing and invigorating to spend time by the ocean and to be outside in nature in general. I had a chance to reconnect with the living world around me and I think that was definitely a good thing; I was also inspired on several fronts and have a couple new projects in mind.

  Those who read my last blog before the storm may remember that I was getting ready for pagan pride day here in Connecticut on August 27. Although we did have rain on and off throughout the day it was still a good turnout all things considered and people seemed to have fun. I was able to see many friends there, although only briefly as the day was rather hectic. I also taught two workshops which both seemed to go well, from my end anyway. I taught one on Celtic Magic that ended up focusing mostly on practical Irish and Scottish folk magic and a second that was aimed at more a more advanced audience titled "Rites of Passage". The second class was a look at the practical side of officiating at pagan rites. As usual I cna't wait until next year's PPD.
  Now it's time to gear up for the next event I am teaching at CWPN Harvest Gathering where I am doing workshops on Faeries (one of my fave's to teach), Intro to Druidism, and Animal Magic. Then it will be on to a handfasting, speaking at a pagan spiritualist church, and finally the  Changing Times, Changing Worlds conference in November. The theme for the conference this year is healing and I am very excited both about my own classes and to get to as many of the others as I can manage before I fall over!
   Well, I think that catches everything up to this point - tomorrow I will try to return everyone to the regularly scheduled blog...

Hurricane Irene

  So I am sitting here preparing to head out to Connecticut's pagan pride day, a great event that I think it's important to support. This year I am teaching a couple workshops at PPD as well as helping out by making posters of four of the neopagan wheel of the year holidays and an intro to Druidism poster. And you can't even imagine how hard it is to try to describe what Druidism is in a single poster, especially in a fair and objective manner, but that can wait for another blog...as I'm sitting here getting ready to head out in the back of my mind I'm thinking about Irene, the hurricane that's headed my way.
  We haven't had a hurricane (that amounts to anything) hit here since 1992, I think, with Hurricane Bob. In a practical sense I have bought supplies - water, batteries, non-perishable food - and come up with a Plan. Actually, being me, I have several Plans in a real practical sense of what I can do to keep myself and my family safe. I have done everything magically that I know how to ward and protect my home and strengthen what I already had in place. But still, I keep looking up at the large White Oaks that tower around my house and thinking that it won't hurt to appeal to powers beyond myself to help out here.
  This may be one of the few instances were my spiritual worlds collide, because I am making offerings to both sides of the aisle, as it were. I am asking Odin, who I often see as the Storm Rider, and Thor, God of Thunder, to ward the area of my home. I am asking Manannan to let the ocean be gentle here. And, of course, I am asking Macha to ward my home and family because I tend to ask either her or Odin, as the two I am dedicated to, for aid any time things get very serious. This time I don't think it's going to hurt to ask everybody....and of course I am asking the spirits of the land here to work with me in protecting my home and I am calling on my ancestors. My father especially has been very much in my mind with all of this; my whole childhood he used to spend each hurricane season with a dry erase map plotting the courses of each storm...
   At this point I feel as prepared as I can be, mundanely and spiritually, for this storm. It makes me wonder though for my other esoteric friends out there in Irene's path - are you doing anything "extra" to preapre for the storm?

Book review - The 21 Lessons of Merlin

I've decided to dedicate Monday's blog to book reviews. These will be fairly short and to the point, and try to focus on books relating to CR Paganism, Druidism, and Heathenry.
  To start, here is a basic book review of the (notorious) 21 Lessons of Merlin  by Douglas Monroe:
   21 Lessons is allegedly based on the secret teachings of Merlin, as revealed through the Welsh Book of Pheryllt; however this is nothing but a ploy to draw the reader in - the Book of Pheryllt is a well known forgery and there aren't any existing "ancient" lessons of Merlin. Rather the author seems to use these claims to set up his own authenticity as a teacher of true ancient Druidry while actually inventing a system almost whole cloth. I say almost because the author does include at least one "ancient" chant stolen from the 1981 movie Excalibur; anyone familiar with the movie should recognize it right away.
   I found this book was not worth reading as well because it was poorly researched and is full of historical inaccuracies and anachronisms. There is little to no actual Celtic mythology or material in the book at all, which is clearly a problem. Monroe at various points asserts that the ancient Druids were vegetarians and that Easter was a Druidic festival to the Goddess Ishtar, neither of which is either true or even possible. He mentions pumpkins as if they were a native European plant when they aren't and also talks about using pumpkin flowers at Samhain, long after the plant has stopped flowering. Worse than all of that though is Monroe's deep-seated misogyny which is displayed throughout the book. For example in 21 Lessons the Druids are divided by gender based on the theory that men generate magical power but women can only gain it by taking it from a man, something that not only makes no sense but goes against basic Celtic cosmology which says that all beings have their own power and which tends to see women as specifically holding the keys to sovereignty and the power of the land.
   It may well have spiritual value for some people - as does The Mists of Avalon, another Arthurian novel - but it loses credibility with me for trying to pass itself off as nonfiction. The argument put forth by some supporters of the book that anyone who criticizes it is not enlightened enough to truly understand it is typical of books that can't back up what they claim - since there is no "ancient" document or tradition of Merlin's lessons, which are entirely the author's invention, the only possible defense is to denigrate the spirituality of the books detractors.  It might have been alright as an Arthurian novel except for the fact that by passing itself of as legitimate "ancient Druid" teachings I feel that it is actually hurting modern Druidry and Celtic spirituality by misleading people who are new to the spirituality. This book, in fact, has little to do with any actual ancient Druidry and even less to do with modern Druidry, and is worth reading only as a poorly written novel.
     If you like Arthurian fiction I'd recommend the The Mists of Avalon series and for studies on ancient Druidry try Hutton's the The Druids or his Blood and Mistletoe or Markale's  The Druids: Celtic Priests of Nature. For modern Druidry Brendan Meyers' Mysteries of Druidry, Bonewit's Bonewits's Essential Guide to Druidism or Carr-Gomm's Druid Mysteries: Ancient Wisdom for the 21st Century would be a good start.

Leaping off the edge...

   I'm taking a break from the more spiritual discussion topics and going personal today.
   I've always been a very self-sufficient person. I pretty much took care of myself from about age 12 on, and I knew that if I didn't no one else would, at least not consistently. I had what you might call a difficult childhood that way, but it made me a strong person. I moved out of my parents house when I was 18 and was married by 19, working 3 part time jobs and handling all the messy details of life like finances and groceries - because you know the old joke about drummers right? (What do you call a drummer that breaks up with his girlfriend? Homeless.) I started babysitting for pay at 12 and had my first "real" job at 16, and in my adult life I have rarely worked less than 2 jobs at once, even after having children. I've always been the one who did what needed to be done...
  Yesterday I quit my job, gave up my nice weekly paycheck, and I'm kind of terrified about that. I worry about what will happen, how we will manage. Although I will be picking up what I can doing tarot, rune, and assorted card readings, teaching esoteric classes, and helping out at my friend's store this is the first time since I was 16 I haven't had a set income. So, why did I do it?
  I took a leap of faith, with every logical ounce of my being screaming the whole way. I did it because my youngest daughter, who is 3 years old, has several chronic health problems and it has gotten to the point where doing what I need to for her and giving my job a 100% was impossible. And when it comes down to it no matter how scary this is for me, no matter how much I worry about what will come tomorrow, I promised myself when she was a baby that I would do whatever I could to make her life one that is defined by possibilities and not limitations. I made a choice to put what I feel is best for her in front of the security that has been the focus of much of my life so far, because I love my children more than I love my own desire for security. Did I do the right thing? I don't know. It will mean changes for the entire family and that certainly brings up the very Star Trek debate of whether the good of the one should outweigh the good of the many. But in my heart I feel I made the right choice and now I can only have faith that somehow it will all work out, even though it goes against my nature to step blindly over that precipice.
    I'm usually the one with the map, backpack full of supplies for every possible eventuality, compass, and 12 emergency back-up plans....but not anymore. Now I am leaping into the unknown. And we shall have to wait and see what happens.

Familiars and why I don't believe in them

This is from a response I wrote to a question on an email group.

     Do Wiccans and neopagan witches have familiars? It really depends on who you ask. There are plenty of people that will say that a familiar is an animal who is bonded in some way with the witch and that helps them with their magic. Familiars are often beloved pets, are said to choose the witch, and seem drawn to magical workings (http://www.netplaces.com/wicca-witchcraft/the-animal-kingdom/familiars.htm). It seems like everyone has a familiar these days and people will talk about theirs with little reason to - and show pictures. New witches will wring their hands and worry about why they don't have one and how to get one, and be offered sage advice from those who do claim to have them. Familiars are a hot commodity.
    In all honesty I am in the other camp, which is the minority; I do not believe that familiars exist in the sense of pets we bond with. The idea of familiars is medieval, based on accusations that "witches" were assigned a demon to serve them and that this demon took the form of a common animal to blend in - the word familiar itself is shortened from familiar spirit, as in "she hath a familiar spirit". Obviously since Wiccans don't make pacts with the Christian Devil or work with demons they don't have familiar spirits, ergo no familiars. There is a secondary approach that views familiars as faeries that attach themselves in animal form to specific people, especially those who practice cunning craft or are closely allied with the Fey, but this concept is not as well known or widespread and would apply on in very specific cases. In either case the historic views of what a familiar was are not often understood in a modern context.
    The modern idea tends to focus on familiars as closely bonded pets who are sensitive to magic workings, but historically a familiar would actually be used for a variety of magical purposes such as carrying messages, enhancing magic, delivering spells to their targets etc.,, effectively making the animal a source of magical energy and an energetic servant. How many of us actually want to use our beloved pet as a magical battery? Others will argue that a familiar is an animal that is not a normal animal but has a special spirit, sometimes even the spirit of a person or guide within it. Do you really want to believe your cat is possessed or overshadowed by a secondary spirit? Because the alternative is to believe that the spirit has permanently bound itself into flesh for the lifetime of the animal which is very limiting to the spirit and would reduce its ability to effectively guide you.
    To me it seems like some people who are very very close to a particular pet choose to view that pet as a "familiar" because it sounds special and important, not because the pet is actually serving the traditional role of a familiar. I would not want my cats to "serve" me magically, or to be possessed, or to be anything but happy kitties living happy kitty lives; maybe that's my bias showing ; )  I do think there may be certain cases where an animal actually is a familiar or at the least is bonded to the person in a way that is genuinely unusual, but I think these cases are far less common than the ones that are just pets. And there's nothing wrong with that. I can love my pets as they are without needing them to be anything but pets.

Bibliography:

Davies, O., (2003). Cunning-Folk: Popular Magic in English History. London: Hambledon Continuum.    

Thomas, K., (1973). Religion and the Decline of Magic: Studies in Popular Beliefs in Sixteenth and Seventeenth Century England. London: Penguin. 

Wilby, E., (2005). Cunning Folk and Familiar Spirits: Shamanistic Visionary Traditions in Early Modern British Witchcraft and Magic. Brighton: Sussex Academic Press. 

Massello, R., (1996). Raising Hell: A Concise History of the Black Arts and Those Who Dared to Practice Them. Perigee Trade

Hear my prayer...

There's a saying in neopaganism "ask three pagans a question and you'll get five answers", well I think if you ask three neopagans about prayer you may get seven answers. It always surprises me that something that seems so essential to me can cause so much controversy in the larger neopagan community; after all prayer can be found (as far as I know) in every culture and religion around the world. Yet there are some people who are very firm in their opinions that prayer has no place in neopaganism. The same is true in Recon. although I've seen it more in heathenry than CR. There just seems to be something about prayer - especially daily or devotional prayer - that really puts some people off. Now don't get me wrong I'm all in favor of personal practice being unique and I don't think what works for me should be required for anyone else; I may pray daily and someone else may never pray outside of ritual, or at all, and that's fine. What I don't understand is people who are totally against the concept altogether.
   There seems to be some idea that prayer, daily or devotional prayer that is, is a "Christian thing", despite the fact that it is seen in many other cultures.  I am not as open about this as I used to be because when I talk about it I almost inevitably am accused of having Christian baggage - hilarious since I wasn't raised Christian and only studied Christianity as an adult long after my habit of daily prayer was begun. But the whole "Christian baggage" thing is a common accusation in some pagan and Recon debates, tossed out without any supporting argument, and used as if it were the final word. The equivalent of saying "No one should listen to you because you think like one of them". Like a child shouting "you have cooties!"
   Personally I love prayer; I pray in the mornings and I pray at night because I find it helps me feel both connected to Powers beyond myself - be they my ancestors, the daione sidhe, or the Gods - and that I get a feeling of peace and centered-ness from prayer. I pray because I want to pray and because I enjoy praying. Prayer is a little way, on a regular basis, to strengthen and reaffirm my relationship with those Powers. I may accompany my prayers with little offerings - incense, candles, herbs, actions - or I may only offer my own energy. I tend to follow the Celtic practice of singing my prayers, making little chants and songs out of traditional material I have reworked or writing my own. I may pray to ask for things like protection for my home and family or blessings, or I may just pray to honor whoever I am praying to. I try to have fun with it; I once made a prayer to Odin in limerick form, even. I feel like I am giving my energy and focus to those Powers for that time and I also feel like I am getting something out of it because it does help me feel better and more connected to them.
   There is a lot of beauty in prayer that I wish more people were open to, even if they don't choose to do it.