Work In Progress Blog Tour

 Well I've been nominated by Arie Farnam, author of The Soul and the Seed to participate in the Work in Progress Blog Tour. The idea is to post the first sentence of each of the first three chapters of your work in progress.
  My current work is the sequel to my urban fantasy novel Murder Between the Worlds. This book picks up where the last one left off with my protagonist, Allie, trying to get her life back to normal after her attempt to help the police solve a series of murders in the first book. She's learning that moving on isn't as easy as she wants it to be, especially since things aren't as neatly tied up as the authorities all think they are. There's several mysterious things afoot, from missing girls to arson, and someone is going to a lot of trouble to make Allie's life unpleasant, but the biggest threat might be the one no one sees at all...
  Anyway, here are the first couple sentences/paragraph from the first three chapters of the rough draft. Enjoy!

Prologue
He watched the girl as she got ready to walk to her car, his hands shaking in excitement. She had finished her shift and clocked out five minutes ago but lingered, talking to friends. He wished she’d hurry. He’d waited too long, until the night he needed to do the ritual, and now there wasn't any time for mistakes.

Chapter 1
Allie McCarthy was not having a good day. She was late leaving for work after losing track of the time. When she turned onto Asylum street, the back road she usually drove to avoid Main Street, she was confronted with a wall of construction equipment and a sign declaring the road closed for repaving. By the time she detoured and fought through the weekend tourist traffic – not even a hint of what it would soon be when summer was upon them – it was quarter past and she was late. She parked haphazardly in the lot behind Between the Worlds, her bookstore, and jogged as quickly as her bad ankle would allow to the back door, hurrying to lower the magical wards that protected the building and unlock the door.

Chapter 2
 “Wow, that stuff reeks,” Jason made a face, waving his hand in front of his face.  

Allie stopped walking, the burning bundle of sage leaves held out in front of her. She glanced around her store, the ordered rows of bookshelves now obscured by a haze of smoke. “I like the way it smells.”

Jason wrinkled his nose, then looked up towards the ceiling, “You did remember to turn off the smoke detectors before lighting that thing up, right? Because I’m going to be really embarrassed if the alarm goes off and -”

“And all your firefighting buddies roll up and see you playing witch.” Allie interrupted, rolling her eyes. “Fine Takada, go open the front door and let some fresh air in.”

Here are the rules:

You write a blog post about your work in progress and include the first sentences of the first three chapters (at least as they stand at the moment). You link back to me and you link to several other authors who you nominate. Traditionally, you nominate four.

 I have been trying to decide who to nominate but am being challenged by the fact that the authors I know either don't blog (I'm looking at you James Ferace!) or don't have a current work in progress that's at a point where its ready to discuss (Looking at you now Nimue Brown). So I'm going to nominate Catherine Kane, because I know she's working on the sequel to her wonderfully fun urban fantasy The Land That Lies Between and she blogs, and also Elen Sentier whose amazing book Moon Song is coming out through Cosmic Egg Books and who I'm sure is working on something, and blogs.

You May Have Fairy Blood If...

So there's a post on a major blogsite about 8 ways to tell if you may have fairy blood. The list is heavily prejudiced towards a modern (post-Victorian) view of fairies and specifically of winged flower fairies as far as I can tell. It also includes an array of characteristics that could apply to many people for many reasons, like feeling the need to lighten the mood in serious situations with humor.
   Now in the traditional lore there are stories of people who have fairy ancestry of various sorts, from the children of selkies and fisherman to those who have a human mother and aos sidhe or alfar father. But I would tend to use a very different measure, myself, when discussing whether someone might have "fairy blood". You'll quickly see a theme for my criteria....but I'll say that I'm not just getting this from folklore, and that I do believe there are more things on Heaven and earth as Shakespeare said, so...
  The following is just my own list, feel free to disregard if it doesn't appeal to you. And I know it won't to many people.

  You May Have fairy Blood If....
  1) An aversion or reaction to iron and iron alloys - its pretty traditional in most stories for the good Neighbors to have issues with iron, which is why its such a powerful protection against them. This same thing can also apply to other traditional fairy protections.
  2) A flamingly inappropriate sense of humor - laughing when other people are crying, or laughing when other people are very angry. In many stories fairies are described crying at happy occassions or laughing at funerals. The jokes they play on people are also often extreme and lean towards the macabre.
  3) An unusual charisma or ability to charm people - if we look at stories that mention people with mixed ancestry they are usually described this way
  4) A reputation for magical skill or healing - same as above
  5) An unusual physical appearance - in stories this can be exceedingly pale, fair, dark, tall, beautiful, Otherworldly or so on.
  6) Intense emotions that may be described as inflexible - again based on looking at how folklore portrays fairies, they are often described as quick to anger, quick to love, and difficult to sway.
  7) A love of both the beautiful and the broken - in folklore the Fey love luxury and fine things. They also have a penchant for the grotesque.

Why Plagiarism and Pirating Books Suck

This is expanded and re-posted from a blog I wrote a couple years ago called "The Ethics of Information"

   Several years ago I wrote this: Twice in the past week I have seen people post online direct quotes they did not write. One was a prayer and the other an excerpt from a book, but in both cases no source was given, nor was it even mentioned in the original post that the person posting the information wasn't the author of it. In the first case when asked if it was okay to share the prayer the person said they had not written it and could not remember the source so, in a move that totally baffled me, the second person replied that they would simply credit the original poster as the source, even though that person admitted they had not written it. A quick Google search turned up the name of the author but even when that was known people continued to credit the poster, I assume because they ignored the discussion under the post. In the second case the person posted a paragraph long excerpt from a book under similar circumstances, but in that case I actually was familiar enough with the book that I immediately recognized it and mentioned the source. The response by the poster was that they liked the subject and just wanted to share. Along those same lines a friend had her entire blog re-posted without attribution by someone who seemed equally baffled as to why that mattered. Sometimes the person may genuinely not realize that it does, and sometimes the person may want other people to think that they did write those words, so they can enjoy the praise and compliments generated from it. And this morning I woke to read a link to a blog talking about yet another site making the rounds that offers free pdfs of many popular pagan books, something that should clearly be against the majority of neopagan morals yet rarely fails to appeal*. (yes I admit it mystifies me that the same person who argues to the death that any magic for personal gain is wrong will turn around and cheerfully download over 100 still-in-print pagan books without seeing any issue with it). 
   Maybe this is a sensitive issue for me because I have experienced it in the past, opening an email to see my own words - my reading list, my spell - under someone else's name and fought back only to get the same reply - who cares? As if I was the one who was wrong, because they say, information should be free for everyone. I have been told that anything spiritual should be free, should be shared, that sources don't matter, or in one case that knowing the true source was the responsibility of the reader not the poster, like some sort of test. Well I will never agree that it doesn't matter or that we shouldn't care. Plagiarism is a big issue in paganism, sometimes by accident and sometimes on purpose, but it will never get any better as long as we as a community put up with it. Now I don't mean things like chants and songs which can be more difficult to track back and spread like ink in water, although it's still worth trying to find sources on those as well, but most other material can be found, and in our online age can be found fairly easily. I would like to hope that it was obvious that any book under copyright - anything under copyright at all actually - should be respected.
   On the other hand there are some things that I do agree belong to everyone. Ritual structure, general meditations, things that truly cannot be traced back to any one person. Mythology. The old beliefs themselves. No one person can claim these things and they do belong to all of us. 
   I think it presents an interesting challenge to the community at large to decide how we are going to deal with the ethics of information. There seems to be a pretty wide spread belief that sources, and citing sources, doesn't matter, and that can only change if we as a community change it. The idea that everything should be free - including books - will only change when the people thinking that way stop and realize how much work and effort goes into that book, or article, or what-have-you and decide that supporting the author (or in the case of deceased authors the family) is better than the quick fix of a free file. What value do we place on something that is free, compared to something that we had to work and save to get? What value do we place on our community itself and it's integrity if nothing matters but instant gratification?

  *I am reposting this today after finding one of my books available on a free download site this morning. It has been downloaded there almost as often as copies have been sold, which represents a significant loss both to my publisher and to me. These sites offer a wide array of in-print in-copyright books all of which represent taking money away from people who put a lot of time and effort into writing, editing, and publishing those books. 
   Taking someone else's words and claiming them as your own is wrong and it hurts the original author. Taking those words and attributing them to "anonymous" also hurts an author. How? Because people who like those words don't know who said them and may never expend the effort to find out. People who might have read more by that person instead add small quote or prayer or article into their own array of material under that anonymous label without another thought. 
  Taking a book in pdf form - or scanning one into that form - and then handing it out like candy hurts authors. It devalues the original work, for one thing, and it takes money away from authors who are already not seeing a huge return for their efforts. It is stealing. Imagine that you have worked hard for months or even years to make something and you put it out to sell it and then find someone else has taken it and is giving it away instead. And lets just be blunt here, free pdfs are not in anyway like library books. For one thing a library has one copy which was paid for and can only go to one person at a time; a free pdf can be copied and handed out exponentially. People who pass out free books are hurting the authors of those books, and anyone who thinks authors make a lot of money and won't notice a few stolen copies of books - or a few thousand pdfs getting passed out - has no actual idea of how being an author really works for the vast majority of us.  
  I want to emphasize that this kind of theft of intellectual property really hurts small authors like myself. It's not a harmless thing or a victimless crime; its choosing to take an action that has a real world impact on a person. This is true whether its a book, artwork or music - people need to think really hard about what they are doing before they do it. If you wouldn't walk up to me, reach into my pocket, and take money out, then why would you ever think its okay to get or hand out a free copy of one of my books?

Novel Writing

I started writing the sequel to my novel (which is free on amazon right now) a couple weeks ago. As part of my writing process I post little word count update and plot hints on my facebook page as I write and I thought it would be fun to share them here as a follow up to my "Novels, sequels and looking back" post. At this point I think I'm about 1/3 of the way through the draft of the new book, so here's where it's at so far:

4,436 words - only just beginning. There's a very dangerous man, a missing girl, and a distraught mother - but my protagonist does not want to deal with more problems. She has enough of her own, and she just wants some control over her life....

6, 037 words - sage, 4 thieves vinegar, and a hopeful attitude might not be enough to turn my protagonists luck around but she's trying. Misery loves company though and she's not the only one with problems....

8,044 words - rekindling romance is a complicated thing when my protagonist feels like maybe she's bad news for the person who cares about her most. Meanwhile there's a new roommate reminding her that life goes on whether she wants it to or not....

11,602 words - Sometimes you really just need a friend to tell you to stop being an idiot. Sometimes instead what you get is a voice from the grave telling you to get your head out of your butt. We'll see if this is a wake up call for my protagonist...or not.

14,664 words – just under 15,000 words and really only just beginning. Comparing to the last book I’m estimating this one will probably end around 100,000 words total so a bit more meat on the bone for you guys that have been eagerly awaiting the sequel

16,800 words - sometimes we just can't let go of the past. Of course its harder to let go when the past is also holding onto us. One small ray of sunshine in my protagonist's otherwise cloudy day is a friendship that is proving much stronger and deeper than she realized it was.

19,763 words - my love triangle is still triangular despite my protagonist's attempts to round it out. Maybe because her heart isn't as clearly decided as her mind is, which is bound to cause trouble for everyone later. Meanwhile there's some very suspicious activity afoot...but no one is connecting the dots yet.

21,732 words - beware making bargains with elves; my protagonist is about to learn that they are a lot better at it than she is. The devil, as they say, is in the details...

23, 574 words - time is running out for our missing girl.

We'll have to wait and see if she meets a bad end or not, but the bad end may be the greater mercy in this case....

25, 779 words - more than one conspiracy is a foot, and they may be on a crash course with each other…

32,669 words - someone is keeping a close eye on my protagonist but they definitely don't mean her well. She's under a lot of pressure and may be relying on the wrong person, but how do you know who to trust when nothing is quite what it seems to be?

37,092 words - the other shoe has dropped and its a big one, but my protagonist has no one to blame but herself for thinking that dealing with elves was a good idea. Meanwhile the game's afoot and my protagonist is finally on the trail of the missing girl, which means she's also only a couple steps behind a very dangerous person....

Novels, Sequels, and Looking Back

So I'm working on the sequel to the novel I wrote last year for NaNoWriMo, and I'm having as much fun with it as I did with the first one. Something I did to help stay motivated during NaNoWriMo last year was to post word counts and little summaries of plots points or how the writing was going every day. I'm doing it again for the new book on facebook but I thought it would be fun to post the recap of all the posts from the first one, Murder Between the Worlds. It's an interesting look back at the process I went through while I was writing and also some fun hints about the way the story developed:

7,101 words- And the plot thickens.

I seriously doubt this thing will be done at 50,000 words; I'm almost 1/7th of the way to that and no where near out of the basic intro stuff...I'd guesstimate maybe 70,000 or 80,000 words in the end...

12, 623- ....and its just starting to get interesting

14,739- I have totally jacked up my protagonists day. Don't judge me! Also this book officially needs a warning for graphic content.

17,882- My protagonists day has not improved and the plot is even thicker.

19020 words- Thanks to my awesome friend Tricia for reading the draft and suggested some changes I have to add some more early stuff, but it was great criticism.

22,347- Someone's running out of time - I feel so Joss Whedon-ish

24,767- My protagonists day has improved and romance is in the air, but someone else is definitely about to end up on the wrong side of a sharp knife....

26,580 words-  6 rough chapters, 45 standard pages - plenty of room for fleshing things out later on

lots of dialogue today and some important character back-story....

30,085 words - My protagonist is about to find out that things can get a lot worse...and there's a love triangle even I wasn't expecting that is definitely going to complicate things.

33,439 words- my protagonist has made a significant breakthrough, clue-wise. Unfortunately someone close to her made the mistake of trusting the wrong person and was rewarded with a knife (or two) in the back....

37,006 words- Death has caused someone to seek solace in another's arms, which is bound to agitate my unintended love triangle. Someone else might have a chance for unexpected redemption - the question is, does he want to be redeemed?

40, 088 words- Some relationships are starting to fracture under the strain of the recent murder, while others are strengthened. My protagonist has made a major breakthrough, which is turning out to be a double edge sword, and little does she know the worst is yet to come...there's another knife waiting in the dark and this time its hitting very close to home indeed...

42,778 words- A minor clue has been slipped in with the bigger one and my protagonist is on the cusp of a major breakthrough- but the killer is about to throw out a big red herring to try to get the investigators off his trail...we'll have to see who falls for it

Also, I apparently really love writing dialogue - who knew?

45,177 words- My protagonist has realized that knowing as much as she does is putting her in danger. Those around her who need her help to solve this mystery are trying to protect her but it may not be enough.

Also there's a kelpie, because why not?

52, 228 words- my protagonist made a huge breakthrough in understanding why the killer is killing, and then made a very hard decision; she also seems to have uncovered an unexpected ability, but unless she learns how to use it, it could be more of a weakness than a strength. Unfortunately for her the killer has struck again close to home, trying to throw the investigators off his track, and he may have found some new allies.

55049 words- my protagonist has gone to the borders of Fairy seeking answers, and met the an important person there. Soon though its back to reality and there's bad news waiting for her there...

59, 281 words- my protagonist is taking the latest death very badly. The killer has set his sights on her as the biggest risk to his plans, but she may be too blinded by grief to see the danger, and the investigation is in chaos as the police argue over the false clues...

62,736 words- my protagonist has decided to be proactive and try to actively seek the killer out, rather than wait around to be killed, but this might not be the best idea. The investigators have divided and the official search for justice is stalling as everyone fights among themselves, which might also place my protagonist in more danger.

69, 736 - my protagonist found the last major clue, but no one has been able to put the cryptic pieces together yet. The other side of the love triangle chose the worst possible moment to start fighting for the girl, but he may have waited too long - when everyone's guard was down my protagonist ended up in the killer's hands. He's got a fate worse than death in store for her unless she can find a way to use her new ability to call for help, and even then - will help arrive in time?

73,387 words- denouement ~ finis opus

Sorry guys can't say anything else or I'll give away the ending

I suspect with editing and some added description and dialogue it'll pass 75,000...

83,421 - final word count

http://www.amazon.com/Murder-Between-Worlds-Novel-ebook/dp/B00MU9R106/ref=pd_rhf_gw_p_tnr_1

The Morrigan, War, and a guest blog on Patheos

 Yesterday I wrote a guest blog for Raise the Horns on Patheos titled The Morrigan, War, & How We See Our Gods. It looks at the more difficult aspects of the Morrigan's mythology and character and why it's important, in my opinion, to face those things in her we fear or are disturbed by instead of turning away from them or trying to minimize them. It also touches on the equally challenging subject of the value of war in the quest for peace. Click over and give it a read if you're interested.  

the Story of the Sword

 "Fergus dixit ’ ‘Fó fer fris tibther manip sceó mera mórgnímo merthar airbiur mo chlaidib mache mind mosdísem calga de Galión gáir..."

"Fergus said: ‘By the point of my sword, halidom of Macha, swiftly shall we wreak vengeance on swords following on a cry (for help)..."
-Tain Bo Cuailgne

Macha's sword, my ritual blade

  I have long known that I needed to find a bronze sword for ritual use, but I never felt a huge need to get it done, just a general sense that eventually it would be needed. Late last year that sense started to become more urgent, and I realized why after finding out that I had to have a sword for a ritual I had volunteered to participate in at a retreat. I cannot work with iron so finding a bronze blade became a top priority...and so this is the story of Macha's sword and how I came into possession of it. 
   I knew that the only realistic option would be to commission the sword and several people recommended that I check out Neil Burridge's site *. His selection is good and the quality was vouched for by multiple people so I decided to email him. Because he offers replicas of blades found in Britain and I was looking for an Irish blade I requested the closest sword in style to what I wanted. I was pleasantly surprised when the sword maker contacted me and opened a dialogue offering an opportunity for me to explain exactly what I was looking for, and even more pleasantly surprised when he offered another option, a slight variation on one of his stock swords. This blade was very similar, he said, to an archaeological find from the Nooan area of Inchiquin in Ireland and he provided a link with some information. The find was associated with Lake Inchiquin, itself a place rich in fairy lore, and I was pretty quickly won over to the idea. 
  This all occurred around Imbolc this year and I knew I needed to get the blade within a few months; however I was forewarned that the actual forging might take some time. Things proceeded faster than expected though and I was contacted again on the 14th of that same month and told that the blade had been cast. That day Cornwall, where the sword was being made, was experiencing severe storms similar to what we in the United States would call a hurricane and it was in the midst of this storm and its immediate aftermath that the sword was made. It seemed entirely appropriate that this sword, intended to be dedicated to Macha, was born in a storm with all that energy around it. 
   It also came about that the sword was blessed at a holy well in Cornwall**, the Madron Well. Triple blessed, actually, being taken to a clootie tree at the site as well as laid on the stones of the well itself and dipped in the waters. I felt extremely lucky and honored that this was able to be done for the blade, but somehow also not surprised; at this point it was clear that the sword wasn't an ordinary commissioned piece. It had a spirit of its own already and a sacredness to it.

the sword at Madron Well, photo courtesy of Neil Burridge

  After being forged, hilted and blessed it was duly packaged and began its journey across the pond. This was a rather nerve wracking process, as it ended up being held in customs for several weeks, and the idea of it being lost in transit was rather appalling as it could never have truly been replaced. But finally a few days shy of the spring equinox it arrived safely. (I'll add here - if you ever order a sword from over-seas anticipate it being held in customs and be prepared for a longer wait time. Expecting the delay won't make it any less stressful, but at least you'll know it takes longer than usual)

   The blade was blessed here and dedicated to Macha on the equinox. It traveled with me to the Morrigan Retreat this past June and played its part in a ritual for Her - and truly has proved to be a sacred thing of Hers. It rests near Her statue and devotional items on my altar now, until it is needed again. 
  My next project is to make a scabbard for it, with appropriate bronze age style decorations.

* I can't recommend Neil highly enough. His work is amazing and more than worth the cost. 

** this is another story, but not properly mine to tell. I will say that the sword seems to have  a bit of its own agency...even before I got it.