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Thursday, February 6, 2014

An Essay on the Instruction of King Cormaic Mac Airt

      There are several Irish texts that offer instructions on how a King should live in order to be a good King, and these texts serve as good instructions for anyone to study on how to live a good honorable life. One of the best of these is the Instruction of King Cormaic Mac Airt, a dialogue that occurs between Cairbre and Cormac, where Cairbre is quizzing Cormac about the proper qualities of a King. The answers given describe the characteristics a King should embody, but these characteristics are equally applicable to any  person seeking to live a good life. These characteristics can be divided into two categories: ways that the person should act towards others, and ways that the person should uphold themselves.
     The dialogue response begins with Cormac describing ways that the King should act in order to uphold his own honor. The first of these is by having good geasa, or ritual taboos that are positive. This could apply to anyone who has a geis on them, if only in the way we choose to look at the ritual taboos that bind us; we can choose to see our taboos as positive or negative and how we react to them shapes their nature on some level making them either a gift or a burden. The next line advises the King to be sober, good advice since drunkenness is often a source of trouble. The King is advised to be an invader as well, which is a slightly more obscure line; however I believe that this advice pertains to ambition and the need for any person to have a healthy sense of what they can achieve. Only by pushing outward and seeking to expand can we truly achieve our own potential. The following lines suggest a good King should have good desires and be affable, telling us that people should seek to want what is best for themselves and have a friendly nature. A good King should be both humble and proud, meaning that we should be humble in knowing our own limits and admitting to our own mistakes but also proud of what we do achieve and owning our own success; only through a balance of these two can true success be found. In the same way we should be quick and steadfast, meaning we should act quickly when speed is needed but also have the stamina to stick with anything and see it through.  A good King, or a good Druid, should be a poet, versed in legal lore, and wise, as well as temperate. All of these qualities should be embodied in the King, or person, for them to find the inner strength to live honorably in all these ways, because these external expressions reflect the character within.
    Cormac also touches on ways that a good King should interact with others, beginning with being generous, decorous, and sociable. These three features all intertwine to support each other, and to support the proper social order where the King sets the tone for the Kingdom, but it is possible for anyone else to also live by these maxims and seek to express these things as well. Along with this go other suggested actions according to Cormac, such as feeding orphans, giving good judgments, raising up the weak, quelling wrongs, and loving truth while hating falsehood, all of which can be embraced by anyone seeking to live in honor. To seek to live these qualities is to seek to live Truth and support the right order of the world. The truth of this statement is seen in the final passage where Cormac describes what will occur in the kingdom of a good King, should he follow all this advice. We see the description of a good King ruling over a fertile land, with oak trees full of acorns, fruitful earth and rivers full of fish. In the same way if we as individuals seek to embody these characteristics and live these actions then we can also bring blessings upon the world we live in. 

Tuesday, February 4, 2014

Recommended Reading for Irish Druids

Irish Druid's reading list:
The Mysteries of Druidry by Brendan Myers - a great book that discusses Druidism from a specifically Irish perspective including both history and modern practice
Celtic Flame: An Insider's Guide to Irish Pagan Tradition by Aedh Rua - a greta look at one person's attempt to create a modern Irish pagan tradition. Useful for an Irish Druid on several levels, including ritual structure and thought provoking ideas on theology
The Apple Branch: A Path to Celtic Ritual by Alexei Kondratiev - not Irish specific but a must read fo rthe histrory of the different holidays; also full of important mythology and folklore
The Sacred Isle: Pre-Christian Religions in Ireland by Dáithí Ó hÓgáin - one of my personal favorites, a great look at the pagan Irish and Druids; the author does tend to look for a classical model for the Gods, so some of his ideas should be taken with a grain of salt, but overall very useful.
The Lore of Ireland: An Encyclopaedia of Myth, Legend and Romance by Dáithí Ó hÓgáin - essential quick reference for different Irish material, especially deities, heroes, places, and holidays
The Druid's Primer by L. Eastwood - again not Irish specific but an excellent look at the basic history of Druidism and a possible modern structure for it
Blood and Mistletoe: The History of the Druids in Britain by Ronald Hutton - an in depth look at the history of Druidism, particularly the revival period
The World of the Druids by Miranda J. Green - focused more on the history of Celtic religion and Druidism, including archaeological evidence
Druids, Gods & Heroes from Celtic Mythology (World Mythology Series) by Anne Ross - a basic introduction to Celtic mythology
Celtic Heritage by  Rees & Rees - an indepth look at Celtic culture
A Druid's Herbal of Sacred Tree Medicine by Ellen Evert Hopman - lots of herbal lore, but also tidbits of Druidic history and lore about the holidays
Druidry and the Ancestors by Nimue Brown - not specifically Irish, but an excellent look at how to incorporate ancestor honoring into modern practice
War, Women, and Druids by Philip Freeman - a concise collection of ancient references relating to Celtic culture including Druids and bards
Druids Sourcebook edited by John Matthews - a collection of a variety of early and later references and articles about Druidism.
I'd also repeat my Irish recon reading list as it includes a lot of the important mythology:
Festival of Lughnasa by Maire McNeill - an in-depth look at the historic and modern celebration of Lughnasa, including a good deal of folklore and mythology
 The Lebor Gabala Erenn - the story of the invasions of Ireland by the Gods and spirits and eventually humans.
 Cath Maige Tuired - the story of the battle of the Tuatha de Danann with the Fomorians.
 the Year in Ireland by K. Danaher - an overview of holidays and folk practices throughout the year.
 The Silver Bough (all four volumes) by F. MacNeil - Scottish but extremely useful for understanding folk practices and beliefs
Fairy and Folktales of the Irish Peasantry by Yeats - a look at folklore and belief, important for including the Daoine maithe in your practice
 Lady with a Mead Cup by Enright - useful look at ritual structure and society in both Celtic and Norse cultures
 Celtic Gods and Heroes by Sjoestedt - discusses both the gods and tidbits of folklore and mythology
I'd suggest my own books as well, but that seems a bit self serving..



Saturday, February 1, 2014

A Family Imbolc

   This year's Imbolc was a special one for me, celebrating with the children, for two reasons. Firstly, because my oldest daughter, who is 10, has taken an active interest in participating over the past year. Secondly because I spent last Imbolc in the hospital recovering from a near fatal postpartum complication. This Imbolc I am home with my family, healthy, and have my children fully joining in with what I am doing. Life is truly good.
   Kevin Danaher in his book the Year in Ireland explains in detail about different Imbolc celebrations and I take some of my inspiration for practice from him. I start my holiday at sunset on January 31st, Imbolc eve, when it would have been traditional for families to prepare a big dinner, welcome Brighid in, make new Brighid's crosses, and set out a brat Brighid, Brighid's mantle, for the goddess to bless when she visited over night. In the morning omens were looked for to confirm Brighid's blessing on the home, athletic games might be enjoyed and the community would gather to celebrate.
   Last night we prepared the leaba Bhrighid, Brighid's bed, placing it in front of the fireplace. My oldest daughter took the Brideog (a small doll representing Brighid) outside and knocked on the door, announcing "Open the door and let blessed Brighid in"
  Holding the baby I opened the door with my younger daughter at my side and we said "Welcome! Welcome! Welcome! We welcome in Brighid to our home, your bed is ready."
  We all walked up to where the leaba Bhrighid was waiting and placed the Brideog inside, tucking her in and placing a small willow wand, the slat geal, in with the doll.

 We sang a little song we made up:
  "We welcome you in
   We welcome you in
   We welcome you in
   Blessed Brighid is here

   Your bed is ready
  Your bed is ready
   Your bed is ready
   Blessed Brighid is here

  Please bless our home
  Please bless our home
  Please bless our home
 Blessed Brighid is here"
  The children really enjoyed the pageantry of it all and especially the signing. I told them a few stories about Brighid and who she was and we talked a little bit about her symbols and the different things, like the leaba Brighid, that we were using. After getting the Brideog set up I placed my brat Brighid out on the windowsill, and we went to bed.

  This morning we woke up to bright sun and mild temperatures. We looked for omens of Brighid's visit and received several positive ones, including the sight of a rare Horned Lark; larks being birds associated with Brighid, and their song as an omen of good weather to come. I also noted the lack of wind, tying into another traditional Imbolc omen:
"As far as the wind shall enter the door
On the Feast Day of Bride,
The snow shall enter the door
On the Feast Day of Patrick." (Carmina Gadelica, 1900)
  Later today we shall make new Brighid's crosses, and tonight we will end our celebration with a dinner of pork and colcannon, and another Imbolc will have come and gone....

Monday, January 13, 2014

Ode to Caring for a Chronically Ill Child ~ for Paige

Sometimes I feel like the ocean
My waves fighting against
a relentless shore that refuses
to yield to my determination
High tide follows low in an endless
cycle of loss and gain and loss again
and you float upon the water, mo ghra
a tiny currach, without oars,
at the mercy of wind and wave
and the remorseless pull of land
blissfully unaware, you rest, held
up on the surface of my concern
What you are not able to feel, 
I will feel for you, mo ghra,
the heat of day, the cold of night,
the pain of injury and illness
your heartbeat, irregular as
my waves breaking on the shore
I will feel them all for you
As I feel each pounding wave
Do not fear the drag of land, mo ghra,
I will keep you from the jagged rocks
My surging sea will keep you safe
My waves will cradle you gently
And I will sing to you of stars and love
and if I cannot save you from the shore
then I will hold you all the way in


Thursday, January 9, 2014

Sacred Horses

  Horses have long been seen as sacred animals in Irish paganism. Evidence shows the presence of horses in Ireland as far back as 3000 BCE and we know that during the Celtic period they played an important role (O hOgain, 2006). Horses were a status symbol, a very practical means of transportation, work animals, and also served in warfare, the Irish fighting mounted and with chariots. Many Irish Gods are associated with horses, including Macha, Aine, Dagda, and Manannan, and tests of mythic kingship often feature horses (O hOgain, 2006). Aine, for example, was said to take the form of a red mare and travel around the area near Knockainey. Horses often figure in mythological tales; for example Cu Chulain's horses played a role in the Tain, with one of them, the Grey of Macha, weeping prophetic tears of blood before the hero's death. The horses of Donn are said to escort the dead to the Otherworld, by some accounts, and horses were believed to be able to see ghosts and spirits (O hOgain, 2006). Horse skulls and long bones, like human ones, were preserved in ossuaries and there have been archeological finds that included the ritual burial of horses that are believed to have died naturally, showing the importance that the Celts gave to horses (Green, 1992).
    Even up until more modern times horse symbolism was important, and we see things like the Lair Bhan, (white mare) a person dressed up in a white sheet holding a carved horse head or skull who led a procession from house to house at Samhain. Holidays like Lughnasa prominently featured horse racing, which might be a race over a flat course or involve the riders swimming the horses across a river. An very old Irish belief was that horses had once been able to speak as humans could and that they were still able to understand people, making it important to always speak kindly to them (O hOgain, 2006). There are also a wide array of beliefs relating to Otherworldly horses like the Each Uisce and Kelpie; the movie Into the West deals with the story of an Otherworldly horse's relationship with two children in modern Ireland. It was believed that the seventh filly in a row born of the same mare (with no colts in between) was a lucky and blessed animal, called a fiorlair, a true mare (O hOgain, 2006). A true mare was naturally exempt from witchcraft and fairy enchantments, and this protection extended to her rider (Monaghan, 2004). Horses in general were lucky and would be walked over newly plowed fields, on the belief that a horse trampling freshly planted seed would make the crops grow better (O hOgain, 2006). Many protective charms and superstitions are aimed at protecting horses from the evil eye, fairy mischief and general ill health.
    At least one author suggests that eating horse meat was taboo in Ireland except under rare ritual circumstances; although we know that horses were eaten in Gaul and southern England they did not seem to be considered a food animal in Ireland (Monaghan, 2004; Green, 1992). Reflecting the sacred and important place that horses had in the culture, sites in Gaul that include the remains of sacrificed horses usually also include human sacrificial remains (Green, 1992). We know that in specific cases in Ireland horses were sacrificed and eaten,  in association with the crowning of a king. Ceisiwr Serith posits that horse sacrifices at ritual inaugurations are related to similar Indo-European practices, especially Vedic (Fickett-Wilbar, 2012). A ritual was enacted in Ulster, according to Gerald Cambrensis writing in the 13th century, where the new king had sex with a white mare who was then killed and stewed; the king bathes in the stew and then eats it as do the gathered people (Puuhvel, 1981). This ritual likely had  ties to the horse's symbolism and represented the king joining with the goddess of sovereignty (whichever one that may have been, I suspect Macha, although killing a horse wouldn't make sense when that was the animal that may have represented her).
     Although I support traditional religious animal sacrifice in a Celtic and Norse context I am absolutely against sacrificing or eating horses. This is a controversial topic, but my opinion on this is firm. At one time I had held a different view on this born, I must admit, out of a hesitance to judge modern cultures that still eat horses. But the reality is I can judge the practice as wrong - like eating whale, dog, or tiger - without condemning the entire culture that does it. The ritual recorded by Gerald is a main one used by modern people wanting to do horse sacrifices to defend the idea, however it should be obvious for several reasons why this ritual does not justify modern horse sacrifice. Firstly, it was rarely done, as far as the evidence we have shows, and only on the most significant of events, the crowning of a king and his marriage to the land. We have no modern equivalent to this. Secondly the ritual also involved public bestiality and bathing in the food before it was served; I hope the reasons not to do this is self-evident. Beyond this, as can be seen by the Gaulish examples of interred horse and human sacrifices, the killing of horses seems to have been viewed as an occasion of the utmost gravity, on par with offering a human life. Green theorizes that these events related to the fulfillment of battle pledges, where a warrior going to fight promised to give to the Gods all the spoils of war, including weapons, horses, and human captives in exchange for victory (Green, 1992). Just as we no longer practice human sacrifice because it goes against our social norms and morality, so too should we leave horse sacrifice in the past. Horses, like dogs, are animals that we have domesticated to work with us and as pets; they are not food. In the past our ancestors may have eaten them, but they also had far fewer options than we do; they needed to eat their domestic pets - we don't.
   I also feel strongly that it is wrong to sacrifice horses to Macha especially. In Irish myth it is almost always geis to eat the animal that represents or is connected to you; Cu Chulain has a geis against eating dog, Dairmud has a geis not to hunt the boar that is magically bound to him, and Conaire cannot hunt birds, to give some examples. Since horses are Macha's animal it follows that killing or eating them would be offensive to her. I personallt received a geis against eating horse when I became her priestess. We do not have a single example from myth or folklore of horses being sacrificed to Macha and we do have evidence that killing or eating a symbolic animal was taboo.

http://networkedblogs.com/S04ay

   There's a great group on Facebook called Pagans and Heathens for the Horses for people interested in taking a public stand against horse slaughter. You can also consider petitions like this one or this one to sign, speaking out against legalized horse slaughter in the United States.
   There are also more direct ways to help, if you feel moved to do something in honor of horses or in the name of a horse related deity. You can donate to a horse related charity such as Equus, or find a local horse rescue in your area. A friend's uncle has been giving homes to abandoned horses for years and is now struggling to feed them - if you want to help there is a page set up for donations here. If its possible you can consider finding a local stable and taking riding lessons, or just visiting to spend some time around the animals. Getting to know horses in the real world will give you a much better understanding of their importance and sacredness in the ancient world, in my opinion.

References:
O hOgain, D., (2006) The Lore of Ireland
Monaghan, P., (2004). Encyclopedia of Celtic Mythology and Folklore
Green, M., (1992). Animals in Celtic Life and Myth
Puuvel, J., (1981) "Aspects of Equine Functionality," in Analecta Indoeuropaea , pp. 188–189
Fickett-Wilbar, D (2012). Ritual Details of the Irish Horse Sacrifice in Betha Mholaise Daiminse, Retrieved from http://www.clarkriley.com/JIES4034web/04Fickett-Wilbar(315-343).pdf

Tuesday, January 7, 2014

Book review - Tvaer Galdraskraedur or Two Icelandic Books of Magic

  I haven't done a book review in a while, so I thought it was time to offer one. I recently read Tvaer Galdraskraedur or Two Icelandic Books of Magic, a book offered by Strandagaldr (Icelandic Musuem of Sorcery and Witchcraft). Since I very much enjoyed it I thought it would be a good choice to review.
    This is a fascinating work that is, effectively, excerpts from Icelandic grimoires. Each rune stave is shown with a short description in Icelandic and English which describes how to use it and what it does. The book itself is a consolidation of several surviving grimoires from 17th and 18th century Iceland and includes staves for a variety of things, often with multiple staves for any single purpose. These include everything from winning in court or catching a thief, to testing a woman's virginity or turning her heart to you, to casting out spirits and protecting from witchcraft. Two versions of the somewhat infamous "Fretrúnir" are given, which I was pleased to see, as they comprise one of the more interesting aspects of Icelandic rune magic. There are also several prayers listed, all thoroughly Christian, although in other sections the Norse Gods - particularly Baldr, Thor, and Odin - are invoked. There is a section which offers a variety of seals, along the lines of what one might find in a ceremonial magician's text, like the Lesser Key of Solomon. I will warn readers though that at one brief point several descriptions/prayers are translated not into English but in Latin, so if you don't speak either Icelandic or Latin you won't be able to understand what those few runestaves are for.
   The book's biggest drawback is that it does not get into the theory or history of the runestaves or runic magic, although it does briefly discuss a history of the grimoires in Iceland during the introduction. However there are other books on the market that one could buy that do get into the theory if you want that end of things. I'd recommend having at least a basic knowledge of runic magic or runestaves if your interest in this book goes beyond curiosity. That said though, the collection of staves offered is impressive and the descriptions attached to each - although short - are very interesting and include details like what materials to use, what (if any) words to say, and where to place the stave.
   This book is a good investment for anyone interested in runestaves or in the history of Iceland, as a lot can be gleaned from looking at the topics of the staves. For example, apparently people were mostly concerned with fishing, lawsuits, women, thieves, trading, evil spirits, overcoming enemies, and hexing livestock. And occasionally cursing their enemies with dysentery. For modern runic practitioners having access to such a wide collection of staves with the attendant descriptions is invaluable. Definitely worth getting a copy while they are available.

Saturday, January 4, 2014

Fun with Novel Writing

Just thought I'd share: I participated in National Novel Writing Month (NaNoWriMo) for the first time last November and wrote an urban fantasy novel. After a few friends read it and encouraged me to publish it I decided to go ahead and go for it. I'd been editing and revising it but, in attempting to get one of the NaNo prizes - a free hardcover - I appear to have just accidentally published my novel on Lulu. Ummm. Oops? LOL So here it is - my first ever novel http://www.lulu.com/shop/morgan-daimler/murder-between-the-worlds/paperback/product-21381405.html