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Tuesday, May 12, 2026

Being in Service to the Other

 

written in 2022; revised 2026

 

Recently I've seen a lot of discussion about what exactly pagan priesthood is and should be, which is a good thing. This is a topic that needs to be discussed more often and more thoroughly in a community where many people clamour for the title but fewer are perhaps willing or equipped to do the actual work. John Beckett has written about pagan priesthood in several blogs including 'Preparing for Pagan Priesthood' and 'The Limits of Accessibility for Pagan Clergy' and Lora O'Brien has an entire book on the subject: 'A Practical Guide to Pagan Priesthood'. These are all vital aspects of the ongoing conversation and I sincerely hope that they move the wider understanding of modern pagan clergy forward.

 

From my own perspective, admittedly as someone raised a bit feral and without structured religion, it has often seemed to me that Pagan priesthood today is heavily modelled after Christian clergy. There is an ingrained idea that a single person can or does serve all roles - ritualist, teacher, counsellor, mediator between humans and spirits, magician, organizer. I don't often see the idea of pagan priesthood specializing, or the acknowledgement that a single person may not be equipped to handle all aspects of such service. There's also a pervasive sense that the clergy person may be serving the Gods or spirits but is primarily serving the human community and in place to aid that human community and to help it grow and flourish in its spirituality.

 

I am not part of that kind of priesthood, although do consider myself clergy.

 

I can obviously only speak for myself here so I'm not trying to make any blanket statements for everyone who may feel they are clergy serving the Other[1] and whose experiences differ from my own. Hopefully other voices will add themselves to this discussion and a fuller picture will appear of what this type of priesthood is like. For now I will at least offer my own ideas and experiences here.

 

The first thing that I would say here is that this is not a path I chose and I suspect that those who end up serving the Other don't do so because they set out to. I'm not implying that I'm special in any way - I don't think I am at all and I know other people who have similar stories - but I do think that it isn't for us to decide that we are going to do this the way we might decide to set ourselves to learn a skill or train for a job. This is a calling, something that we are compelled to do. In point of fact while I can certainly look back all the way to my childhood and see a trail of interaction that logically led me to where I am now up until 2016 I was quite happily focusing on other things; my connection to the Otherworld was only a part of who I was, not the sum total of my identity. That didn't change because I decided it was going to but because They intervened, and I think that's how it tends to go. This is not a choice we make but one we can only fight against or consent to.

 

Whereas those who are priests/priestesses for the human community are logically focused on serving the human community the focus for those who are clergy to the Other is unrelated to the human community except when and where that human community must be dealt with for the sake of the Other. Let me give an example. Human focused clergy work up rituals whose ultimate purpose includes honouring and connecting to the Gods but which is also meant in large part to offer a meaningful spiritual experience for the human participants which facilitates their spiritual growth or feeling of connection. How much or how little this is the focus will vary, but I have yet to personally see a pagan ritual in this format whose purpose isn't at least in part the experience of the human participants. In contrast when I engage in ritual for or with my spirits it's not about me, it's about them and while I may get a feeling of increased connection out of it that isn't the point - and quite frankly I don't think they care whether I feel moved or not as long as they get what they need from it. I have had experiences when I didn't remember to offer something or do something and they simply took it because they considered it their due, which illustrates my wider point.

 

Another thing I would note based on my experiences is that when the Other puts a person into a position of teaching it’s for their own benefit not to better humanity. The idea isn't that you are acting to help humans evolve into better humans or achieve some higher consciousness but to help Themselves regain some of their lost respect and position. And those two goals are antithetical. I'm sorry if people disagree with me there, but it's true - in our current hubris-rich, human-centred culture we can't encourage a focus on the importance of humans and act like the Other is hyper focused on helping us be better and also return to a place where the Other was given an atavistic respect and even fear. And trust me some of Them do want to be feared again.

 

This service is also not predicated on helping or counselling the human community in relation to the Other. Now it is true that people do contact me for guidance about problems relating to the Good Neighbours, but in this context I am not advocating for or trying to assist the humans - I'm on the side of the Other and trying to act as their intermediary in the situation. To use an analogy I'm a bit like a wildlife rehabber who comes in to deal with situations where a wild animal and humans have caused each other problems; the rehabber is trying to get the best outcome for the animal and secondarily the humans. That's basically me in these situations with the Othercrowd. I am not a pastoral counsellor or spiritual therapist, I'm an Otherworldly troubleshooter.

 

Being clergy to the Other is also not in any way easy. My particular focus is the Daoine Uaisle (Gentry) and they are demanding, uncompromising, and unrelenting. This isn't hyperbole. Not to downplay the difficulties that come with serving Gods as clergy because I know that isn't easy either, but in my own experience there is something that is more relatablely human in the Gods, or in how they choose to interact with us anyway, that is absent in the Other. Macha might be sympathetic to my needs as a new mother for sleep and even Odin could be negotiated with but the Good People have only their own agenda to worry about. How their clergy manages to enact that agenda in the human world is the priest or priestess’s problem, not theirs. They can also be unremitting in their expectations and their requirements - I have things I'm expected to do, no matter what, and I have prohibitions that I must not violate, no matter what[2]. I also have layers of things I should not do that are less dire in their consequences, but still present. This service is not easy, and it isn't something to be entered into lightly. It has a heavy cost and it only grows heavier the deeper one goes.

 

Ultimately serving the Other means focusing on the Other and enacting their will, in some sense. The things that make pagan clergy useful to the human community may or may not apply to clergy for the Other but in my experience for the most part they don't overlap as much as I might have expected. To use another wildlife based analogy I might say that pagan clergy in general are like park rangers their purpose being to aid humans in interacting with an environment and its animals safely and to take care of that place, while clergy for the Other are like those people who wander off to live off grid in the woods and see themselves as part of the environment not a visitor to it. That's a very rough analogy of course but hopefully it gets a bit of the idea across.

 

Priesthood to the Other rather than the human community is a multi-layered thing, just as priesthood to the human community is, but it is different in essential ways. Priesthood for the human community is about serving the Gods and spirits in order to maintain balance and gain their favour for the human community. Priesthood for the Other, quite frankly, isn't concerned with the human community's overall well being. In point of fact in my experience serving the Other as clergy has only the most tangential connection to the human community and instead is focused on the Other. All those things that are usually listed as so essential to pagan clergy fall by the wayside when you are centred on beings who aren't interested in humanity at large, groups of worshippers, or even individual spiritual advancement. The only comparison I can think of here[3] is the difference between parish priests and monks or nuns; both serve their God but one is community faced and the other is deity focused.

 

This is also not a path for someone who has divided focus or who isn't comfortable othering themselves more than they may already be. It is a hard thing to do and one that once you start doing you can't - as far as I know - stop. It is consuming. It's also important. The Gods and the human community have clergy and as paganism grows those numbers grow and develop, but the Other increasingly is speaking and wants to be heard - and needs more of a voice.

They are reaching out and finding those who can serve that need.

 

 

 

PART 2 My Practice

 

So having written more abstractly about what I think being clergy to the Others is like in contrast to being clergy to the human community I felt like maybe I should follow that up with a bit of a more personal take on it. A discussion of what being that sort of clergy actually means in my life.

Again this is reflective of my own personal experiences and may not apply over to other people. Nonetheless I feel like sharing it may be helpful not only to illustrate what this sort of clergy actually can be but also for other people doing this same thing.

 

I want to state at the beginning that this is not something I actually encourage people to do, although I think the Other is recruiting at this point. It is not easy or light work, and while it comes with blessings it also is a full life commitment. It changes you. It changes you physically and it changes you on deeper levels and I can't emphasize this enough. I think many people either underrate of downplay this aspect of service to Themselves when it needs to be highlighted. My life is almost unrecognizable to what it was 10 years ago in many ways and not all of those changes are things I would have chosen for myself.

Cave pulchro populo.

 

I will also state up front that the words clergy and priest are not the best fit for what I actually do - that would be echlach[4] - but they are the closest words in modern pagan parlance.

 

There's a reason that I only-half-jokingly call myself the Fae Propaganda Department. A big part of what I am tasked to do is to carry messages and to spread information. Good information. Information grounded in actual folklore and genuine living belief, as opposed to modern fiction and fancy detached from belief. This means a lot of research, a lot of paying attention and respecting the cultures - particularly Ireland - where these beliefs are rooted and still found as they have been. It means knowing when to listen to others who know more and how to evaluate what is quality information and what isn't. It means sharing native voices and raising awareness of those people in Irish (or Welsh, or Scottish, etc.,) culture that are writing and talking about the older beliefs and keeping them alive. And it also means writing about and speaking about these things myself, and speaking up in cases where the misinformation out there is egregious and really needs to be addressed. Whether I want to speak up or not. What I've found is a lot of emphasis from them on people shedding the twee ideas and returning to older beliefs, those that are more respectful and even those that include fearing them. They don't want to be viewed as inconsequential or harmless, but want people to remember their power and what true awe is.

I am also sometimes asked to share more personal things I am told, what would be termed personal gnosis. This might include sharing a recipe from a dream which they wanted shared or a method of cleansing. I actually don't like sharing my own personal gnosis especially in open formats but this is something they insist on. They want certain things brought forward and sometimes I have to do that – whether I want to or not.

 

As their clergy I have sometimes acted as an intermediary between humans who are having issues with Them, and Them. In those cases my purpose is usually to identify the problem going on and help the humans to realize what they need to do to fix it. I do know how to do things like exorcizing them from a person or place, or curing elfshot, but I see these as last resorts in extreme circumstances. My role is to serve Them and help advocate for Them, not to protect the human community in general.

 

Another aspect of my own service is to create rituals that help facilitate their presence in the human world, and to help ground them here. I believe this is in order to reclaim places and space where their influence has been eroded. Seo Helrune wrote eloquently about this in their blog 'Restoration not Re-enchantment' and I recommend giving it a thorough read. This is an issue anywhere that the Good Folk once held sway and were driven out but also can be felt in places where they may not have been initially but have moved into with the people they are connected to. I have removed iron from trees and spaces they claim or wanted to claim and I've undone energy that they were averse to, when and where I could. I've also unburdened fairy trees of rubbish in the guise of 'rags'[5] tied to them that was harming them - I can't not do this because preserving these trees which are sacred to Themselves is part of what I have to do.

 

And of course I make offerings to them. I could include that as part of my clergy service I suppose. I do make offerings as well on behalf of other humans and sometimes even to try to mitigate things done by humans. for example I once went out the site of a fire started by a carelessly tossed cigarette and did what I could to soothe the anger of the spirits there. I also will sometimes act on behalf of a group for the Othercrowd, usually for safe passage or a safe visit in a specific place.

 

None of the above are contingent upon my mood or feelings. I have had to do things whether or not I wanted to, and I have had to do them when I was sick and would really, really rather not. I realize how ominous that sounds, but here's the thing - at least when it comes to me but I suspect in general - when you agree to this particular service you are committing to doing what you are required to do. I agreed to be Their clergy and that means I agreed to do what they need done. Not if I want to or if I feel like it, but if they need it done.

 

There are prohibitions that come with this type of priesthood and they aren't negotiable. There are places I can't go and if I edge into violating that, there are real world tangible consequences. I have told the story before about the dietary restrictions so all I will mention again here is that I have had to give up two of my favourite things - coffee and chocolate - because they decided I should not have them. Why? I suspect the caffeine, which a friend suggested may interfere with connecting to them. They don't hesitate to remind me of the control they have over my body and my life, which again sounds ominous, but is a reality.  My hair isn't straight anymore, my life isn't my own anymore - if it ever really was. Free will is not a concept that the Good Folk have much respect for, and in the instances were I went against things I was asked to do pressure was applied until I relented; and by pressure I mean for example going blind for three days or suffering the worst migraine of my entire life.

 

It's also worth mentioning that They are possessive. They are possessive of their places and their trees and anything else that they claim, including people. Shortly after I was fully claimed by them my ties to the Gods I'd been dedicated to began to shift and within six months the first had fallen away; within a year everything else was either gone or changed so that they were my main focus. They had always been in my life, since childhood, but before always as part of a larger whole. After my initiation they became the whole.

 

I also want to once again emphasize that this priesthood in no way makes me special or exceptional. It's important to know your own worth and not too be too humble but I'm going to emphasize this aspect precisely because I see so many people in relation to the Othercrowd who tend to put themselves in aggrandized positions. The Good Neighbours are not impressed with humans, in my experience, and they don't play to human egos unless they are playing a game - one I discourage anyone from engaging in. The Fairy Queen that I serve and the wider group of Daoine Uaisle that I am connected to are clear they need me for certain purposes and that I do have value to Them but the Queen's nickname for me translates to 'maid servant' and the actual title she gave me is older Irish for messenger or courier[6]. While it’s true that there's lots of historic precedent for the Fairy Queens and Kings taking human lovers (yes that happens in folklore and anecdotes) this doesn't indicate that those humans were actually special - just the opposite actually it was common enough to indicate that the human probably wasn't particularly special but may have filled some interchangeable ritual or cosmological role.

 

I feel very blessed to be doing what I am doing and there are good aspects of it, but it is also very difficult. I've had experiences that people wouldn't believe if I told them, although at least I have witnesses sometimes - like that time we were travelling and I made some offerings at a fence only to have a fairy ring appear at the spot the next morning. Or the time I pushed a prohibition and went into a cemetery only to find my car wouldn't start; only when I finally acknowledged that I was edging close to breaking that prohibition and promised not to do so again did the car finally start (after I'd called the tow truck of course). Much of the time when I open up about my actual service to Them and the experiences I can share I feel like other people will think I am crazy, and perhaps that's why I have such fondness for the song Bedlam Boys. This is not the romantic, idealized service to the Fair Folk that some people describe but a gritty, painful, wonderful obligation. I wouldn't trade it for anything, despite the cost but people need to understand there is a cost.

 

 

 

 

PART 3 The Trouble With Terms

 

I began this inspired by conversations I was seeing in the wider pagan community about clergy. I felt that it would be good to add my voice into this as someone who serves a different role but one which has been identified as a 'priest/ess' and willingly took on that word and its associations. This has opened a fascinating dialogue on social media that has given me a lot of insight about how other people perceive the ideas of clergy and priesthood in contrast to my own existing ideas. This dialogue has affirmed certain things for me and also made me reassess other things.

 

In part 3 I'd like to look at some of the things I've learned about the way the ideas of clergy are viewed, how those really don't apply to me (quite frankly) and discuss the difficulty that we face in witchcraft and paganism seeking accurate terms and labels for things we do. And yes, as much as we might not want to have to deal with them, labels really are useful and even necessary in interacting with others.

 

So, confession. I wasn't raised Christian and while I studied Christianity later as an adult I don't have the best grasp on its nuances. In point of fact I wasn't raised with any formal religion but with a loose secular agnosticism. Because of this my understanding of the words 'clergy' and 'priesthood' come from a wider view of the words as they are used across world religions and the dictionary definitions; this is well enough in itself but it does lack the nuanced associations that come with understanding a word in specific contexts.

  After I shared[7] my first post about priesthood in service to the Other there were several comments made across social media where people were, from my perspective, reading in different things to what I'd said than I had intended. This came from the disconnect between my admittedly simple use of the words versus the way people who have grown up using the terms think of them. There were assumptions that I was implying an authority for myself over other human beings or that I was trying to make myself seem special. My understanding of what clergy was implied that they would only have authority of those specific people who chose to adhere to that religious tradition - a catholic priest doesn't have authority over Baptists, and an Imam wouldn't have authority over Sikhs. By my logic I didn't think anyone would assume I had any authority over other humans, which as far as I'm concerned I don't. I will advise people, I will answer people's questions, I will teach. In extreme circumstances I might intervene directly. But as I once said to some friends in the context of a Fairy Ball (riffing off the idea of a designated driver) "I am no one's designated dark court fairy". In other words I'm not responsible for other people's safety or fate in relation to the Good Folk. I have no spiritual authority over human beings and I don't want any.

I also want to clarify, since this also seemed to have caused some confusion, that my service may in part involve teaching and relaying messages but I am in no way the voice of the Other. That is impossible. No one person can speak for the Other in toto and I wouldn't trust anyone who claimed otherwise. Also while I may speak of the Other generally I am tied to a very specific group and that is where my service lies; I may have some knowledge or experience with those outside that group but my focus is specific in practice not general.

 

 I used the term clergy because it's a nice gender neutral term that seemed to loosely fit - by the dictionary definition of clergy[8] - and its one that's used in often enough in neopaganism. To say clergy or priest is something that people understand and there is an ease in that. I do create and share rituals for Themselves, and I do in some circumstances engage in group ceremonies. I was proclaimed a priestess of the aos sidhe in a ritual setting[9], which was one of the most profound moments of my life and feel obligated to acknowledge that. So there are aspects of the words that I did feel applied to me and which I associated with.

However the discussion which ensued after this conversation began highlighted an aspect of the term clergy that doesn't fit what I do at all. I'm starting to realize that the English words clergy and priest might not be adequate even though they are the default equivalents. I admit I was missing nuances with the words which many people clearly inherently associate with them. It’s fascinating to see the layers and life the terms take on even in neopaganism because of external assumptions beyond the dictionary meanings.

 

In short as I explained in part 2 there are specific ways that I serve the Other - and I am not unique in this. I know other people who do the same or similar and I firmly believe They are increasingly active in the human world and seeking people to connect to, including witches. Some of the ways that I serve them do overlap with aspects of priesthood, although perhaps not enough for me to continue using the word; I am currently debating whether I will or not. I am really grateful for the discussion that was opened up by these posts and how much it has made me think - I would much rather use these terms consciously than by default.

 

If I decide not to use clergy or priesthood what then would I call what I do? I am a witch of course but that is such a broad word as to be almost meaningless without further context applied. In specific I'm a bantúaithech but most people aren't familiar with that older Irish term - it doesn't exist in modern Irish. It does describe my witchcraft much better though with its connotations of the Good Folk and of tuathail movement. There are a few modern Irish terms that partially fit what I do but firstly I don't want to apply cultural terms to myself that were usually given by community members (not self-labelled) and also even these specific terms don't fully fit. Most are meant with the intent of a person who serves the human community by intervening and mitigating harm caused by the Other. As my friend Steve rightly pointed out, my actual purpose is "primarily to keep [humans] from annoying the Other" and he's not wrong there, although there's some additional layers as well.

 

The term for what I do in relation to the Daoine Maithe, as they told me, is echlach (modern Irish eachlach). It means a servant and also a courier or messenger. I've been hesitant to use this generally in part because I know most Americans won't understand it at all, and in part because I'm not sure I should use a modern Irish term for myself (just not wanting to seem presumptuous). There is no easy English equivalent though and there's a...shall we say...humorous or humbling double meaning built into eachlach that can't be conveyed with a single English word.

The Good Folk have a sharp sense of humour.

 

So I don't know if I should use the term echlach, or not, or bantuáithech, or try to find another term that accurately defines what I do for Themselves in context. I have yet to find any English language word that is close at all. I hesitate to use the Irish but perhaps I need to accept that Irish is the only place to find the accuracy I want. There will always be situations where priestess will be the default because people do understand it better although I think I may avoid clergy and priest now due to the nuances so many people have for the words. In the same way I default to neopaganism to define my community although that too may be more habit and comfort than accuracy.

 

As our community moves forward I think these discussions are important and we do need to work out for ourselves what words we are going to use for the varying roles we fill. This is an ongoing conversation and I am looking forward to continuing to explore these concepts and terms. I have really appreciated the feedback and diverse points of view being shared with me.

 

 

 

 



[1] non-human spirits under any iteration

[2] there is of course some crossover here with some Gods but I mention it so people are aware that this is a part of service to them and needs to be considered.

[3] With the understanding that I may not fully grasp these roles within a Christian context

[4] modern Irish eachlach. There are two definitions, and while it’s the messenger/attendant one that applies I'm not going to argue with the second meaning either.

[5] I mean literal rubbish here not legitimate rags. The rag tree tradition is an important cultural practice that has sadly been misunderstood and misused, particularly by tourists. The result is that the material tied to the trees is often not the biodegradable fabric it's supposed to be but plastic and man made materials that will kill the tree. Rags are also tied to trees that aren't even properly rag trees, but rather any tree that people randomly decide must be special in some way.

[6] With a humorous double entendre meaning which also acts to keep me humble

[7] On social media in 2022

[8] clergy - a person ordained to perform sacred or ceremonial functions in a religion

[9] https://www.youtube.com/watch?v=uRXqLDL7gLg

Wednesday, April 15, 2026

Fairy Folklore in Unwelcome

 Today I'd like to take a look at the fairy folklore in the 2023 horror film 'Unwelcome'. This movie differs slightly from some of the previous ones we've looked at in this series; because it is folk horror the folklore elements are more pronounced and pivotal to the wider story. This is both a benefit and a weakness of the movie, as it openly incorporates beings from fairy belief but also radically changes those beings for plot purposes, in contrast to other films which are inspired by folk belief but don't claim to share those beliefs, only to springboard off of them. 

As with previous discussions we'll approach this bullet point style and talk about what we find in the movie versus what we'd expect in folklore. 
Spoilers ahead!


-This is going to be a more thorough summary than I usually offer, as the folklore is so layered into the entire plot- 
***Massive spoilers ahead***
Plot summary: The movie opens with an old woman collapsed on the ground outside near a stone wall with a short door. Another woman stands by and watches as an ambulance tends the first woman, her gaze lingering ominously on the wall and door.
The film then cuts to Maya and Jamie, a young couple living in London. Maya finds out she's pregnant and Jamie goes out to the shop to buy some alcohol free prosecco to celebrate but crosses paths with a group of men hanging out on the street who start harassing him; there is a verbal altercation between Jamie and the men then he goes back to their apartment. Maya is in the bathroom when Jamie comes back, quickly followed by the group who begin assaulting him before dragging her out and attacking her as well. She manages to grab a knife and tries to hold off the men during which the leader of the group taunts her for being unwilling to actually hurt anybody. She was able to call the police before being found and the couple are quickly rescued but are clearly traumatized. Months later, with Maya heavily pregnant, they arrive at a house in Ireland which they have inherited from Jamie's aunt Meave, the woman who was shown collapsed at the start. The house is in the middle of nowhere, with only a small town nearby. Niamh, the other woman from the opening scene, greets them and reminiscences about Meave briefly with Jamie who had spent his summers as a child at the house. Later she walks them back through their garden to the wall with the door, and explains that Maeve had a pact with a group of fairy beings who she calls both Fir Darrig and Red Caps, and explains that a piece of raw liver needs to be left at the wall every day for them. She offers to do it herself but Maya refuses, not wanting to have a stranger wandering in their yard. Niamh makes Maya promise to leave this offering every day, but Maya forgets.
The couple try to find a contractor to fix their roof but can't find anyone available, then stumble across the Whelan family who take the job. Later at the pub, where Niamh works, when the couple says they've hired the Whelans the whole place falls silent due to that family's bad reputation.  Maya confesses to Niamh that she forgot the offering but promises to remember going forward. A local later begins warning the couple about the area's history but Niamh throws him out of the pub and explains he's just a local drunk. While walking home with his dog the man is attacked in the woods. Later as people search for him Niamh tells Maya thet Maeve had made a deal with the Red Caps to heal her dying husband (who still died) and her 2 year old daughter disappeared, but Maya assumes that Maeve had killed her child in a fit of postpartum psychosis. 
The Whelans begin work on the house but are all causing trouble. The father insists on being called Daddy and is abusive to his three children, Eoin, Cillian and Aisling; Eoin is clumsy and breaks things, while Cillian and Aisling steal from the home. 
Maya makes the liver offering the next day. Walking in the woods Maya finds Molly, the missing man's dog, who leads her to a clochán* lit by candles. The dog enters and Maya starts to follow, only to realize that the inside is a spiralling staircase and looking down she sees human bones. She leaves and then runs into Eoin in the woods who assaults her; she screams for help and the Red Caps appear [off camera] and drag Eoin away. She tries to tell Jamie but he doesn't believe her. Later while home alone a Red Cap visits and gives her a plastic bag which contains Eoin's head. The Red Cap is a small goblin like creature with sharp teeth, wearing a dark reddish-brown tunic with a hood. Jamie returns and tells Maya to hide the head as the Whelans arrive to find out what happened to the missing Eoin. As Maya tries to escape she is confronted by Aisling who grabs the bag and realises her brother has been killed. Maya flees into the woods as the trio break into the house to attack Jamie in retribution for Eoin's death. Maya runs to the clochán, begging for help and offers to give the Red Caps anything if they will intervene. The Red Caps then go to the house; two are killed but the group of Red Caps manage to kill the two younger Whelans. 'Daddy' Whelan retrieves a rifle from his car and injures Jamie but is attacked by Molly [the dog] and drops the gun which Maya picks up. She shoots Daddy Whelan and kills him. 
The couple retreat to their house where Maya gives birth to a daughter. The next night the Red Caps return and take the child while Jamie is out. Maya chases them back to the clochán and goes down the stairs into an area with various smaller rooms where she finds an old human woman with her baby; she realizes the woman is Maeve's daughter. She begs for the Red Caps to give her back the baby and take her instead, but Maeve's daughter says she is too old. Maya kills a Red Cap then the old woman and takes her child. Jamie returns home and follows his daughter's cries out to the garden where he finds the Red Caps dancing around Maya chanting 'mother Red Cap' and he watches in horror as a floating human skull pours blood over Maya's head and face as she smiles. 

So first let's look at what is actually folklore in all of that:

  • The idea of a promise made to the Fir Darrig having to be kept or there will be terrible consequences is inline with wider folk belief about fairies.
  • The Red Caps are not averse to iron, which is true to folk belief that they are a type of fairy being who actually uses iron weapons themselves, and may wear iron shoes. 
  • Help gotten from fairies, especially help that's asked for, has a cost. The Red Caps first intervention on Maya's behalf comes after she gives them the liver offering and the second only after she promises them 'anything'.
  • The clochán opening up into a large space underground does seem to reflect ideas of the sidhe as entries into the Otherworld, with the beehive shape of the clochán echoing the shape of a hill and the floor actually being stairs leading down into the earth. 
  • The gate and door as offering site is an interesting nod to the liminality of fairies and their preference for such spaces which exist in borders between contrasting things, in this case the civilization of the back garden and the wildness of the woods
  • Fairies of various types stealing a human child is a common trope in fairy folklore, particularly seen in stories of changelings.

Now let's untangle what isn't folklore but is presented as such:
  • While Niamh is quick to differentiate the Fir Darrig from Leprechauns she falsely conflates them with the Scottish Red Caps [see: here]
  • Fir Darrig are known to be malicious pranksters but not murderous as such, and Fear Darrig means 'red man' not red cap. In some accounts they are said to have that name because they wear red clothes, while in one other the Fear Darrig is described with red hair. Some accounts say that Fir Darrig are smaller, around two feet tall, but more depict them as human sized or even larger.
  • The Red Caps of the movie eat their human victims, but in folklore they are only said to kill and use the blood as dye.
  • Fir Darrig and Red Caps are solitary beings and are not known to live or act in groups.
  • There is no 'mother Red Cap' in folklore about either Red Caps or Fir Darrig, that is entirely a conceit of the movie
  • The Red Caps take Maeve's child, apparently as payment after she requests her husband be healed, but he isn't healed, he still died. In folklore generally when such deals are made and the fairies take their payment they follow through and give what was requested. 
  • It's also a bit muddled that the implication is if the offering isn't made the Red Caps will hurt people - which they do when Maya misses the first offering - yet the offering also means they will help Maya when asked to, one act of assistance in exchange for one offering. Usually in folk lore we find either the offering is done to keep the danger at bay or in payment for help but not both at the same time. The bulk of the Red Caps' actions in the movie are not reactions to missed offerings - as the tagline 'break a promise, pay the price' implies - but rather are actions taken in response to Maya's requests. Even the ending with her as the Mother Red Cap was a response to her plea that they take her instead of her newborn (and probably also her murdering the previous Mother). 

Ultimately the movie is definitely folk horror but the Red Caps might be better described as folkloresque than as actual folk beings. They are very loosely based on an amalgamation of Scottish Red Caps, Irish Fir Darrig, and trooping fairies (in that they live in a group), rather than showing a single type of being. It makes for an interesting, if sometimes confusing, movie but shouldn't generally be viewed as reflecting folk beliefs; it definitely isn't going on my list of media to watch to better understand fairies as the differences are too many and muddling the Scottish Red Caps and Irish Fir Darrig leans into watering down and homogenizing culturally differentiated folk beliefs. 



* a small beehive shaped hut built of stone


Tuesday, December 2, 2025

The Dance: A Ritual for the Conjunction of the Pleiades and the Moon

 

The Dance: The 7 Queens and the Moon

 

The cycle of the Pleaides is something that I have found to be important within my spirituality across the last 7 years. I have, in that time, shared various rituals I have designed to help nurture a connection to the Other who are aligned with these stars. That cycle has slowly grown across time, moving towards a fully fleshed out ritual cycle, and focuses on points within each calendar year, however there are also two floating alignments which don’t occur within a yearly cycle but rather at intermittent points. I have previously discussed one of these points, when the Pleaides are conjunct with Venus, and now I would also like to offer a ritual for times when the Pleaides are conjunct with the moon. This occurs every month but not on a fixed cycle, as the timing is based on both the moon’s position and the variable position of the Pleiades.

For those who are fully immersed in a ritual cycle focused on the Pleaides this ritual might replace the more common witchcraft practice of celebrating the moon’s cycle alone, particularly the full moon. However the exact tone of each celebration would be influenced by the point in the moon’s cycle that it is conjunct with the 7 Queens. My personal preference would be:

Full moon – time for all magic and to celebrate the beauty of life

Waning moon – time for releasing and celebrating the joy of letting go of things that you have outgrown

New moon – time for deeper connection to the Good Folk and divination.

Waxing Moon – time for magic focused on growth and healing, and to celebrate the potential in all life

More generally the conjunction of the Pleaides with the moon represents a time to reflect on and embrace beauty, joy, and pleasure. It is a time to connect deeply to the Other and receive messages from them, as well as to take some small time to honour your own power and enjoy life. It is also a good time to bless items, such as ritual tools.

 

The focus of this ritual is particularly sensual so you might consider taking a ritual bath beforehand, incorporating things that make you feel happy or beautiful. You might add rose oil to the water, for example, to cleanse and bless, and make extra effort to dress up in a way that feels special to you personally. Have fun with it, because enjoyment is part of the point.

 

Ritual

 

Find a good space open beneath the sky where you can see the stars above you. If this is not possible due to weather concerns try to set up an altar near a window or perhaps arrange some appropriate artwork near your ritual space. If necessary this entire thing can be done as a visualization exercise. My own outdoor altar for ritual work usually contains space for offerings, water in an appropriate container, candles, and a token representing the Fairy Queen I honour. For this festival you might use something to symbolize all 8 Queens, or focus on a specific one, and you could design this cycle to focus on a different queen each month sequentially.

Have fresh water and some kind of offering on hand; I prefer apples, honey, or milk, but anything fresh and natural is a good option. Alternately one may offer song, dance, poetry, art, of items created with your own skill.

 

Create sacred space as you see fit if you wish to. I usually do this now by moving counterclockwise around my space sprinkling water and chanting to open the way between worlds. You can also dance the circle or sign it around as that energy aligns with the purpose of this ritual.

 

Invite in any goodly inclined spirits, allies, Fairy Queens or Kings, or Liminial Gods you wish to include. You might instead choose to invite all of the 7 Queens. We invite, we don't invoke, evoke, or compel. They either come as we call or they don't.

 

I might say something like:

 

"I call to all goodly inclined spirits,

 

spirits of the land, spirits of the air,

 

Fair Folk who would be my friends,

 

Friendly ones who aid my liminal path,

 

Liminal gods, Fairy Queens and Kings,

 

Lady of the Greenwood, Queen of the Wind,

 

Queen of the Wave, Queen of Winter,

 

Queen of Flame, Queen of Horns, Crane Queen,

 

I invite you all to join me here

 

As I honour the journey

 

Of the celestial Fairy Rade

 

Aligned with the dance of the Moon."

 

After this is done wait a moment and observe. Use all your sense to note if there is any obvious response to your call. This may be obvious, such as the wind picking up or the temperature changing, or it may be a more subtle feeling of presence. Don't rush but wait until things feel settled.

 

Say:

 

"Tonight the Seven Queens meet the moon

 

In their journey across the sky

 

A great dance in the heavens

 

7 shining stars burning brightly

 

Joined by the moon, dancing her[1] cycle

 

A time of joy and of magic,

 

A time of power and of pleasure,

 

The gates are open, may

 

They be opened wider

 

The Queens look upon the land

 

May they bless what they see"

 

Put out the offerings you have brought and pour out a bit of water.

 

"I offer sweet honey cakes [or whatever you are offering]

 

And pure clean water

 

To all the queens

 

To the liminal gods

 

To those beings that

 

would aid me

 

to the spirits of air

 

and of earth"

 

At this point if there is anything else you would like to do in your ritual - sing, dance, chant, divination, meditate, journey - do it. The conjunction with the moon is particularly good, as previously mentioned, for blessing items and for divination or journeywork to connect to the Other. Be open to hearing what they might tell you. Also keep in mind this ritual is intended to remind us of the beauty that surrounds us, through the dance of the stars, and should incorporate things that make you feel happy or express joy. Have fun in whatever you do, as much as possible.

When you feel ready to say goodbye, say:

 

"The Queens brighten the sky

 

The light of their celebration

 

Shining down upon us

 

Our worlds are intertwined

 

As they have been and will be

 

Praise to the 7 Queens,

 

May they bless us,

 

Praise to the moon,

 

May she bless us,

 

May their joy be ours

 

And our joy be theirs"

 

Pour out the water that is left. Say

 

"May my words honour the Queens

 

May my actions honour the liminal Gods

 

May my allies stand with me

 

May there be peace between me

 

And the spirits of the air and earth

 

May there be friendship between me

 

And all goodly inclined spirits."

 

Take down your compass/circle or sacred space however in a way that reflects how you created it. In my case here I'd normally walk it clockwise sprinkling a bit of earth or leaves and asking that the space be returned to its former state.

 

Take down your altar when you are finished.

 

Ritual Feast

 

Part of my own celebration will include a feast or meal following the ritual, including food that I particularly enjoy. A portion of that meal will be set aside and then left out as an additional offering. Dreams that happen following the ritual should be particularly noted.



[1] Alternately whatever gender for the moon you prefer here

Monday, July 7, 2025

The Bean Tighe, Invention of an 'Irish' Fairy [revised]

 Usually when I write about fairies here (or elsewhere) I'm writing about fairies as they are found in existing material or anecdotal accounts. Today I would like to take a look at a fairy that can be found in multiple 21st century sources online identified as an Irish fairy yet is not to be found anywhere in Irish folklore. I want to point this example out today and talk about how this pseudo-Irish fairy came to be because I think it points to a couple issues that more widely need to be addressed with people outside Irish culture relating to Irish folklore and fairies, namely, appropriation and colonialism. I realize these are unpopular terms in many corners of paganism today but this is a critical conversation that needs to be had.

If you do a quick online search for 'Bean Tighe' you will turn up multiple links to articles and sites from the last decade all of which will describe a gentle friendly fairy, often referring to her as a type of Brownie house spirit*, who cleans around a home and watches over children. Images of her, again found online, depict a plump grandmotherly figure.  All emphasize her Irish folklore and many connect her to the witch hunt period, claiming that human women who had a Bean Tighe in their home would intentionally mess the house up a bit in the morning to hide the thoroughness of the Bean Tigh's cleaning lest other people notice and accuse them of witchcraft for having a fairy helper**.

 I first ran across this fairy when someone mentioned her as the Irish Brownie and was genuinely puzzled for two reasons. Firstly the name literally means 'woman of the house' or 'housekeeper' and is used in modern Irish with absolutely no fairy connotations. Secondly despite being pretty deeply immersed in Irish fairylore I had never heard of this being before. I began asking around of friends and acquaintances in Ireland and quickly found that no one else had heard of this fairy before either, which I found concerning given that the Irishness - alleged Irishness - of this fairy was firmly attached to all the online narratives I was then seeing. So I decided to research, as I do. 

What I found was that there was one reference to a fairy Bean Tighe in a 20th century source but that was far from the modern invention, however since the modern one used the archaic spelling of the 20th century source I felt safe in assuming that the modern idea was based, albeit very loosely, on that older one.  We will begin then with the older source, which is a single paragraph in Evans-Wentz's 'Fairy Faith in Celtic Countries'.

The entire entry about the Bean Tighe in Evans-Wentz's book:
"The Bean-Tighe -The Bean-Tighe, the fairy housekeeper of the enchanted submerged castle of the Earl of Desmond, is supposed to appear sitting on an ancient earthen monument shaped like a great chair and hence called Suidheachan, the 'Housekeeper's Little Seat' [sic literally seat], on Knock Adoon (Hill of the Fort), which juts out into the Lough. The Bean-tighe, as I have heard an old peasant tell the tale, was once asleep on her Seat, when the Buachailleen, or 'Little Herd Boy' [sic little boy] stole her golden comb. When the Bean-Tighe awoke and saw what had happened, she cast a curse upon the cattle of the Buachailleen, and soon all of them were dead, and then the 'Little Herd Boy' himself died, but before his death he ordered the golden comb cast into the Lough."
Evans-Wentz also suggests in a footnote the the Bean-Tighe is elsewhere called the Bean Sidhe and identifies her with Áine. The story as related by Evans-Wentz is far more like a Bean Sidhe story than anything else, even featuring the golden comb, so I'm personally inclined to believe this probably was Bean Sidhe lore rather than a distinct being.
That all said it seems clear that the passage was not meant to refer to a fairy called a 'Bean-tighe' but to a fairy bean tighe, or fairy housekeeper. Just as the Buachailleen mentioned wasn't the name of a type of fairy but simply a term in Irish, although Evans-Wentz also tries to argue that in a footnote. To make either of these terms a fairy being the word sidhe (or sí) would have to be included, hence bean sidhe = fairy woman or cú sidhe = fairy hound; without including that it just means what it means, bean an tí, woman of the house. The fact that the author translates suidheachan (modern Irish suíochán) not as chair or seat but as 'housekeeper's little seat' makes me extremely skeptical that they had any Irish themselves; if they did it shows they were being extremely loose and creative with their translations. This is the sum total of the 1911 source and I am aware of no other references in books on Irish folklore or fairies.

 In Edain McCoy's 1994 book A Witch's Guide to Faery Folk the author includes an entry on the 'Bean-Tighe' fairy which describes this being as a small elderly woman with a kind face who looks for a friendly human house to care for, and emphasizes that they will care for children and pets as well as handle chores left undone by tired mothers. All of this in exchange for a bowl of strawberries and cream left out on occasion. McCoy claims the Bean-Tighe are exclusively Irish fairies but compares them to the Scottish Brownie. She also claims that this fairy was very well known to Irish mothers across the centuries, and that they were common companions to Irish wise women who had to be careful to keep their houses just a bit messy lest they be accused of consorting with fairies and being witches. Suffice to say that is all McCoy's invention but clarifies where the majority of modern ideas about this 'fairy' came from, as we shall see. 

In 2002 Ann Franklin included the Bean Tighe in her illustrated Dictionary of Fairies, largely relying on Evans-Wentz's account but also adding that the Bean Tighe was an "Irish House faerie" who looked like a nice old woman and helped around a home in exchange for a bowl of cream, clearly drawing on McCoy.  In 2006 a website and book 'Creatures of the Celtic Otherworld' by the author Andrew Paciorek shows up with an entry on the Bean Tighe. both Franklin and Paciorek used the same spelling as Evans-Wentz which is different from the modern Irish making it notable and both dropped the dash McCoy used to separate the words, going from Bean-Tighe to Bean Tighe. Subsequent articles about this fairy would preserve the archaic spelling. 

Paciorek's Bean Tighe was different from the 1911 version in almost every detail and made no mention of Evans-Wentz's account, apparently relying largely on McCoy's writing. Whereas Evans-Wentz's Bean-Tighe was like the Bean Sidhe found elsewhere, Paciorek's Bean Tighe was a cross between a Brownie and a live-in nanny. He described an exclusively female fairy that cleaned up houses at night, watched after children, and cared for pets; he compared her to a fairy godmother. He also claimed that during the witch hunts the Bean Tighe's work was so good that women would intentionally disrupt it lest they be thought to be witches trucking with spirits. He specifically mentions that the Bean Tighe loved strawberries with cream. All of these details come from McCoy's 1994 book and would go on in the following decade and a half to be repeated and in some places added to; the repetition of key details again makes it easy to see that this is the root source even on articles that don't cite any references. 

 I just want to digress for a minute to address the particular claim that the Bean tighe fairy is especially fond of strawberries and cream.  I'm really not going to get into whether or not this may be true, if the being exists now due to common belief or not, but I do want to point out that the claim that this food as a preference is another sign of the fairies modern origin. The strawberry as we know it today only dates back to the 18th century and until the early 20th was largely an import to Ireland from the continent.  There is a native strawberry in Ireland,  Sú talún fiáin, but it is very different in appearance from the domesticated version most people are used to today.  In traditional practices relating to house fairies and spirits offerings normally include porridge, cream, milk, or small cakes. The idea that this fairy comes from older Irish folklore should immediately be questioned just for this one detail.  

 So, that is the actual history of the Bean Tighe such as I have found it. The fairy is decidedly not from Irish folklore - the first several authors writing about the Bean Tighe as a fairy were in England and offered no sources for their claims that this being was found in Irish folklore. Franklin's only clear source was Evans-Wentz who as we can see did not describe the fairy housekeeper's appearance and made no mention at all of her being helpful or even attached to human households; he said only that she was the housekeeper in a fairy "castle". The later details that have been added seem to blend existing folklore around Brownies with a more modern view of fairies in general and use little more than the name from Evans-Wentz's account.

How does appropriation and colonialism come into play? Simply put when people outside Irish culture are creating - even from misunderstanding a source - a fairy then adding many details not even found in the one questionable original source and calling it all Irish and Irish folklore. This is rooted in people taking a term from Irish, the bean an tí or more archically Bean tighe, misunderstanding it because they themselves had no Irish and no cultural context for the term and creating something new that they erroneously claimed was from Irish folklore. And to be blunt, people outside the culture do not get to treat the language or folklore like a fancy dress costume or a quick way to legitimize a new story. I realize people make such claims in folklore sometimes because a story has been passed down that way to them, and that's not what I'm talking about here. Here I'm talking about a modern author or authors who chose to create something new and intentionally play off its alleged Irishness, or perhaps created it to fill what they perceived to be a gap in Irish folklore which needed such a helpful home fairy. 

New folklore and new fairies are created - gremlins are one example of such - but no one outside a culture, any culture, should get to control that culture's folklore or redefine it to suit a foreign audience. The growth and evolution of fairy belief should be organic within a culture, and if a new fairy does come to be, as this one perhaps has, it should be treated honestly and not given a false origin story that borrows from a culture that has and is dealing with the long term effects of colonization, anglicization, and romanticization. 


*this is in itself also a gross misunderstanding of what Brownies are and what they do, but that's a bit of a digression
**honestly this is so patently ridiculous I don't even know where to start debunking it. I'll just say that no self respecting house wife or woman of the house would dirty a clean home because it was 'too clean', clean houses were not a sign that witch hunters looked for, and the witch hunts in Ireland were utterly different than elsewhere.

References
Evans-Wentz, W., (1911) The Fairy Faith In Celtic Countries
Paciorek, A., (2006) Domestic Spirits
Franklin, A., (2002) Illustrated Dictionary of Fairies McCoy, E., (1994) A Witch's Guide to Faery Folk

Wednesday, February 21, 2024

The Cailleach

 This material is expanded from the Cailleach entry in my book 'Gods and Goddesses of Ireland'.


The Cailleach's Stone, Cork, picture by me 2018


“Ebb-tide has come to me as to the sea;
old age makes me yellow;
though I may grieve thereat,
it approaches its food joyfully….
I am Buí, the Cailleach of Beare;
I used to wear a smock that was ever-renewed…”
-          The Lament of the Old Woman of Beare

The Cailleach, or Caillech in Old Irish, is a complex deity - more properly a group of deities - who seems to have roots in Neolithic Ireland. Cailleach is from a word that means ‘veiled woman’ or ‘elderly woman’, from caille based on the Latin pallium [veiled], but in later usage was a pejorative generally used to mean hag or witch. In Ireland the most well-known Cailleach is the Cailleach Beara or Beare for the Beara peninsula which is her main habitation, although in folklore she is also sometimes given the epithet of Béarrach; the Old Irish word berach means sharp or horned. The Cailleach Beara’s true name is said to be Buí, a word that may mean ‘yellow’1. Alternately it may originally have been Boí, a word related to the one for cow (bó) and it’s possible that she was at one time a cow goddess who represented the land and its sovereignty on the Beara peninsula2. This idea is somewhat supported by her legendary possession of a powerful bull, the Tarbh Conraidh, who had only to bellow to get a cow with calf. Certainly she is strongly associated with Beara and because of the irregular orthography of Old Irish either version of her name is possible, although Buí is better attested, appearing in the well-known poem ‘The Lament of the Old Woman of Beare’. MacKillop suggests that she may also previously have been known as Dígde, a sovereignty goddess of Munster, and Duineach whose name he gives as meaning ‘[having] many followers’, both of which were subsumed into the single identity of the Cailleach Beara at some point3.

  Several different goddesses are called ‘Cailleach’ in Irish myth including the Cailleach Beara of Cork and Cailleach Gearagáin of county Cavan4. The most well-known however is the Cailleach Beara, who is strongly associated with south west Ireland and she is the one usually being referenced when people speak of the Irish Cailleach. She is considered a sovereignty figure, a version of the archetypal crone who appears offering the throne to a potential king in exchange for intimacy; those who reject her in this guise will never rule but those who embrace her as an old woman will find her transformed into a beautiful young woman and will themselves become king. The Cailleach of a specific region is often credited with creating many of the standing stones and geographic features in that area which folklore claims are people or animals that she transformed; In the Cailleach Beara's case her bull the Tarbh Conraidh was turned into a stone in a river by her when he tried to swim across it to reach a herd of cows on the other side. In other parts of Ireland including Connacht, Leinster, and Ulster the Cailleach is seen as the spirit of the harvest who inhabits the grain and flees from the scythes in the form of a hare5; these might better be considered 'a' Cailleach, rather than 'the' Cailleach but are soemwhat more obscure figures. In many areas harvest traditions included the practice of leaving the final sheaf standing in the field and naming it the Cailleach, or of dressing the final sheaf as an image of the her.
   The Cailleach as Buí is said to be one of the four wives of Lugh, although other sources say that she had seven husbands; she is also said to have had 50 foster children6.  The Cailleach is generally described as an old woman but she can also appear young, and is considered the progenitor of some family lines including the Corca Duibhne7. A tenth century poem says that she was the lover of the warrior Fothadh Canainne. Folklore claims that she has two sisters, also named Cailleach of their respective areas, who live in Dingle and Iveragh8. The Cailleach Bheara is associated with a standing stone, the Hag's Stone or the Cailleach Bheara [hag of Beara], resting above Coulagh Bay, Cork (see image above). The story is that the Cailleach was Manannán's wife and she turned to stone waiting on shore for him to return from the sea. Some say that the stone is her face, still looking out at the water. The stone is on a steep hillside but can be reached by following a narrow path. It is visited by people who leave offerings on and around the stone. Leaba Chaillí, the Hag's Bed, in Cork is a wedge tomb associated with her, where local folklore claims she both lived and was buried.
  It is said that the Sliab na Cailligh in county Meath were created when the Cailleach flew over the area and accidently dropped the stones9. Cairn T at this site also has a large roughly chair shaped stone at the rear of the mound known as the Hag's Chair, where people sometimes leave offerings; it's said that if you sit in the chair you may be granted a wish. Various versions of a Cailleach are strongly associated with several areas in Ireland including the Beara peninsula and Slieve Daeane in Connacht10. Although a Cailleach is found in Scotland she is not usually considered a pan-Celtic deity and so there is speculation that she represents a possible pre-Celtic divinity that was absorbed into Celtic culture at a later point11. Others suggest that different named goddesses were called Cailleach in later periods, with their original names slowly lost to time; this overlapping of regional variations under a single term - Cailleach - has caused a lot of confusion and resulted in a loss of nuance as all different Cailleachs become a single Cailleach in many modern sources. 

The Hag's Chair at Sliabh na Callaigh, picture by me 2016


  The Cailleach in Scotland has a different although related character, associated more tentatively with the harvest but also with the winter and storms. Called the Cailleach Bheur [beur meaning sharp or cutting in Gaidhlig] she was associated with the bitter winter wind and snowstorms as well as with creating geographic features which bear her name12. In the 1917 book “Wonder Tales from Scottish Myth and Legend” we learn that the goddess Bride (Irish Brighid) ruled over the summer half of the year, from Beltane to Samhain, and the other half of the year was ruled by the Cailleach. There are a variety of stories about how the year changed rulers which either feature the two goddesses contending against each other or describe them as aspects of one being. In one version Angus is the Cailleach’s son who falls in love with Bride, so the Cailleach imprisons her which causes winter to come to the land; only when Angus finally succeeds in freeing her on Imbolc does winter begin to relent13. In other versions of the story the Cailleach must drink from a magical spring, either on Imbolc at which point she transforms into Bride, or at Beltane at which point Bride is freed14. It is likely that the Scottish beliefs, like the Irish, represent a homogenization of localized belief into a single character. 

  In these faces of the Cailleach we glimpse a complex and ancient deity, perhaps rooted in pre-Celtic belief. In many stories it was a cailleach who created several features of the landscape in Ireland and Scotland, hinting at a cosmogonical significance, and it is a cailleach who controls the storms of winter in Scotland. The Cailleach across stories may appear old or young, and may give sovereignty to kings, even divine kings if we see the Cailleach Bheara as Lugh’s wife and the source of his legitimacy as king of the Tuatha De Danann, or parse her connection to Manannán the same way. The modern Cailleach, created from all the pieces of folk belief bearing her name compressed together, loses the nuance of the older, regional views but certainly has a powerful place in folklore today with people who only know her as this combination and not as each localized being bearing that name.


1Murphy, 1956
2O hOgain, 2006
3MacKillop, 1998
4Smyth, 1988
5O hOgain, 2006
6MacKillop, 1998
7Smyth, 1988
8O hOgain, 2006
9Smyth, 1988
10MacKillop, 1998
11Monaghan, 2004
12ibid
13McIntyre, 2015
14 McNeill; 1959; McIntyre, 2015

References

MacKillop, J., (1998) A Dictionary of Celtic Mythology
McIntyre, M., (2015). “The Cailleach Bheara: a Study of Scottish Highland Folklore in Literature and Film”. Retrieved from  https://www.academia.edu/6088609/The_Cailleach_Bheara_A_Study_of_Scottish_Highland_Folklore_in_Literature_and_Film
McNeill, F., (1959). The Silver Bough, volume 2
Monaghan, P., (2004) Encyclopedia of Celtic Mythology and Folklore
Murphy, G., (1956) Early Irish Lyrics: eighth to Twelfth Centuries
O'hOgain (2006) the Lore of Ireland 
Smyth, D., (1988). A Guide to Irish Mythology