A Look at the Names in the Tain Bo Regamna

""Why is it the woman who answers me?" said Cuchulain, "why was it not the man?" 

"It was not the man whom you addressed," said the woman.

 "Ay," said Cuchulain, "(I did address him), though thyself hath answered for him:" 

"h-Uar-gaeth-sceo-luachair-sceo is his name," said she. 

"Alas! his name is a wondrous one," said Cuchulain. "Let it be thyself who answers, since the man answers not. What is thine own name?" said Cuchulain. 

"The woman to whom thou speakest," said the man, "is Faebor-begbeoil-cuimdiuir-folt-scenbgairit-sceo-uath."

 "Do ye make a fool of me?" cried Cuchulain..."

   - Tain Bo Regamna, (Leahy, 1906). 

  This scene occurs in the Tain Bo Regamna after Cu Chulain confronts a woman whom he believes is stealing a cow from Ulster - she isn't, as it happens, but he doesn't know that, nor does he realize she is the Morrigan until much later in their conversation. He comes upon her, a fierce looking woman dressed in red with red hair riding in a chariot pulled by a one legged horse hitched by a pole that passes through it's body. She is leading a cow and accompanied by a man who speaks for her initially as she speaks for him, much to Cu Chulain's consternation.

  In the versions I have seen the names of the man and woman are not translated but are given in the Irish, however I was recently asked to translate them and found the experience quite enlightening so I decided to share what I found here.

"‘hÚargóeth sceo lúachuir sceo. . .ainm in fir sin’, olsí" (Stokes, 1887). 

 "Cold wind-conflict-brightness-strife is his name" she said

Let's break that down word by word and look at each individual meaning: 

Uar - cold, cool, bleak, unfriendly

gaeth - wise, wind, stream, estuary

sceo - strife, conflict, fierceness, and

luachair - marsh, brightness, brilliance

 Note that sceo can also be used as a copula so it's possible alternately to translate the name as "Cold wind-and-brightness-strife" or possibly as "Unfriendly stream-and-marsh-strife". Either way Cu Chulain finds the name "wondrous".

"‘In ben sin at-gládaither-su’, ol in fer, ‘fóebar begbéoil, coimdiúir, folt, scenbgairit, sceo úath hí a hainm’, olse" (Stokes, 1887)

"The woman who you are speaking to," said the man, "is Keen edged-small lipped-plain cloaked-hair-sharp shouting-fierceness-a phantom."

Let's look at each of these one at a time as well: 

 fáebar given here as fóebar - sharp edge, skillful with weapons - an epithet for javelins meaning keen edged

bec - small, little

beoil - bel - lips, mouth
= becbel, given here as begbeoil*, would therefore mean small lipped or little mouthed

cuim - coim - protection, cloak, cover, breast, waist

diuir - petty, mean, plain, ugly
= cuimdiuir as a compound of these two words is a bit tricky and may have several possible interpretations, however since the next immediate word is "folt" (hair) it is logical to look at a combination that makes sense in that context, in this case "plain cloaked" however petty protection or ugly breast and such are possible

folt - hair, locks, tresses

scenb - point, spike, thorn, sharp, prickly

garid - destroys or shouts, calls, laughs
= scenbgarid, given here as scenbgairit, sharp shouting, prickly laugh, thorny call, and so on

sceo - strife, conflict, fierceness, and

uath - spectre, phantom, horror, Hawthorn

  It's interesting to note that both names contain "sceo". Also the interpretation I've given has a certain continuity between the two names, although I will note that I have seen other people translate the woman's name in a way that emphasizes physical ugliness. I believe this version is more accurate and fitting with her nature however as it emphasizes physical prowess and battle. For those who honor or study the Morrigan at the very least this can be food for thought.

* I have seen an alternate version of this which gives it as beo beoil which would mean lively mouth or quick lips. I have also found a version where the words are divided differently - fóebar beo béoil, coim diúir, foltt sgeanb, gairitt sgeo úath  - giving something like "Keen-edged, lively mouthed, plain cloaked, thorn haired, strife shouting a phantom" I don't feel this offers a significant difference in meaning though, but wanted to mention it. 

References:
 Stokes, W (1887) Tain Bo Regamna
  Leahy, A., (1906). Heroic Romances of Ireland, volume II


Copyright Morgan Daimler

The Obligatory Pantheacon Post

 I attended my first Pantheacon this year, so here is the obligatory re-cap of my experience:
Day one - travel. Who'd have thought I actually enjoy airplanes? Airports however are a form of elaborate torture. I arrived in California and was hit with immediate culture shock - you can get alcohol everywhere and it feels like early summer, and this is so not Connecticut. It was great to travel with a good friend and reconnect with other friends I had made at the Morrigan Retreat last June. I also had fun setting up a communal altar in the hotel room I was sharing with these three friends.
    Horse omens started immediately. No really, in the airport and then everywhere afterwards, horses, horses, horses. I have witnesses! Also crows everywhere. I really should have understood where this would be going but I can be slow on the uptake.
  It was a great experience setting up the traveling altars in the hotel room with my roommates. Although I am very open minded about sharing space with people of other religious persuasions and approaches I must admit staying with other polytheists was nice because there was never any need to explain anything. We all understood that altars were needed, that offerings were required, and we all had the same basic respect for those spaces and things. The communal Morrigan altar was especially powerful as all four of us are devoted to her in different ways, and since there was another Odin's woman there as well he got his space and offerings without any issue as well. There were space for other Gods being honored as well, and several jokes about the number of altars and the amount of alcohol around the room but the overall feeling was friendly and pleasant. I also set up a small space for the land spirits and Fay, as it was important to me to try to connect to the local wights.
  Later on Thursday we went to the Doubletree, the hotel where the con actually takes place, and poked around a bit, met some people including a friend from an online group that I really enjoyed spending the weekend hanging out with (we dubbed her the unofficial mayor of P-con). And then jet-lag of doom set in. Later in the evening I met the Coru Cathobouda crew at their meet and greet event which I attended with the rest of the Tuatha De Morrigan contingent (my roommates at the hotel).

Day two - registered for the con. And so it begins. Today's theme was horse skulls. Everywhere.    
    I taught a Morrigan workshop in the ADF suite and it went so well I was asked to go back Sunday and do another. Met Lora O'Brien who is really wonderful and reconnected with some of my favorite ADF people. I can safely say the ADF hospitality suite is entirely full of awesome.
 I also was able to meet several other people I had previously only known on facebook which was great. I love putting a FB name to an actual face. I must admit even though I had been warned about the size of Pantheacon I wasn't prepared for the sheer scale of it. It was larger than anything I had ever been to by orders of magnitude and because of that I didn't end up seeing or doing nearly as much as I wold have liked to, although what I did see and do was amazing.
   I attended a class by Orion Foxwood where he talked a little bit about his Faery Seership approach and also his theory of the four types of witchcraft. He is a very engaging speaker and puts on an entertaining workshop. 

Day three - the horse skulls continue. Those of you who know my old LJ/yahoo group name will get the entertainment value of my being stalked by the Lair Bhan (although it was being called the Mari Lwyd here). I'll probably do a future blog post just on that topic, but suffice to say it became something of a running joke with the group I was with.
  Very early in the morning I went to a smashing class on the Irish sidhe by Lora O'Brien - if any of you ever have a chance to go to any of her classes, DO IT!
   Later that day we wandered in to relax a bit in the Sisters of Avalon suite, admire their artwork and connect with some great people who are helping with the Morrigan sacred sites pilgrimage I'm involved in next year*. Later we hung out with some Faery Seers and learned a bit about their approach - not my cuppa but always good to learn other ways. The hospitality suites were an interesting experience in themselves, and I have to admit I thought it was really fascinating to look at the approach each one took.
      There were some spiritual shenanigans on Saturday including making offerings on a rock in a small island of trees in the parking lot. Part of my personal experience as a polytheist and Reconstructionist is that you end up making a lot of offerings, and I was lucky enough to be bunking with other people who felt similarly although the actual lead up to making the offerings should probably be categorized as a misadventure.

Day four - very early Sunday morning I went to a class on working with skull spirits because at that point it felt like I needed to figure out what was going on with all the skulls I kept seeing. It was very interesting stuff (and the Mari Lwyd was discussed of course because at that point I was still being stalked by horse skulls). Went to a class about the Morrigan, Poetry, and Prophecy - interesting info on Irish poetics but there can't ever be enough rosc catha discussion for me.   smile emoticGot to have a good chat with Morpheus and Brennos Agrocunos over lunch with the Coru and Tuatha De Morrigan folks, sort of an east coast/west coast gnoshy thing.Went to Lora's Morrigan class which was amazing, even if there were a mad amount of people crammed into a little room for it (seriously should have been in a bigger room). 

  Lora O'Brien did a workshop on the Morrigan which was intriguing and had some great food for thought in it. Hearing her talk about her firsthand experiences with the Morrigan's sacred sites, especially Oweynagat, makes me even more eager to go visit them myself. She also had a guided meditation at the end of her workshop which I found very profound. 
 Later that day I taught my second workshop, "Morrigan 2.0" in the ADF suite - anyone else noticed a theme at P-con this year?  - and had a blast doing it. ADF Druids rock! The class went well and we ended up talking about a variety of things relating to Irish Gods and mythology with a bit of Boudicca thrown in. Afterwards I was as asked to invoke Macha at the ADF unity ritual Monday morning, as if I'd say no to that! 

 That night I was dragged up to a meet and greet in the Llewellyn suite. It was an interesting experience but by far the loudest hospitality suite which made conversation a bit difficult. I enjoyed meeting Jason and Ari Mankey though and seeing the new Llewellyn releases displayed around the room.

Day five - Up very early Monday morning for the ADF unity ritual, which went really well, even if my brain ceased functioning at this point. I think I was suffering from convention burn out. And as I was standing there getting ready to thank Macha at the end of the ritual I had a strong feeling that Herself wanted the thank you in Irish. I have no idea where I pulled the words from if not Her, because by that point my mind was pretty mushy, but the words came.
    Afterwards down in the lobby I had an awesome chat over coffee with Vyviane Armstrong, Lora O'Brien, and Stephanie Woodfield about the sacred sites tour that's being planned for next year which may be one of my favorite parts of the whole con, although its hard to pick any one favorite thing.
And then - the vendor room. Wow. Please take my money awesome pagan vendors. (And I got to meet Jen Delyth and talk about, what else?, the Mari Lwyd).

The less fun part was the Epic Quest Homeward which involved two airplanes, an overnight layover in Salt Lake City airport, and New England welcoming us back to her frigid arms with a snow storm.

That's the highlights anyway, I'm sure I'm leaving half of everything out. In short, met a ton of awesome people, the craic was mighty, and I had my priestess hat on, quite unexpectedly, the whole time. Because the Work never ends.

Since people seemed to really like it, here's the Macha invocation from the ADF ritual:
"Macha Mong-ruadh
Macha of the Red Hair
Great Queen, Mighty Lady,
Uniter of opposing forces
Who was queen by her own hand
and chose the king from the most deserving
You who brought unity
Where there had been opposition and strife
Be with us now."

The "thank you" (and anyone who can correct my Irish feel free to jump in, it was a spontaneous thing) was:
"Macha Mong-ruadh
Mór Ríoghain, Bean uasal,
go raibh maith agat as do bheannachtaí
imeann i síocháin
gach croí, do bhaile"
(Macha of the Red hair
Great Queen, noble woman,
Thank you for your blessings
Go in peace
Every heart, your home)


Copyright Morgan Daimler

Thoughts on The Morrigan, Service, and Diversity

    I read a blog the other day about the Morrigan and not proselytizing which I agree with, and there's really no need to re-hash here. But I mention it because a line in that blog stuck out to me: "spirituality is not a one size fits all concept."
  I think this is profoundly true and also something we all should give more thought to, not only in the general sense that each tradition won't be right for everyone - Gods know recon isn't everyone's cuppa - but also that even those who are dedicated to the same deity will find different expressions of that dedication. We each have our own niches within our service. Perhaps we can say that there are often themes within the things people who share a deity are drawn to, commonalities, but each of us finds our own expression. We are each filled with a different passion. Its easy to forget though that those who honor the same deity we honor do not necessarily share the calling that drives us.
   I have only rarely met other people dedicated to Macha, but I know many more generally dedicated to the Morrigan. I see the expression of the things that drive them and sometimes I nod in agreement and sometimes I shake my head or shrug. The things that they are so profoundly driven by may or may not be things that I understand or share. In the same way the things that drive me are not the things that drive them. I know many honorable Morrigan's peolpe who have taken up wonderful causes in Her name, including things like raising money to donate to charities like the Wounded Warrior Project. I admire that, but it is not my cause to carry forward.
     I have a deep concern for the welfare of children, especially infants and for the rights of parents to provide care. I'm a pretty outspoken against circumcision and strongly advocate breastfeeding rights*, for example. In fact the only social protest I've participated in was a "nurse-in" that came about after a woman was asked to stop nursing at a local restaurant. I have helped with fundraisers in my area to donate to the local women's shelter and to food pantries. I don't tie those things directly into my dedication to Macha, but I certainly have come to feel over the years that She is a deity who is very much about justice for women and children**. When I think of serving Macha I can't help but think as well of speaking up in defense of the helpless, especially children, and of defending mother's rights. I feel like that's part of my personal calling. But I have to remind myself that just because these things matter to me doesn't mean they matter to others, not even other people who serve Her. It would be unfair of me to judge others for not sharing in the drive I feel to fight for these things. Instead I try to see and appreciate the things they do want to fight for.
     Some of us are called to write and teach while others sing, or dance, or live quiet lives of devotion. Some of us feel very passionate about a cause, others don't. We are a diverse group, a wide array of people from different walks of life and places - in every sense - who all seek to honor the Morrigan. As tempting as it can be to want to measure everyone by our own standard, we need to let go of the idea of expecting everybody to be like us, to share our goals and ideals. Our service takes many different forms, and we should strive to appreciate the service offered by others, as much as we work at doing the best on our own path.

* every woman must feed her child in the way that is best for them, and I do not judge what way that is, but I am a strong proponent for the right of anyone to feed a child anywhere at any time, and in the support of a person's legal right's to nurse uncovered in public.
** This has grown out of my contemplation of her cursing the men of Ulster, although I do realize that story has a lot of other layers as well


Copyright Morgan Daimler

Excerpt from "Celebrating Imbolc with the Family" in Air n-Aithesc volume 1 issue 1

   Of the four Irish fire festivals Imbolc is the most family oriented, although it does also have wider community aspects. Celebrating Imbolc as a modern Irish polytheist, or indeed any Celtic polytheist drawn to this holiday, is an opportunity to involve the entire family, especially children, in the traditions. While we don’t have any surviving information about the ancient ways that this day was celebrated we do have a plethora of native traditions to draw on, with the role of saint Brigit and the pagan Goddess Brighid often blurred and easily shifted fully into paganism. With some slight alteration all of these traditions can be celebrated by any pagan family to honor Imbolc and the holiday’s main deity, Brighid.

A basic overview of the Irish traditions, most of which were actively practiced into the last century, is helpful in giving the reader both an understanding of the holiday and of ways that it can be adapted for modern family practice. There were often regional variations in practice and even in the tone of the celebrations, from solemn to comical, which created a wide array of different traditions associated with this holiday (Danaher, 1972). For the purposes of modern celebration by a pagan household it would be best to focus on specific traditions and choose one tone for the festival, rather than trying to include everything noted here.

    Generally it was the daughters of the household who played the main roles, although the mother might also be called to do so if there were no daughters. This is in contrast to other traditions which place the father as the main actor in any rituals, divination, or prayers, and establish the more domestic tone of Imbolc. The prominence of women and daughters also demonstrates the importance placed on Brighid at this holiday, with the women and girls often being the main intercessors between Brighid and the family in the ritual enacted or playing the role of Brighid herself. Imbolc also places a strong emphasis on children’s participation that is lacking at other holidays which tend to have a more adult tone.

    Weaving new Brighid’s crosses – symbols of protection, health, and blessing – was an important Imbolc tradition in many places. One ritual that was enacted in Connaught, Sligo, Leitrim, Mayo, Roscommon, and Ulster before the Brighid’s crosses were woven for the new year on the eve of the festival was for the eldest daughter to take the part of Brighid and wait outside carrying the material for the project (Danaher, 1972). She would then knock three times, proclaiming herself to be Brighid requesting entrance; she is warmly welcomed in and the family sits down to dinner with an elaborate blessing prayer (Danaher, 1972).  The meal often prominently featured dairy products, and if the family was wealthy might also include fresh mutton (Danaher, 1972). After eating the meal the family would sit and weave the new crosses, with the largest sprinkled with water and hung up on the wall until the next Imbolc (Danaher, 1972). In parts of Leitrim there was also a children’s practice to use a small rectangle of wood and with potato paste attach peeled rushes in shapes symbolizing the moon, sun, and stars which would be hung up alongside the woven crosses (Danaher, 1972).

    Another tradition was to create an effigy or doll, called a brideog (little Brighid), representing Brighid. The Brideog might be made of straw from the last sheaf of the harvest, leftover rushes from weaving the crosses, a re-purposed child’s doll, or the dash from the butter churn. The effigy would be decorated with a white dress and mask or carved turnip, and might be comical, grotesque, or beautiful in appearance (Danaher, 1972). In some parts of Ireland the Brideog was carefully and elaborately decorated with shells, crystals, and other natural adornments (Carmichael, 1900). In some places, including Ulster, Connaught, Leinstir and Munster, the children would process from house to house carrying the brideog and pronouncing Brighid’s blessing on each home (Danaher, 1972). At each home the people give gifts to the effigy, and the mother of the household gives food to the children in the procession, usually cheese, butter, or bread; this food would later be used by the children for a feast of their own (Carmichael, 1900). In other areas including Cork, Clare, Galway, Mayo, and Kildare a brideog might not be used but rather the unmarried girls would form the procession with one of their number chosen to represent Brighid (Danaher, 1972). In Ulster it was said that the chosen girl wore a crown of rushes, called a crothán Brighite, and carried a shield (sgaith Bhrighite) on her arm; she carried Brighid’s crosses to hand out telling each household that it was the sword of Brighid (Danaher, 1972). In other areas the procession might collect food from each house, and in some cases might be comprised entirely of men or boys who would play music at each house (Danaher, 1972). In these cases the procession was often referred to as ‘Biddy Boys’ (EstynEvans, 1957).

In those homes that used an effigy as a Brideog a small bed would be prepared, made of rushes or of birch twigs, on the eve of Imbolc (Estyn Evans, 1957). In some cases the older women in the home would prepare or shape a small cradle, the leaba Bride or bed of Brighid, for the effigy to sleep in (Carmichael, 1900). In this tradition the effigy is made with great care and a ritual is enacted, much like the one mentioned earlier with the reeds for the crosses, where the effigy is taken outside and invited in. In one tradition the women of the house prepare everything and then one goes and stands in the open door, bracing on the door jambs, and loudly invites Brighid in three times, telling her that her bed is ready (Carmichael, 1900). The brideog is placed in the bed with a small wand, the slat Brighid, which may be made of birch, hazel, willow or another white wood (Carmichael, 1900).  

   

  Read more in Issue one 2014 of Air n-Aithesc 

 

A Prayer to an Cailleach During Storms

Cailleach, Lady of Winter,
Winter of hard snow,
Snow driven by wind
Wind roaring, fierce,
Fierce Hag, I pray to you
You, who can be gentle
Be gentle to my home
My home and my family
My family and little children
Children who offer to you
You, Cailleach of Winter,
Winter hard and cold
Cold kept back by warmth
Warmth that we share
Share what we have with you
You, who can be gentle
Be gentle with those
Those who offer in your storm
May your storm pass us by
pass us by unharmed

The Morrigan and Plans for 2015

   I'm sure many of you would rather see more translation here, and don't worry I'll get some more done soon. I'm working on a new manuscript at the moment which is taking up some time, but hopefully next week I'll get to some of the other fun untranslated bits of the Cath Maige Tuired...
  I dreamed last night of the Morrigan, and this morning I was asked to do a workshop about her (them) next month so I thought it might be good to offer a short blog today just outlining some of this year's plans, where I'll be and what I'll be doing.
  I'm going to Pantheacon next month which is a very exciting first for me. I'll get to meet a lot of awesome people and spend time with some friends, including Stephanie Woodfield who is dragging me out there with her (I haven't been on a plane since I was 10 years old). It will be an adventure. While I'm at the con I'm going to be doing an informal workshop in the ADF hospitality suite, on Friday at 4, about the Morrigan in different myths. I'm really looking forward to it and think it will be a lot of fun, and I'm honored to have been asked to do it. So if you happen to be at Pantheacon and in the mood to hang with some Druids and talk Morrigan, come check it out.
  In June I'll be at the second annual Morrigan's Call Retreat teaching a workshop or two and helping with rituals. Last year was amazing and I'm sure this year will be even better. We have Jhenah Telyndru from the sisterhood of Avalon as a speaker and Mama Gina as a musical guest, as well as the usual suspects and some new faces.
   At the end of October I'll be participating in Seeking the Great Queens: a Sacred Sites Tour in Ireland. It is a sacred sites tour focusing on sites associated with the Morrigan and her mythology and includes celebrating Samhain at Tlachtga. There will be workshops, discussions, and rituals, and I have no doubt it will be a once in a lifetime experience.
   It's going to be a busy year, and very Morrigan-focused, but I'm excited about it.

Goodbye 2014, Hello 2015

  Last year was a very busy one for me. I had four books published - Fairy Witchcraft and Pagan Portals: the Morrigan through Moon Books and the first two in my urban fantasy series Murder Between the Worlds and Lost in Mist and Shadow (self published); I also had pieces in three anthologies this year. I wrote for the blog as well as guest blogging on Raise the Horns, and writing articles for journals and e-zines, including one for Goddess Pages on the Morrigan. I taught at ADF's Wellspring, at the Morrigan's Call retreat, CT Pagan Pride Day and the Changing Times, Changing Worlds convention. And I had the always fun experience of being a guest on the podshow the New Normal as well as appearing on another podcast, Main Street Universe, where I talked about Fairies. I ventured into the new and interesting world of translating older Irish manuscript material, which I've really been enjoying (and look for more of that soon). And of course in between all those shenanigans was Real Life with children and grocery shopping and bills.
   Now we are heading into to 2015. I had genuinely intended to make this year a quiet one, but it doesn't look like that is meant to be. My next novel, the third in my urban fantasy series, is coming out at the end of this month, and I have a piece I am writing for another anthology. I have several other book projects in the works as well as articles coming out in the next issues of Air n-Aithesc, Pagan Dawn, and Goddess Alive. I'm attending Pantheacon for the first time this year, and am already scheduled to teach workshops at a spiritualist church, at the second Morrigan Calls retreat, as well as on a Morrigan Sacred Sites tour of Ireland, and tentatively at CWPN's Harvest Gathering.
  I do plan to keep up with the blog, including continuing with my translation efforts. Hopefully I will be back to my regular blogging schedule now, but I wanted everyone to understand that as my non-blog writing has increased - and as real life demands have taken a lot of my attention - it has gotten harder to give the blog the attention I want. I'd rather not write at all than write when I don't have time to cite sources and give it the quality it deserves.
  As we move into the new year my goal here, for the blog, is to find a balance between more academic entries and more experiential entries. And to get back on my twice-a-week schedule. So happy new year to you all, and stay tuned.