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Friday, August 30, 2013

Racism and Cultural Appropriation

   American paganism in many ways reflects the contemporary trends of American culture: in the 60's and 70's it was feminism and women's empowerment, in the 80's and 90's it was individual empowerment. In the last ten years, and more so now, I've seen an increase in the focus on the ideas of ethnicity, race, and cultural appropriation within paganism.
   Issues of culture and race are complex and this is no less true in paganism than it is in the wider culture. On the one hand people often seek, through spirituality, to reconnect to their own history and roots, to gain a sense of belonging, and this can sometimes lead to a focus on culture. Certainly this is the case with most reconstructionist faiths which often emphasize both specific culture and ancestral connections and veneration. Feeling connected to ancestry through religion teaches us to be proud - proud of our ancestors' trials, struggles, and successes. Generally this is a good thing; we should be proud of our ancestry and our cultural history. This can become a problem though when that pride and the desire to feel that sense of belonging becomes a sense of possession, as if that religion belongs exclusively to any one group or people. In Celtic paganism I see this when people are dismissed as not really Celtic, as if their opinions have no or less value if they don't live in a Celtic country, speak a Celtic language, or have recent Celtic ancestry. In Heathenry it can be less subtly expressed in outright racism* and exclusion of non-Europeans from groups. I've heard of it in other faiths as well, from Wicca to Hellenismios, when one person tells another that they have no right to that religion because it belongs to another culture. It's all rooted in the idea that these beliefs are ours and we must protect them by keeping out the unworthy or those who might threaten the quality of what is ours. It's not always expressed that way, but that's the core idea behind it; we have something special that belongs to us and we must keep it safe from anyone who isn't us.
   The big, obvious problem with this is: who gets to decide who owns the culture? Who can say what amount of heritage is enough? Oh people try, certainly, but it all comes down to personal opinion and assumption, no matter how prettily they attempt to dress it up as the will of the Gods. How far back does someone's ancestry have to go for it to be enough? Can skin color really be a measure of heritage when it tells you nothing practical about that person's ethnicity? My heritage, like many Americans, is complex, including both European and Native American, so what cultures am I entitled to? What cultures am I excluded from? There are Heathens who would say that I cannot be Heathen because I am Cherokee on my father's side; there are tribal members who say I cannot follow tribal ways because I'm too fair skinned, despite the fact that historically none of that mattered in either culture. Belonging to a culture, sharing its beliefs, was based on far more than skin color and birth. History tells us that the Vikings intermarried with the Irish, that our ancestors, as they moved into new lands, intermarried with the people already there. The Gods were your Gods because they were the ones you honored, the ones you prayed to and offered to, not because you passed some litmus test of color or ancestry. The culture was your culture because it was what you lived, valued, and passed on. This was true in the past so in a modern multicultural, multi-ethnic society what place could racism possible have?
   Or, to summarize, racism is stupid and has no place any where in any thing.
   On the other hand we have cultural appropriation, a very popular term right now that is often horribly misunderstood and misused. Taken from sociology, cultural appropriation - also called cultural borrowing - is a natural and normal cultural process wherein one culture adopts beliefs, practices, or items from another culture usually with modifications. The western idea of karma is a cultural appropriation from the east, for example. Cultural appropriation, in and of itself, is not inherently a bad thing, however it can be so when the culture being taken from is a minority culture and the one doing the taking is a dominant one. In such a case appropriation can often lead to the loss of the original culture's belief or practice as it is subsumed and eventually discarded in favor of the dominant culture's version. The fear of that happening is often cited in cultural forms of paganism, including Irish and Norse, as grounds to speak out against or reject concepts taken from a specific culture and redefined by more popular modern pagan traditions. For example a reiki practitioner took the Irish Ogham and created what they call Celtic reiki, something that is seen as appropriation by some Irish pagans and some traditional reiki practitioners. The taking of the four Celtic fire festivals for use in the neopagan wheel of the year is often viewed as appropriation. James Arthur Ray's appropriation and misuse of sweat lodges is another, more tragic, example. Cultural appropriation is a very complex subject though because it is a natural cultural process and can occur organically - the incorporation of food, for example - so that not all appropriation is necessarily bad. In academia cultural appropriation may be divided into different categories which can include exchange, dominance, exploitation, and transculturation (Rogers, 2006). Exchange and transculturation are positive while dominance and exploitation are negative. Culture itself is built on a process of interaction with and reciprocal appropriation of other cultures which over times creates cultural exchange (Rogers, 2006). Generally when Cultural appropriation is discussed in paganism what is actually meant is cultural exploitation, the taking of aspects of a minority culture by a dominant one for the advantage of the dominant culture. This is a touchy issue for me as someone who regularly sees both my Native ancestral culture and Irish culture exploited. But as modern pagans we cannot simply say that we will not ever use or include anything that isn't originally from our culture or that no one else has a right to what we consider ours, particularly since, as I already discussed, it can be very difficult to decide who has a right to what; certainly the ancient pagans freely incorporated material from others in what would be seen as cultural exchange. On the other hand we should be respectful of other cultures and do everything we can to avoid what amounts to cultural plagiarism. My personal rule of thumb is to look at the context of the original and then how it is being applied outside that context; if it seems to be respectfully done then I am okay with it, if it seems to be done superficially, without respect, or understanding then I am not okay with it. We can use Samhain as an example: in modern paganism some people have begun to incorporate genuinely Irish pagan practices including a food offering to the fairies. I would not have an issue with this when the person researchers it and understands why it was done and historically how, even if their version is different from mine - candy instead of caudle, perhaps - but if the person simply hears that it was a practice to offer to the fairies, doesn't bother to learn anything about it, and offers something that would traditionally be offensive - spoiled food or leftovers, perhaps - then I would see that as inappropriate.  When you come across genuine appropriation the best way to fight it may be to educate people about the real beliefs and practices and the history, the roots, from which they have come.
   We are all, ultimately, seeking the same thing. As human beings we all want to be happy; as religious practitioners we all want to find spiritual fulfillment. The differences between us are, literally, only skin deep, and yet culture can shape us in profound ways that go far beyond outward differences and do deserve to be honored. Be proud of who you are and where you've come from and respect the journey that's brought you this far, but always respect those who are walking along with you as well by honoring the things we have in common as well as our differences.
   Ní neart go cur le chéile


* racism is the belief that different races have different abilities and characteristics and race can also be used to describe ethnic groups, including the Irish, English, etc., While we might most often think of racism as the division of people by skin color, it applies equally to the division of people by ethnicity. The infamous "No Irish Need Apply" signs of 19th century America are examples of that type of racism. 

Reference
Rogers, R., (2006) From Cultural Exchange to Transculturation: A Review and Reconceptualization of Cultural Appropriation. Communication Theory, vol 16, issue 4



Tuesday, August 27, 2013

Children's Prayers

Prayer During Storms

Thunder, thunder
In the sky
Thor's loud chariot
Pass us by

Meal Prayer

We give thanks
For this food
To the Gods
To the land spirits
And ancestors too

Sleep Prayers

A general version for all the pagan parents of little kids out there:
"Now I lay me down to rest
I pray that my home and kin be blessed;
ancestors guard me through the night
Gods watch over me by starlight
Guardian spirits are always near
and keep me safe, no need to fear
Loving spirits will dance and sing
Happy dreams they always bring
And when I wake to a new day
The shining sun will light my way"
  
An more Irish version:
"Now I lay me down to rest
I pray that my home and kin be blessed
ancestors guard me through the night
Gods watch over me by starlight
Guardian spirits are always near
and keep me safe, no need to fear
Goodly spirits will dance and sing
Happy dreams they always bring
And when I wake to a new day
Aine's bright sun will light my way"

And a more heathen one:
"Now I lay me down to rest
I pray that my home and kin be blessed
Disir guard me through the night
Aesir watch over me by starlight
Guardian spirits are always near
and keep me safe, no need to fear
Goodly wights will dance and sing
Happy dreams they always bring
And when I wake to a new day
 Sunna's bright sun will light my way"



Thursday, June 27, 2013

Book Review: Thinking Wild

    I recently was offered the opportunity to review the book Thinking Wild, Its Gift of Insight: a way to make peace with my shadow for Red Wheel/Weiser.
   Thinking Wild is a fascinating look into the mind of the author as he explores the symbolism and metaphor of Nature as it relates to the human mind. Written in style reminiscent of the stream of consciousness writing of Sylvia Plath or Toni Morrison it tells the story of a man searching through his own life and experience to better understand the human heart and more, the human experience. In many places it reads more like poetry than prose, and like reading Dylan Thomas or James Joyce, the reader can't try to find meaning in each line, but rather has to step back and take each section as a whole and let it speak for itself.
   I found the book initially difficult to get into as the author packs a lot of deep introspection into each page and at times the sheer amount of it is overwhelming, so I finally broke it down and began reading a small section each day which worked better. The material really needs some time to be digested as it is read, rather than being rushed through. At times I found myself in full agreement with the author, at other points I could not have disagreed more, but I was always intrigued by what he was saying and how he was choosing to say it.
  The book has value, I think, in that it challenges us all to look at our own lives and values in a new context. We all live in poetry and in art, in savagery and in brutal truth, side by side and without contradiction, but rarely do we acknowledge it the way Thinking Wild does. It offers us all a chance to shift our viewpoint and open up to a new perspective.

Thursday, May 30, 2013

Song Parody "24 Runes" ~ For Odin

  Inspiration is a funny thing, I can sit for hours trying to write and have nothing come to me, or I can be doing some mundane task and have a sudden burst of insight. This morning as I was putting my daughter on the bus for school a song parody went through my head as if it were writing itself. I decided to share it here. 
  
24 Runes - To the tune of Ernie Ford's "16 Tons"

 Some people say the world came from fire and ice
 and all the world's knowledge comes with a price
 Knowledge that costs and we all gotta pay
  some run towards it and some run away

Chorus:
You rist 24 runes and what do you get?
Another day wiser with every aett
Runatyr don't you call me cause I can't go
There's still too many things I don't know


Odin won the runes after nine long nights
  they rose up from the depths and into his sights
He snatched them all with a mighty yell
  for the Gods, elves, dwarves, and men as well

Chorus

Runes for healing and runes for harm
  runes for warding and runes for charm
There's runes for anything you might need
  but if you work with runes be ready to bleed

Chorus

You start learning runes and you'll be changed
   your whole world view gets rearranged
The more you learn the more you ask why
  and you keep on asking until the day that you die

Chorus

Tuesday, May 28, 2013

Matronae

  Many aspects of my own practices, Irish pagan and Heathen, are separate ones but there are points of cross-over. My honoring of the daoine sidhe/land vaettir is one, and my honoring of Artio is another. A third is my worship of the Matronae, a triad of Germano-Celtic goddesses.
   The Matronae, whose name simply means "Mothers" in Latin, are found in Celtic (specifically Gaulish), Roman, and Germanic sources (Lendering, 2013). These goddesses are known from over 80 inscriptions on images found from France to Germany and through northern Italy, and can be found on hundreds of votive altars (Evans, 2005). The Matronae are usually depicted as three seated women holding symbols of abundance, including fruit, animals, infants, and cornucopias, as well as items like small pieces of cloth, basins, and spindles; the women wear long skirts and have one breast bare, possibly symbolizing a nursing mother (Evans, 2005; Green, 1992). Often the figures on the sides are shown wearing wide hats and sitting next to trees while the central figure has loose hair; in one case the inscription  was accompanied by an image of a tree, a snake, and a goat (Lendering, 2013; Green, 1992). Images also depict the Matronae being worshiped by women and by soldiers and being offered fruit and bread (Green, 1992). Although its difficult to know with certainty what the Matronae were worshiped for, most scholars surmise that they were related to fertility, abundance, healing, and protection. Many Matronae had distinctive names relating to the area they were in or people who worshiped them so it is also possible that they represented communal maternal ancestors, an idea supported by inscriptions naming them "matres paternae" which may be translated as ancestral mothers (Lendering, 2013). It is also possible that the Matronae were examples of cults of genus locii expressed in a set form, although Ross suggests that they are reflexes of tribal mother goddesses (Green, 1992; Ross, 1998). In specific locations the Matronae also had specific associations: the Matres Comedovae and the Matres Griselicae were associated with healing and specific healing springs, for example (Green, 1992).
My personal shrine to the Mothers

   I tend to relate to the Matronae as the Great Mothers, the Deae Matres, the ultimate ancestral mothers of us all, the uber disir. To me they are both ancestors and deities; they are a force which ultimately connects all humanity together back at the beginnings and which connects us to the land as a source of basic life sustaining nourishment. I use three images of paleolithic female figures to represent them on my altar and pray to them for protection of my home and family as well as abundance. I also pray to them for peace within my home and for healing, particularly of my children. I offer them fruit, honey, and bread, and celebrate them especially on Mutternacht, the night before the Winter solstice.

References:
Lendering, J., (2013) Matres, Matronae, or Mothers. Retrieved from http://www.livius.org/man-md/matronae/matronae.html
Evans, D., (2005) Matronae. Retrieved from http://www.celtnet.org.uk/gods_m/matronae.html
Green, M., (1992) Dictionary of Celtic Myth and Legend
Ross, A., (1998) Pagan Celts

Tuesday, May 21, 2013

Prayer for the Year



This is one of the more interesting prayers in the Gadelica because it involves praying for calm seas at specific points throughout the year. In the original Gadelica version the dates listed are the old pagan fire festivals of Samhain, Imbolc, Beltane, and Lughnasadh as well as the feast days of saints, however each of these feast days is on or within days of a solstice or equinox, so I have shifted the references to these. Taken with a larger view this prayer can be seen as one for peace and safety throughout the year. I would recommend saying it at the turning of the year, but it could be said with equal effectiveness at any point.  


Ocean Blessing 118

O gracious gods whom we honor,
Give to us your gracious blessing,
Carry us over the surface of the sea
,
Carry us safely to a haven of peace,
Bless our boatmen and our boat
,
Bless our anchors and our oars,
Each stay and halyard and traveler,
Our mainsails to our tall masts
May land, sea, and sky
 remain in their places
That we may return home in peace;
I myself will sit down at the helm,
It is Manannan
 who will give me guidance,
As He travels far over the waters
On the fields of waves.
On the Autumn Equinox, day of balance,
On Samhain
, when the old year ends,
On the day of the Winter Solstice,
Subdue to us the crest of the waves,
On Imbolc
, day of my choice,
Cast the serpent into the ocean,
So that the sea
 may swallow her up;
On the Spring Equinox
, day of power,
Reveal to us the storm from the north,
Quell its wrath and blunt its fury,
Lessen its fierceness, kill its cold.
On Beltane Day give us the dew,
On Midsummer’s
 Day the gentle wind,
On Lughnasadh
, the great of fame,
Ward off us the storm from the west;
Each day and night, storm and calm,
Be with us, great Gods
 of Life,
Be our guide in right-living,
Your  hands on the helm of our rudder,
By land, sea, and sky

  - excerpted from By Land, Sea, and Sky

Tuesday, May 14, 2013

Spirit of place in the home

my monthly blog for Moon books is up http://moon-books.net/blogs/moonbooks/spirits-of-place-in-the-home/ looking at how we connect to spirits of place and why I think we should start at home