Several Short Book Reviews

First a couple for the kids or parents with kids:

The Ancient Celtic Festivals: and How We Celebrate Them Today

by Clare Walker Leslie Overall this is an excellent book to introduce children - and adults - to the basic concepts surrounding the Celtic, specifically Irish, culture and holy days. Some of the information is a bit dated now or controversial - the entry on Beltane is particularly problematic - but in general the content is comprehensive and well researched. I especially liked the amount and quality of illustrations and the inclusion of peripheral cultural information about the Celts that I know my children will enjoy. I would recommend this book be read to a child by an adult who can explain or clarify the problematic points, and that adults reading for themselves supplement this book with something more in depth such as Kondratiev's the Apple Branch

A Child's Eye View of Irish Paganism
by Blackbird O'Connell
This really is the perfect book to introduce your child or children to Irish Paganism. The author touches on all the basics and important concepts but doesn't overwhelm the reader with too much information. Everything is covered in an age appropriate way and in enough depth to satisfy a child or encourage deeper research. As an adult I liked the book, but what's more important my 10 year old daughter loves it. She enjoyed reading it and has repeatedly asked to do the different activities in the book. I don't think any children's book can get higher praise than that.

Then some more adult books:

Teagasca: The Instructions of Cormac Mac Airt

by C. Lee Vermeers This is my new favorite version of this classic text. Not only has the author improved the readability of the older translations but he has in many places clarified the meaning. I also really appreciate the extensive footnotes which offer insight into both the author's choices for certain translations and also clarify certain key points of Irish culture. This allows the reader in many cases to gain an alternate view of ways that that line can be understood as well as a deeper insight into the older culture from which the text originated. The book itself is trade paperback sized and so can easily be carried in a purse or bag, and the quality of teh printing is good. More than worth the money and highly recommended. The Secret Commonwealth and the Fairy Belief Complex by Brian Walsh I highly recommend this book to anyone studying fairylore or interested in honoring the daoine sidhe. The author does a wonderful job of taking apart Rev. Kirk's Secret Commonwealth and analyzing every aspect of the material. His inclusion of Robert Kirk's personal history helps put the text in context. He also nicely summarizes the major themes and outlines the basic beliefs of the fairy belief complex in a way that is both straight forward and in depth.

Stalking the Goddess

by Mark Carter
This book is an absolutely fascinating dissection of Robert Graves' book the White Goddess, without the usual romanticism or blind-eye to history that many use to view that book. Rather the author uses a variety of tools to take apart the major themes of the White Goddess and explain their sources and ultimate motivations in ways that provide a deeper understanding of the text itself. Stalking the Goddess relies on a wide array of historic Irish and Welsh material as well as authors contemporary to Graves and Graves own words from other works to provide this in depth understanding of the White Goddess, a book that has become the cornerstone - realized or not - of many modern pagan religions. This book has great value, I think, both to modern neopagans who need to understand the roots of the things Graves has made popular but also to those interested in Irish and Welsh material who might enjoy the author's discussion of topics like the Ogham. Definitely an enjoyable and educational read.

Copyright Morgan Daimler

Reconstructionism - What It Is, What It Isn't, and Why I Love It

   I've said it before but it bears repeating: Reconstructionism is a very misunderstood thing. There are many reasons for why that is and why some of those misunderstandings keep being perpetuated, but mostly it comes down to assumptions and stereotypes. So today let's take a look at what reconstruction is and what it isn't. 
   Disclaimer (because I don't enjoy the sensation of being flayed): This article is meant as a general commentary on the methodology of reconstruction when applied to polytheist religion. As with anything there will be exceptions to any statement or cases where specific styles of Recon differ. I am writing it from the base of my own experience, which is primarily in Celtic Reconstructionism* and Heathenry, however I wouldn't presume to speak for all recons everywhere.
 ~ What is Reconstructionism?
     This seems like a good place to start. Reconstruction is a methodology that uses a variety of sources including archaeology, anthropology, mythology, folklore, and historical texts to reconstruct what an ancient belief or practice most likely would have been. Using this reconstruction of the old the belief or practice can then be adapted for modern practice. Or, as I like to say, reconstruction is understanding the old pagan religion so that we can envision what it would have been like if it had never been interrupted and still existed today. 
   Reconstructionism is most often applied to spirituality but it can be used for a variety of related practices including traditional non-religious witchcraft. It can also be for mystic practices used in conjunction with spiritual practices, such as the reconstruction of seership methods within Celtic Reconstruction, or of seidhr within Heathenry. 
    Reconstruction is a method that is applied to a wide array of different ancient pagan faiths including Norse, Anglo-Saxon, Minoan, Egyptian, Irish, Gaulish, and Indo-European** to name just a few. It is a method which is both sound and flexible, but which also requires personal engagement and imagination. Because of this the end result of different people's reconstruction of the same culture's religion will not be identical, although it should be similar. 
   ~ What is Reconstructionism *NOT*
   1) Recons are not mean. Well, they aren't any meaner, generally speaking, than any other community can seem to outsiders. I see this one all the time, and it is usually rooted in two things: a difference in communication style and a difference in paradigm. People within reconstructionist communities tend to have a communication style - in my experience - that is rather blunt and straightforward. In contrast people within non-Recon communities tend, again in my experience, to have communication styles that favor friendly language and more passive aggressive approaches. Recons tend to operate from a paradigm of earned respect, skepticism, and where any statement requires hard evidence to support it, while non-recons have a paradigm of immediate intimacy, trust, and acceptance of people's assertions on face value. Neither of these is inherently better or worse than the other, but they create very different cultures and expectations of behavior for the people within them. It should be obvious that these communication styles and paradigms are in many ways antithetical and it is almost inevitable that people interacting between the two groups will have issues with each other. 
   2) Recons are not re-enactors. This is another very common one, usually expressed through the criticism that Reconstructionism is flawed because "there are things that should be left in the past". Well, yes, clearly. No one is advocating the return of human sacrifice or slavery - although we are honest about the fact that these were historic practices and that understanding them is important to understanding the culture. Reconstruction is not about recreating ancient religion exactly as it was and practicing it that way, but about understanding how it was in order to make it viable today.
   I for one love indoor plumbing and refrigeration, and I'm not about to give up all modern amenities to build a roundhouse and pretend I'm living in the Iron Age. I might not mind a round house with wifi and solar panels though. Obviously just like the rest of the population there are some recons who do favor sustainable living, off the grid living, and even a rejection of many aspects of modern technology but that isn't an aspect of reconstruction itself, anymore than belonging to the SCA or going to Renn Faires is. 
   3) Recons are not books only. There is a bit of a hesitance in reconstructionist groups - or at least the ones I have experience with - to discuss actual practice and experience. I think there are several reasons for this, including that we tend to get very tangential about minutia in discussions and we get sidetracked when someone else starts disagreeing and saying their research supports a different approach. However just because we don't talk all the time about what we actually do in our daily lives doesn't mean we aren't doing anything. Just like just because a non-recon talks a lot about what they do and not much about what they read doesn't mean that they don't read anything (I like to assume anyway). Recons do like their source material, but the entire point of the source material is using it to create a viable practice. 
  4)  Recons don't hate "upg"***. This one is also often expressed as "Recons are obsessed with lore" or "Recons are pagan fundamentalists". However you say it it simply isn't true. And that's just not my opinion, I'll quote the CR FAQs here, under What Is Celtic Reconstruction (CR): " By studying the old manuscript sources and the regional folklore, combining this information with mystical and ecstatic practice, and working together to weed out the non-Celtic elements that can arise, we are nurturing what still lives and helping the polytheistic Celtic traditions grow strong and whole again." (emphasis mine). Incorporating personal experience and mystical practice is part of reconstruction, so recons obviously do not hate personal gnosis. However we do apply the same critical thinking and discernment to mystical experiences as we do to any source of information and I suspect this is where the problem comes in. Recons question everything to ascertain its veracity including spiritual experiences and that is often unpopular especially in communities that do not share the same approach. 
   But seriously people recons don't hate mystical experiences, nor do we reject anything that isn't straight out of a book. We just place a lot of value on the vast amount of combined experience and belief that is the culture we are reconstructing and we use that as a measure for the credibility of new information. 
 ~ So why do I love it? Well, honestly Reconstruction is a part of who I am. It fits my nature, my personality, and so it is something I apply to everything: my religion, my witchcraft, my fairy faith. I was always that kid who asked why and who dreamed about what something could have been. I love studying the evidence we have and asking myself what if? What if it had never stopped? What if the Old gods, the old ways, had been continuously worshiped, continuously kept? What would that look like today? I find it a fascinating puzzle and one that I am compelled to sort out. 

  Reconstruction is not a methodology for everyone, just like any other path it is simply one option among many. It appeals to certain people for a variety of reasons, and leaves other people uninterested, and that's okay. Many people who don't practice Reconstruction, and even some who do, misunderstand what it is and sometimes perpetuate stereotypes about it, and I hope this blog helped at least a little bit to shed some light on a few of them. Recons aren't out to make people cry, aren't trying to recreate the Iron Age, aren't only about reading books, and aren't against personal ecstatic experiences or gnosis. What we are about is using solid academic evidence and personal inspiration to envision what that polytheism would have looked like today if it had existed without interruption. We are about honoring our ancestors, spirits of diverse types, and Gods. We are about respecting and helping to preserve the living culture today. 
   Reconstruction isn't about living looking backwards. Its about walking forward with the past a firm path beneath our feet, guiding our steps. 

 Further reading:
http://www.paganachd.com/faq/index.html
http://moon-books.net/blogs/moonbooks/how-to-be-an-irish-reconstructionist-polytheist/
http://www.tairis.co.uk/introduction/gaelic-reconstructionist-polytheism
http://www.beliefnet.com/Faiths/2004/08/Our-Gods-And-Goddesses-Are-Closer-To-Us.aspx#

*I identify publicly as a practitioner of Celtic Reconstructionist Polytheism, however I am specifically endeavoring to reconstruct Irish polytheism. 
** Ceisiwr Serith has an interesting book called 'Back to the Beginnings: Re-inventing Wicca' which is, to all intents and purposes, an attempt to reconstruct Indo-European religious witchcraft.
***upg - unverified personal gnosis, or as Lora O'Brien puts it (and I like better) unique personal gnosis. I've also been known to refer to this as personal numinous experience, but PNE isn't as catchy of an acronym.

Copyright Morgan Daimler

Spiritual Masochism or Why I Translate Ancient Texts Into Modern English

  Some of my regular readers have undoubtedly noticed that in the last several months I've begun posting more blog entries featuring translations of pieces of the old mythic texts. Some of you may be wondering why - or I may just be boring you to tears. A friend suggested this morning that I may want to explain why I've been doing the translations and how they relate to my spirituality and I thought it was a smashing idea so hear you go. It's a convoluted story, but maybe you'll understand a bit better how my head works and why I feel its so important to share this particular hobby.

   About a year ago while re-reading the Tain Bo Cuiligne I ran across a particular line that really stuck out to me, where Fergus swears on the point of his sword and calls it a "halidom of Macha". As I contemplated that line I found myself wondering if he had really said that in the Irish or if the translator had shifted the meaning in some way and on a whim I found a copy of the Tain as Gaeilge (in Irish) and checked. Indeed the phrase in question - "Mache mind" does mean halidom of Macha, but mind also has some fascinating layers of meaning including blade and oath. It was an intriguing thing to contemplate. 
  More time went by and I found myself, rather unexpectedly, writing a book on the Morrigan. As I worked with the quotes and translations of the source material for that I found myself once again wondering how well the translation reflected the original. Some people may not realize that the vast majority of translations we have access to for the Irish myths were done a hundred years or more ago, and during a time period when certain subjects where not always handled well and others were, shall we say, treated poetically? An example of this can be seen in Hennessey's approach to the line from Cath Magh Rath about the Morrigan where he translates "Caillech lom, luath ag leimnig" as a lean hag, swiftly leaping - but lom doesn't mean lean it means bare or naked. So properly this line says "a naked hag, swiftly leaping" and there is a significant difference, I think, in the imagery created between these two translations. And to me this matters a great deal. It also means that all the translations we have come to us through a specific filter which does, for good or ill, affect the meaning of what we are reading and change our understanding of it.
   So we've established that I am a stickler for semantics and that I am rather obsessed about what the original language actually said, as opposed to what the popular translations say. In Irish - modern Irish that is - there is a saying, tír gan teanga, tír gan anam, a nation without a language, a nation without a soul. I think this reflects a core truth, that our language is not only a basic means of communication but an expression of how we relate to and perceive reality. In psychology we call this linguistic relativity*, the idea that language effects how we think about the world. What this means in practical terms is that to truly understand a culture you must understand the language of that culture. 
   More time went by and the subject of the Morrigan as a battle goddess came up, and specifically of her inciting battle. The section in the Cath Maige Tuired (CMT) where the Morrigan incites Lugh to rise up and overthrow Bres was mentioned and I realized that although a small initial portion was translated the majority was not. In fact significant portions of the Cath Maige Tuired have not been translated due to the difficulty of the text and possibly the subject matter in those sections**. I decided to try translating the passage myself and found that what it said was profoundly meaningful to my understanding of the Morrigan as a goddess and as a deity of war. Over time I started taking on the project of translating more sections of the CMT, because I believe that it is important to read the sections previously untranslated and think about what they say. I made the decision to share these attempts here, even though I am at best a base amateur, because I wanted to offer other people who have no Irish or Old Irish at all a chance to see alternatives to the common translations and possible versions of the untranslated sections. I truly believe these portions of text are worth the effort to understand, and I also realize not everyone can read them. 
   As an Irish polytheist there is much insight and truth to be gained from reading the old myths, but there is a catch, because the translations that are available are written through a very specific lens. That lens distorts and changes what it reflects in ways that we are often not aware of. Reading the original language gives us a more direct understanding of the story as it would have been understood originally, but then presents a new challenge of taking that and putting it into a new language without losing too much of the meaning. There is a certain masochism, spiritually driven, that drives me to do this, to keep seeking to understand the old stories and to translate them. And I want to share whatever I can of it, with anyone who may be interested.

* commonly known, somewhat inaccurately, as the Sapir-Whorf hypothesis
** what this means for us as Irish pagans is profound, as the CMT is a very important mythic text and we are in effect relying on translations that are at best piecemeal.
 

Copyright Morgan Daimler

The Obligatory Pantheacon Post

 I attended my first Pantheacon this year, so here is the obligatory re-cap of my experience:
Day one - travel. Who'd have thought I actually enjoy airplanes? Airports however are a form of elaborate torture. I arrived in California and was hit with immediate culture shock - you can get alcohol everywhere and it feels like early summer, and this is so not Connecticut. It was great to travel with a good friend and reconnect with other friends I had made at the Morrigan Retreat last June. I also had fun setting up a communal altar in the hotel room I was sharing with these three friends.
    Horse omens started immediately. No really, in the airport and then everywhere afterwards, horses, horses, horses. I have witnesses! Also crows everywhere. I really should have understood where this would be going but I can be slow on the uptake.
  It was a great experience setting up the traveling altars in the hotel room with my roommates. Although I am very open minded about sharing space with people of other religious persuasions and approaches I must admit staying with other polytheists was nice because there was never any need to explain anything. We all understood that altars were needed, that offerings were required, and we all had the same basic respect for those spaces and things. The communal Morrigan altar was especially powerful as all four of us are devoted to her in different ways, and since there was another Odin's woman there as well he got his space and offerings without any issue as well. There were space for other Gods being honored as well, and several jokes about the number of altars and the amount of alcohol around the room but the overall feeling was friendly and pleasant. I also set up a small space for the land spirits and Fay, as it was important to me to try to connect to the local wights.
  Later on Thursday we went to the Doubletree, the hotel where the con actually takes place, and poked around a bit, met some people including a friend from an online group that I really enjoyed spending the weekend hanging out with (we dubbed her the unofficial mayor of P-con). And then jet-lag of doom set in. Later in the evening I met the Coru Cathobouda crew at their meet and greet event which I attended with the rest of the Tuatha De Morrigan contingent (my roommates at the hotel).

Day two - registered for the con. And so it begins. Today's theme was horse skulls. Everywhere.    
    I taught a Morrigan workshop in the ADF suite and it went so well I was asked to go back Sunday and do another. Met Lora O'Brien who is really wonderful and reconnected with some of my favorite ADF people. I can safely say the ADF hospitality suite is entirely full of awesome.
 I also was able to meet several other people I had previously only known on facebook which was great. I love putting a FB name to an actual face. I must admit even though I had been warned about the size of Pantheacon I wasn't prepared for the sheer scale of it. It was larger than anything I had ever been to by orders of magnitude and because of that I didn't end up seeing or doing nearly as much as I wold have liked to, although what I did see and do was amazing.
   I attended a class by Orion Foxwood where he talked a little bit about his Faery Seership approach and also his theory of the four types of witchcraft. He is a very engaging speaker and puts on an entertaining workshop. 

Day three - the horse skulls continue. Those of you who know my old LJ/yahoo group name will get the entertainment value of my being stalked by the Lair Bhan (although it was being called the Mari Lwyd here). I'll probably do a future blog post just on that topic, but suffice to say it became something of a running joke with the group I was with.
  Very early in the morning I went to a smashing class on the Irish sidhe by Lora O'Brien - if any of you ever have a chance to go to any of her classes, DO IT!
   Later that day we wandered in to relax a bit in the Sisters of Avalon suite, admire their artwork and connect with some great people who are helping with the Morrigan sacred sites pilgrimage I'm involved in next year*. Later we hung out with some Faery Seers and learned a bit about their approach - not my cuppa but always good to learn other ways. The hospitality suites were an interesting experience in themselves, and I have to admit I thought it was really fascinating to look at the approach each one took.
      There were some spiritual shenanigans on Saturday including making offerings on a rock in a small island of trees in the parking lot. Part of my personal experience as a polytheist and Reconstructionist is that you end up making a lot of offerings, and I was lucky enough to be bunking with other people who felt similarly although the actual lead up to making the offerings should probably be categorized as a misadventure.

Day four - very early Sunday morning I went to a class on working with skull spirits because at that point it felt like I needed to figure out what was going on with all the skulls I kept seeing. It was very interesting stuff (and the Mari Lwyd was discussed of course because at that point I was still being stalked by horse skulls). Went to a class about the Morrigan, Poetry, and Prophecy - interesting info on Irish poetics but there can't ever be enough rosc catha discussion for me.   smile emoticGot to have a good chat with Morpheus and Brennos Agrocunos over lunch with the Coru and Tuatha De Morrigan folks, sort of an east coast/west coast gnoshy thing.Went to Lora's Morrigan class which was amazing, even if there were a mad amount of people crammed into a little room for it (seriously should have been in a bigger room). 

  Lora O'Brien did a workshop on the Morrigan which was intriguing and had some great food for thought in it. Hearing her talk about her firsthand experiences with the Morrigan's sacred sites, especially Oweynagat, makes me even more eager to go visit them myself. She also had a guided meditation at the end of her workshop which I found very profound. 
 Later that day I taught my second workshop, "Morrigan 2.0" in the ADF suite - anyone else noticed a theme at P-con this year?  - and had a blast doing it. ADF Druids rock! The class went well and we ended up talking about a variety of things relating to Irish Gods and mythology with a bit of Boudicca thrown in. Afterwards I was as asked to invoke Macha at the ADF unity ritual Monday morning, as if I'd say no to that! 

 That night I was dragged up to a meet and greet in the Llewellyn suite. It was an interesting experience but by far the loudest hospitality suite which made conversation a bit difficult. I enjoyed meeting Jason and Ari Mankey though and seeing the new Llewellyn releases displayed around the room.

Day five - Up very early Monday morning for the ADF unity ritual, which went really well, even if my brain ceased functioning at this point. I think I was suffering from convention burn out. And as I was standing there getting ready to thank Macha at the end of the ritual I had a strong feeling that Herself wanted the thank you in Irish. I have no idea where I pulled the words from if not Her, because by that point my mind was pretty mushy, but the words came.
    Afterwards down in the lobby I had an awesome chat over coffee with Vyviane Armstrong, Lora O'Brien, and Stephanie Woodfield about the sacred sites tour that's being planned for next year which may be one of my favorite parts of the whole con, although its hard to pick any one favorite thing.
And then - the vendor room. Wow. Please take my money awesome pagan vendors. (And I got to meet Jen Delyth and talk about, what else?, the Mari Lwyd).

The less fun part was the Epic Quest Homeward which involved two airplanes, an overnight layover in Salt Lake City airport, and New England welcoming us back to her frigid arms with a snow storm.

That's the highlights anyway, I'm sure I'm leaving half of everything out. In short, met a ton of awesome people, the craic was mighty, and I had my priestess hat on, quite unexpectedly, the whole time. Because the Work never ends.

Since people seemed to really like it, here's the Macha invocation from the ADF ritual:
"Macha Mong-ruadh
Macha of the Red Hair
Great Queen, Mighty Lady,
Uniter of opposing forces
Who was queen by her own hand
and chose the king from the most deserving
You who brought unity
Where there had been opposition and strife
Be with us now."

The "thank you" (and anyone who can correct my Irish feel free to jump in, it was a spontaneous thing) was:
"Macha Mong-ruadh
Mór Ríoghain, Bean uasal,
go raibh maith agat as do bheannachtaí
imeann i síocháin
gach croí, do bhaile"
(Macha of the Red hair
Great Queen, noble woman,
Thank you for your blessings
Go in peace
Every heart, your home)


Copyright Morgan Daimler

Excerpt from "Celebrating Imbolc with the Family" in Air n-Aithesc volume 1 issue 1

   Of the four Irish fire festivals Imbolc is the most family oriented, although it does also have wider community aspects. Celebrating Imbolc as a modern Irish polytheist, or indeed any Celtic polytheist drawn to this holiday, is an opportunity to involve the entire family, especially children, in the traditions. While we don’t have any surviving information about the ancient ways that this day was celebrated we do have a plethora of native traditions to draw on, with the role of saint Brigit and the pagan Goddess Brighid often blurred and easily shifted fully into paganism. With some slight alteration all of these traditions can be celebrated by any pagan family to honor Imbolc and the holiday’s main deity, Brighid.

A basic overview of the Irish traditions, most of which were actively practiced into the last century, is helpful in giving the reader both an understanding of the holiday and of ways that it can be adapted for modern family practice. There were often regional variations in practice and even in the tone of the celebrations, from solemn to comical, which created a wide array of different traditions associated with this holiday (Danaher, 1972). For the purposes of modern celebration by a pagan household it would be best to focus on specific traditions and choose one tone for the festival, rather than trying to include everything noted here.

    Generally it was the daughters of the household who played the main roles, although the mother might also be called to do so if there were no daughters. This is in contrast to other traditions which place the father as the main actor in any rituals, divination, or prayers, and establish the more domestic tone of Imbolc. The prominence of women and daughters also demonstrates the importance placed on Brighid at this holiday, with the women and girls often being the main intercessors between Brighid and the family in the ritual enacted or playing the role of Brighid herself. Imbolc also places a strong emphasis on children’s participation that is lacking at other holidays which tend to have a more adult tone.

    Weaving new Brighid’s crosses – symbols of protection, health, and blessing – was an important Imbolc tradition in many places. One ritual that was enacted in Connaught, Sligo, Leitrim, Mayo, Roscommon, and Ulster before the Brighid’s crosses were woven for the new year on the eve of the festival was for the eldest daughter to take the part of Brighid and wait outside carrying the material for the project (Danaher, 1972). She would then knock three times, proclaiming herself to be Brighid requesting entrance; she is warmly welcomed in and the family sits down to dinner with an elaborate blessing prayer (Danaher, 1972).  The meal often prominently featured dairy products, and if the family was wealthy might also include fresh mutton (Danaher, 1972). After eating the meal the family would sit and weave the new crosses, with the largest sprinkled with water and hung up on the wall until the next Imbolc (Danaher, 1972). In parts of Leitrim there was also a children’s practice to use a small rectangle of wood and with potato paste attach peeled rushes in shapes symbolizing the moon, sun, and stars which would be hung up alongside the woven crosses (Danaher, 1972).

    Another tradition was to create an effigy or doll, called a brideog (little Brighid), representing Brighid. The Brideog might be made of straw from the last sheaf of the harvest, leftover rushes from weaving the crosses, a re-purposed child’s doll, or the dash from the butter churn. The effigy would be decorated with a white dress and mask or carved turnip, and might be comical, grotesque, or beautiful in appearance (Danaher, 1972). In some parts of Ireland the Brideog was carefully and elaborately decorated with shells, crystals, and other natural adornments (Carmichael, 1900). In some places, including Ulster, Connaught, Leinstir and Munster, the children would process from house to house carrying the brideog and pronouncing Brighid’s blessing on each home (Danaher, 1972). At each home the people give gifts to the effigy, and the mother of the household gives food to the children in the procession, usually cheese, butter, or bread; this food would later be used by the children for a feast of their own (Carmichael, 1900). In other areas including Cork, Clare, Galway, Mayo, and Kildare a brideog might not be used but rather the unmarried girls would form the procession with one of their number chosen to represent Brighid (Danaher, 1972). In Ulster it was said that the chosen girl wore a crown of rushes, called a crothán Brighite, and carried a shield (sgaith Bhrighite) on her arm; she carried Brighid’s crosses to hand out telling each household that it was the sword of Brighid (Danaher, 1972). In other areas the procession might collect food from each house, and in some cases might be comprised entirely of men or boys who would play music at each house (Danaher, 1972). In these cases the procession was often referred to as ‘Biddy Boys’ (EstynEvans, 1957).

In those homes that used an effigy as a Brideog a small bed would be prepared, made of rushes or of birch twigs, on the eve of Imbolc (Estyn Evans, 1957). In some cases the older women in the home would prepare or shape a small cradle, the leaba Bride or bed of Brighid, for the effigy to sleep in (Carmichael, 1900). In this tradition the effigy is made with great care and a ritual is enacted, much like the one mentioned earlier with the reeds for the crosses, where the effigy is taken outside and invited in. In one tradition the women of the house prepare everything and then one goes and stands in the open door, bracing on the door jambs, and loudly invites Brighid in three times, telling her that her bed is ready (Carmichael, 1900). The brideog is placed in the bed with a small wand, the slat Brighid, which may be made of birch, hazel, willow or another white wood (Carmichael, 1900).  

   

  Read more in Issue one 2014 of Air n-Aithesc 

 

The Morrigan and Plans for 2015

   I'm sure many of you would rather see more translation here, and don't worry I'll get some more done soon. I'm working on a new manuscript at the moment which is taking up some time, but hopefully next week I'll get to some of the other fun untranslated bits of the Cath Maige Tuired...
  I dreamed last night of the Morrigan, and this morning I was asked to do a workshop about her (them) next month so I thought it might be good to offer a short blog today just outlining some of this year's plans, where I'll be and what I'll be doing.
  I'm going to Pantheacon next month which is a very exciting first for me. I'll get to meet a lot of awesome people and spend time with some friends, including Stephanie Woodfield who is dragging me out there with her (I haven't been on a plane since I was 10 years old). It will be an adventure. While I'm at the con I'm going to be doing an informal workshop in the ADF hospitality suite, on Friday at 4, about the Morrigan in different myths. I'm really looking forward to it and think it will be a lot of fun, and I'm honored to have been asked to do it. So if you happen to be at Pantheacon and in the mood to hang with some Druids and talk Morrigan, come check it out.
  In June I'll be at the second annual Morrigan's Call Retreat teaching a workshop or two and helping with rituals. Last year was amazing and I'm sure this year will be even better. We have Jhenah Telyndru from the sisterhood of Avalon as a speaker and Mama Gina as a musical guest, as well as the usual suspects and some new faces.
   At the end of October I'll be participating in Seeking the Great Queens: a Sacred Sites Tour in Ireland. It is a sacred sites tour focusing on sites associated with the Morrigan and her mythology and includes celebrating Samhain at Tlachtga. There will be workshops, discussions, and rituals, and I have no doubt it will be a once in a lifetime experience.
   It's going to be a busy year, and very Morrigan-focused, but I'm excited about it.

Goodbye 2014, Hello 2015

  Last year was a very busy one for me. I had four books published - Fairy Witchcraft and Pagan Portals: the Morrigan through Moon Books and the first two in my urban fantasy series Murder Between the Worlds and Lost in Mist and Shadow (self published); I also had pieces in three anthologies this year. I wrote for the blog as well as guest blogging on Raise the Horns, and writing articles for journals and e-zines, including one for Goddess Pages on the Morrigan. I taught at ADF's Wellspring, at the Morrigan's Call retreat, CT Pagan Pride Day and the Changing Times, Changing Worlds convention. And I had the always fun experience of being a guest on the podshow the New Normal as well as appearing on another podcast, Main Street Universe, where I talked about Fairies. I ventured into the new and interesting world of translating older Irish manuscript material, which I've really been enjoying (and look for more of that soon). And of course in between all those shenanigans was Real Life with children and grocery shopping and bills.
   Now we are heading into to 2015. I had genuinely intended to make this year a quiet one, but it doesn't look like that is meant to be. My next novel, the third in my urban fantasy series, is coming out at the end of this month, and I have a piece I am writing for another anthology. I have several other book projects in the works as well as articles coming out in the next issues of Air n-Aithesc, Pagan Dawn, and Goddess Alive. I'm attending Pantheacon for the first time this year, and am already scheduled to teach workshops at a spiritualist church, at the second Morrigan Calls retreat, as well as on a Morrigan Sacred Sites tour of Ireland, and tentatively at CWPN's Harvest Gathering.
  I do plan to keep up with the blog, including continuing with my translation efforts. Hopefully I will be back to my regular blogging schedule now, but I wanted everyone to understand that as my non-blog writing has increased - and as real life demands have taken a lot of my attention - it has gotten harder to give the blog the attention I want. I'd rather not write at all than write when I don't have time to cite sources and give it the quality it deserves.
  As we move into the new year my goal here, for the blog, is to find a balance between more academic entries and more experiential entries. And to get back on my twice-a-week schedule. So happy new year to you all, and stay tuned. 

Yule 2014

 I've mentioned before in other December blogs that I celebrate Yule as a Heathen holiday with 12 days of celebration. This year is proving quite challenging and hectic, but since editing the new novel has my blogging limited I thought I'd touch on how yule is going.
   We began our celebration this year on Sunday the 21, the day of the official solstice, by waking up to a gift exchange. Santa, you see, comes to our house on the solstice (it helps thin out his schedule for his busier night). We woke this year to falling snow*. The kids decided to get up extremely early so the adults were sustained by coffee. And bacon. A good time was had by all, and that afternoon we made gingerbread cookies. Dinner was a feast of ham and orange colored vegetables, some of which were offered to the house spirits. Later we did a small ritual in honor of some of the wights and held a vigil for the returning sun.
    Monday the 22nd the clouds  cleared briefly in the morning and the new sun shone down bright and glorious before the cloud cover closed back in. On that day we honored Frau Sonne with a small ritual and offerings in praise of her return. We lit our Yule log and let the candles burn out.

   Today, the third day of Yule, we choose to honor the Wilde Jagd (Wild Hunt) which rides this time of year. It is believed that the Hunt rides especially when storm winds blow and tonight my area is getting a Nor'easter - so truly the Wild Hunt is riding tonight here. Offerings will be made tonight that they pass us by unharmed. 
   Tomorrow we will honor our house spirit with an offering of porridge and butter. We also have a family tradition with the children of watching a movie (Polar Express) and having popcorn and hot chocolate and the house spirit will receive a portion of everything. 
  On the 25th we celebrate Mutternacht, Mother Night, by honoring Frija and the Idises. Most Heathens today celebrate Mother Night on the eve of the solstice, but we use Bede's reckoning as given here:

Incipiebant autem annum ab octavo Calendarum Januariarum die, ubi nunc natale Domini celebramus. Et ipsam noctem nunc nobis sacrosanctam, tunc gentili vocabulo Modranicht, id est, matrum noctem appellabant: ob causam et suspicamur ceremoniarum, quas in ea pervigiles agebant.  (Moreover at the beginning of the year by the 8th calendar day of January**, when we celebrate the birth of our Lord. That night which we hold sacred, they used to call by the Gentile*** word Modranicht, that is, Mother's Night, we suspect because of their ceremonies, as in accordance they kept vigils) So we celebrate Mutternacht on December 25th by honoring and offering to the "mothers".     On December 26th we honor the spirits of the land. We also cleanse and sain our property, first by walking the boundary with fire and then by scattering a small amount of salt. This is also the anniversary of our kindred's founding in 2006 so we usually get together to celebrate Yule as group on this day, although this year due to scheduling we are meeting on the 28th instead.    On December 27th we honor our ancestors with offerings and stories. A white candle is lit for them.   On December 28th we honor Oski - Wodan as the Wish-giver. Small gifts are exchanged and offerings are made to him, and a small ritual is done. Omens are taken for the year to come.    On December 29th we honor Frau Holda as the leader of the Wild Hunt, with Wodan, and as the protector of children's spirits.    On December 30th we honor the Hidden Folk, specifically the perchten and huldufolk who travel with Perchta and Frau Holda.    On December 31st we honor Berchta. Offerings of fish and porridge are left out. We ask her for her blessing in the coming year, especially for good health, and we thank her fo rall her blessings in the year that is past.    This may seem like a lot but it really isn't. It's just a little each day and much of it is really fun, especially because of the children. The 12 days are hectic, but they go by quickly and everyone enjoys them.

* Frau Holle shaking her blankets out! A good omen in my opinion
** by the Julian calendar the 8th day of January would have shifted back on the Gregorian calendar to roughly December 25th, which is why Bede refers to it as the night they celebrate the birth of Jesus.
*** Gentile is often translated here as Heathen or Pagan but the actual word given is gentili so I have preserved the closer meaning.

Reference
Giles, J (1843). The Complete Works of the Venerable Bede

more NaNo

 I am once again doing National Novel Writing Month this year and attempting to write the third novel in my trilogy. I may have been a smidge ambitious this time since I only just finished the second one and am, in all honesty, a bit burned out. However I'm soldiering on to get the first draft done. In the 25 days of NaNo I've written a bit over 54,000 words towards what I expect to be between 100 - 120,000 when its done. So I'm about halfway there. It's been taking a lot of my attention though and as with last November the blog is suffering a bit.
  As usual with my novel writing I've been posting little word count & blurbs on Facebook as I write so I'd like to share them here for anyone who might be interested.
this is the synopsis for the third book from the NaNo site:
There is far more going on in the small town of Ashwood than anyone realizes, and Allie Mccarthy, like the town itself, is caught between mortal earth and Fairy, with treachery on both sides. Allie is struggling to pick up the pieces as the police investigation into a series of ritual killings contniues to wreak havoc in her life. She has lost one friend to a serial killer and seen another shot trying to protect her as the people behind the rituals work to get her out of the way. Meanwhile her own empathic gift - which may be the key to stopping the killings - is controlling her more than she controls it. In seeking training for her gift Allie may be forced to accept that defining good and evil isn't as simple as she wants it to be. Facing betrayal at the deepest level and with her own life hanging in the balance, this time Allie has to be sure that the conspiracies are rooted out and stopped, once and for all. No matter what the cost. 

Book 3

8,659 words - book 3 begins, picking up the pieces where the last book left off. My protagonist is still facing more than one challenge but she's realizing that the only person who ultimately may be able to save her is herself.

11,295 words - my protagonist is trying to convince the human and elven police to work together, because she's sure that's the only way to figure out what's really going on. Will the joint task force be re-formed?

Meanwhile there's still a conspiracy afoot, a killer who has gone entirely off the rails, and trouble from the past that my protagonist definitely won't see coming.

17, 476 words - nothing complicates a love triangle like a marriage proposal from one person and the other taking a bullet for the one he loves. My protagonist's love life is starting to look like Celtic knot work, despite her best efforts to untangle it (and no this isn't that kind of story exactly, that's just how messy life can be sometimes).

Meanwhile we have part of a plot uncovered - and gremlins, oh my! - and an antagonist who may be willing to do anything to protect someone she cares about, even if that means hurting the person herself.

21,144 words - negotiating with elves, take two. Has my protagonist learned anything from the results of the first attempt? Lets hope so because this time the consequences will be very personal....

24,041 words - the killer has slipped his leash and is killing now for fun as much as for a purpose, making him far more dangerous. The bodies are piling up, but can the re-formed joint task force recognize the clues when they find them?

32,200 words - my protagonist is trying to get her out of control ability under control with some training from a very interesting teacher (the great aunt of our entertaining ceremonial magician). But sometimes learning control means accepting things about yourself that you really don't like...

40,100 words - my protagonist has dodged a dagger from an unexpected source, and our intrepid kelpie has ridden to her rescue. Unfortunately she may now prove just as useful to those she trusts as bait to catch those lurking in the shadows as she does as a hound tracking the killer...

43,148 words - our killer has struck again, taking one life and ravaging another, but this time the victim fought back and thanks to some timely intervention lived to tell the tale. This could be the essential break in the case if my protagonist can stay strong...or it could trigger my protagonist's own past demons to come back and haunt her....

51,388 words - everyone has their limits. Some people hit those limits and break against them. Some people hit them and get angry enough to start fighting back.

My protagonist is done with running and letting other people get hurt for her. She's ready to start fighting back now.

tolerance and acceptance

  Last weekend I attended the Changing Times, Changing Worlds conference, an annual regional conference on metaphysics in the northeast United States. I've done workshops at the conference 4 out of the 5 years its run and I really enjoy attending. This year was no exception, with many good workshops and panels as well as excellent conversations with both attendees and other presenters.

   One of the most interesting panels I saw was "When is it okay to tell someone they are wrong?". The five panelists discussed various scenarios within the pagan community where someone was either publicly lying or falsely claiming things, such as experience or titles, and how they might each deal with the situation. I was surprised by the number of responses that advocated kind private interventions and mentoring to handle people making such claims. There was also a strong emphasis on accepting that wrong didn't include different, and that we as a community needed to be more open and accepting of varieties within traditions and practices. In other words there is no one correct Wicca, no one true witchcraft, no exact Reconstruction, so it is foolish to have so-called witch wars over differences in approach and method. I found that while I didn't agree entirely with everything that was said I did walk away with a lot to consider.
   One of the nuances that I think is consistently missed in the wider community is the difference between tolerance and acceptance. Tolerance is simply being able to allow or endure the existence of something, including things we don't like and things we disagree with. I can tolerate a lot within the community because I do not expect everyone to practice, believe, and act the way I do. Acceptance on the other hand is agreeing that something is good or suitable. There are many, many things in the pagan community that I do not particularly accept. I do not accept them as either good or suitable beliefs or practices and given a chance I'll usually expound on why. However - and herein lies the crux - I can tolerate what I do not accept. More importantly I should and must tolerate what I don't accept because it is pure ego to think that every single pagan - or even every Irish recon - would or should think and do exactly as I think and do. And I fully expect others to tolerate my practices and beliefs which they do not accept.
   So then, if I am tolerating that which I don't accept when is it okay to tell someone they are wrong? Well, my short answer is usually always, at least in the sense that I think we should all be open to questioning and criticism of what we do. I don't see anything wrong with telling someone I disagree with them, nor I do think that voicing disagreement must always be condemnation or attack. It is entirely possible to say "I don't agree with doing that" in a civil manner.
     I do also think that as a wider community we do need to be willing to speak up about the things that matter, the big things like abuse and fraud, without feeling constrained by a false propriety. This idea that we don't want to rock the boat or be confrontational seems to be so misapplied to me, when we can have huge intergroup issues over someone blowing candles out instead of snuffing them but no one wants to accuse another person of an actual serious crime when they should. That kind of behavior we should never tolerate, and yet we do while simultaneously refusing to accept minor theological differences between traditions that shouldn't even be a concern. I mean why should I care that a group I don't belong to does something I find silly or pointless, or even offensive? Whereas I should obviously care if another group is hurting children or stealing money from people.
    When should we tell other people they are wrong? When they are publicly putting something out that opens up a discussion; when they are making statements of fact; when they are speaking as any kind of authority - then I think we should speak if what is being said is objectively wrong. When it is a question of personal belief and ideas, then it is less telling someone they are wrong and more about engaging in conversations and dialogue and expressing an alternate viewpoint. I'm sure there are many valid reasons for silence as well, especially when its wiser or more strategic not to speak, but I think there is too much of that in many areas. We argue over inconsequential things, but we stay silent over what really matters.
   Accept what you agree with; tolerate what does no harm and doesn't affect you; speak your truth

Celebrating Samhain with a Complex Child

Canann Badb. 
feannóg guth
Garbh agus amh. 
Canann Badb.
Tagann an gheimhridh 
i sioc agus scáth.
Canann Badb

"Badb speaks
a crow's voice
rough and raw
Badb speaks
winter arrives
in frost and shadow
Badb speaks"

I wrote the above poem this morning as I listened to a crow calling to me, perched on a tree outside my window. Today is the beginning of my three day celebration of Samhain, and tonight belongs especially to the daoine maith, the Good People. I've written several times over the years about how my family celebrates Samhain and about the history of the holiday so today I decided I want to tackle a more personal topic, that is celebrating this holiday with a child who has complex medical issues.
  One of the walls I often crash against in the wider pagan community is the inaccessibility of events and rituals for children who have issues, from autism spectrum disorders to physical mobility issues, that require accommodation. We are a community that prides itself on inclusivity, and yet I often see a lack of it towards children in general and specifically towards children who have behavioral or physical challenges. The biggest argument against it seems to be that something important will be lost if we change what we are doing to make it easier for children with different needs to attend. I disagree, and below I will explain how I have modified my own practice to accommodate my daughter. 
     What frustrates me is that it doesn't have to be this way - while it does require compromise and reworking it is not impossible to accommodate families that need it. And I will never believe the Gods, ancestors or spirits are offended by the actions or needs of a child who is doing their best in the moment and only wants to be part of a spiritual celebration. 
   So, to begin with: food. feasting is a big part of most reconstructionist faiths as well as other pagan religions. Allergies are things both adults and children deal with and should not ever be something that is treated lightly. Just because peanuts are your favorite treat doesn't mean it will kill you to skip bringing them to a group celebration, and being around them might just kill someone else. And that's not hyperbole. Let me fill you in on something all parents know - kids don't care about whether eating something will make them sick, if it tastes good they will eat it anyway. My daughter for many years was not allowed to eat gluten, soy, or dairy because of a congenital immune deficiency disorder which made her digestive system very touchy, and chocolate was something she could only have in very small amounts. That never stopped her from overeating things she shouldn't have when she had a chance with predictable results . Kids with allergies are not going to police themselves, especially younger ones, and I get really irritated when adults complain about how unfair it is that they have to skip out on a food they like or are complain about being expected to cater to someone else's allergies. On a related side note, its super frustrating when there is only dish at a pot luck or similar event that a child can eat and everyone else is taking huge servings of it, not leaving enough for that child to eat very much. Shouldn't this be common courtesy? 
   Accessibility. No one ever thinks of this one, and honestly I can only imagine the frustration of parents with children in wheel chairs who are faced with hikes or trips over uneven ground. My daughter is ambulatory but due to a heart condition she tires easily and doesn't have the stamina for long walks, never mind hikes. I can't tell you how often I end up carrying her (luckily even at 6 she's very small, so carrying her is still an option). When we trick or treat on Halloween we plan carefully so that she isn't exhausted by the end. It shouldn't be that difficult to find a suitable site that is easy for people with mobility issues to access. At the Morrigan Retreat this past June we had to change our ritual location to accommodate such a situation and there was no complaining about it ruining things or blaming people for putting everyone else out. We came together as a community and made it work for everyone, once we knew there was an issue. I have a friend who is a sign language interpreter and we have discussed several times the huge challenge that deaf pagans face in trying to find even basic accommodations at rituals and workshops. Whether we like to acknowledge it or not public ceremonies are designed, almost exclusively, for people with 5 functional senses, full mobility, and normal stamina. We really need to start asking ourselves where this leaves all the people who don't have all of those things. Is it that difficult to make what we do truly open to everyone?*
  Finally behavioral issues; this is the one that has caused me to stop bringing my children to most events, in all honesty. I'm not talking here about kids who are destructive or violent and really shouldn't be expected to handle being in a ritual setting without disaster ensuing. I'm talking about kids who can't act their age or who can't focus or stay quiet or still through a ceremony. People have expectations for the behavior of children at certain ages and when your child isn't conforming to that not only is the child assumed to lack discipline but the parent is criticized for being too lenient. And in my experience even explaining that the child in question has a medical diagnoses makes no difference. People come to a spiritual gathering or ritual expecting a moving experience and they do not in any way want to deal with a child who can't be still or quiet. My daughter has a sensory processing disorder that means she is sensory seeking (she touches everything) and also that loud noises and crowds upset her. She has been in occupational therapy since she was a toddler and behavioral therapy since first grade, but these are not things that will ever go away, they are part of who she is. When she was small people were pretty tolerant of her quirky behavior, but as she has gotten older the tolerance has largely evaporated, especially with people who don't know her. I find it unfair to put that expectation of perfect behavior on any child but especially those that have extra challenges with conforming to behavioral expectations. This one is a double edged sword though because I have also had problems with judgment from people (not necessarily at pagan events, but in general) when I have to leave early because my daughter has hit her limit and is on the verge of a sensory meltdown. Children and parents who deal these issues shouldn't feel unwelcome. 
    As a reconstructionist I do not believe this is how our ancestors would have reacted to people who had different needs, not when community was the center of celebration. Babies cry, women need to nurse during rituals (see point one), children fuss, kids need to use the bathroom at inopportune times, and so on. It seems natural that children who have behavioral issues would also be understood as part of the community and while - obviously - extreme disruptions can't be allowed minor disturbances and less than perfect behavior would be tolerated. The community would find ways to make sure everyone possible attended ceremonies, I think. And while food issues may be a more modern thing I know our ancestors made sure everyone, even the poor and beggars, had something to eat on ritual days. 
   

  So, how do we celebrate with my youngest daughter? We start by talking a lot ahead of time about the holiday, because she is very into routine and unexpected things can throw her off. On the first day of Samhain we go trick or treating and when we get home we leave out an offering for the Daoine Eile. The children each choose something to offer from the candy they have gotten. On the second night we honor the Gods by lighting a fire in my largest cauldron. Because my daughter is phobic of the dark we do not do turn out all the lights, although I used to do so before to mimic the ceremony at Tlachtga. I tell the children stories of different events that have occurred in myth on Samhain and often we end up talking more generally about different Tuatha De Danann that interest them. We have a ritual to an Morrigan and an Daghda and make offerings to them, and divination is done for the year to come. Sometimes my youngest daughter stays for the whole ritual, sometimes she doesn't. On the third day we honor our ancestors. An extra place is set at the table and water and food are set out at dinner. We light white candles on our ancestor altar and we tell stories about our beloved dead. My youngest daughter struggles with expressing her emotions so she enjoys the stories of the older dead who she never knew but will usually leave when we talk about the more recent dead. We offer coffee on the altar and leave out something on the doorstep for the wandering dead.

   And that's it. The biggest accommodations we make for my daughter are letting her come and go as she pleases during ceremonies, and letting her sit or play during the ceremonies if she's having trouble focusing, and making sure nothing is too dark or too loud. We also keep each focused ceremony short and to the point because that's easier for her to handle. It's not that hard and while it has changed how I conduct rituals and the flow of my ceremonies I do not in any way feel that I've lost any substance. In a situation where I feel compelled to do something really complex or drawn out I do it by myself but honestly that's very rare. My religion is part of the legacy I want to pass on to my children - all my children - and its important to me that she be and feel included. 

*I do acknowledge that the issue of having an interpreter available is complicated because it is not a common enough skill. Maybe we should all try to learn a little sign language to bridge the gap. 

Random Life Notes and Some Writing Tips

  I realize I've been neglecting the blog of late, and I apologize for that. I do hope to be back on a regular schedule soon, but I've been dealing with a variety of pesky real life issues that take enough of my attention that I just don't have the time to get any nice juicy blogs done. Bear with me and it'll get better. Some of this has to do with an increase in the amount of writing I am doing elsewhere, and some of this has to do with child related things, but the end result is not enough blogging time.
   To fill you all in on what I've been up to in general. I wrote a couple guest blogs for Raise the Horns both on the Morrigan but very different in topic and tone. I submitted a couple essays for the next issue of Air n-Aithesc, a wonderful CR journal that comes out twice a year. I submitted an article for ADF's journal Oak Leaves, and another for the e-zine Goddess Alive! and I am working on two more for other e-zines as well. I've been asked to do an entry in another forthcoming anthology by my publisher, which should be interesting. I'm eagerly anticipating the release of my 9th book in December, Pagan Portals: The Morrigan, and recently finished the draft of my second urban fantasy novel which will hopefully be released soon as well (I'm aiming for October 31st, if all goes well). So its been a very busy writing time for me, just not here. I'm also gearing up now to officiate a wedding, head off to a Morrigan retreat for Samhain, and I have the Changing Times, Changing Worlds conference fast approaching (I'm teaching 6 workshops this year on a variety of subjects).
   Basically, I've been very busy, but am hoping that things will settle down and allow for more regular blogging soon.
   Besides all that I wanted to share a conversation I had today with a friend. We were talking about writing and in the course of the conversation I shared the two best pieces of writing advice I've ever gotten, which I'd like to share here too:
 1. Writing as a career is a job like any other and should be treated as one. When I first heard this it offended my artistic sensibilities, but the truth is, well, it's true. I treat writing with the same work ethic I treated every other job I've had and that means if I have time to write I write, whether or not I feel inspired or in the mood.
 2. Write what you enjoy reading about. This was some great advice from my friend Cathrine Kane  and I've always found it to be valuable. When we write about what we like to read about we have more passion about the topic or genre and we also are more familiar with it. And its much more fun to write.
  So there you go, hope you all have a great day!

Work In Progress Blog Tour

 Well I've been nominated by Arie Farnam, author of The Soul and the Seed to participate in the Work in Progress Blog Tour. The idea is to post the first sentence of each of the first three chapters of your work in progress.
  My current work is the sequel to my urban fantasy novel Murder Between the Worlds. This book picks up where the last one left off with my protagonist, Allie, trying to get her life back to normal after her attempt to help the police solve a series of murders in the first book. She's learning that moving on isn't as easy as she wants it to be, especially since things aren't as neatly tied up as the authorities all think they are. There's several mysterious things afoot, from missing girls to arson, and someone is going to a lot of trouble to make Allie's life unpleasant, but the biggest threat might be the one no one sees at all...
  Anyway, here are the first couple sentences/paragraph from the first three chapters of the rough draft. Enjoy!

Prologue
He watched the girl as she got ready to walk to her car, his hands shaking in excitement. She had finished her shift and clocked out five minutes ago but lingered, talking to friends. He wished she’d hurry. He’d waited too long, until the night he needed to do the ritual, and now there wasn't any time for mistakes.

Chapter 1
Allie McCarthy was not having a good day. She was late leaving for work after losing track of the time. When she turned onto Asylum street, the back road she usually drove to avoid Main Street, she was confronted with a wall of construction equipment and a sign declaring the road closed for repaving. By the time she detoured and fought through the weekend tourist traffic – not even a hint of what it would soon be when summer was upon them – it was quarter past and she was late. She parked haphazardly in the lot behind Between the Worlds, her bookstore, and jogged as quickly as her bad ankle would allow to the back door, hurrying to lower the magical wards that protected the building and unlock the door.

Chapter 2
 “Wow, that stuff reeks,” Jason made a face, waving his hand in front of his face.  

Allie stopped walking, the burning bundle of sage leaves held out in front of her. She glanced around her store, the ordered rows of bookshelves now obscured by a haze of smoke. “I like the way it smells.”

Jason wrinkled his nose, then looked up towards the ceiling, “You did remember to turn off the smoke detectors before lighting that thing up, right? Because I’m going to be really embarrassed if the alarm goes off and -”

“And all your firefighting buddies roll up and see you playing witch.” Allie interrupted, rolling her eyes. “Fine Takada, go open the front door and let some fresh air in.”

Here are the rules:

You write a blog post about your work in progress and include the first sentences of the first three chapters (at least as they stand at the moment). You link back to me and you link to several other authors who you nominate. Traditionally, you nominate four.

 I have been trying to decide who to nominate but am being challenged by the fact that the authors I know either don't blog (I'm looking at you James Ferace!) or don't have a current work in progress that's at a point where its ready to discuss (Looking at you now Nimue Brown). So I'm going to nominate Catherine Kane, because I know she's working on the sequel to her wonderfully fun urban fantasy The Land That Lies Between and she blogs, and also Elen Sentier whose amazing book Moon Song is coming out through Cosmic Egg Books and who I'm sure is working on something, and blogs.

You May Have Fairy Blood If...

So there's a post on a major blogsite about 8 ways to tell if you may have fairy blood. The list is heavily prejudiced towards a modern (post-Victorian) view of fairies and specifically of winged flower fairies as far as I can tell. It also includes an array of characteristics that could apply to many people for many reasons, like feeling the need to lighten the mood in serious situations with humor.
   Now in the traditional lore there are stories of people who have fairy ancestry of various sorts, from the children of selkies and fisherman to those who have a human mother and aos sidhe or alfar father. But I would tend to use a very different measure, myself, when discussing whether someone might have "fairy blood". You'll quickly see a theme for my criteria....but I'll say that I'm not just getting this from folklore, and that I do believe there are more things on Heaven and earth as Shakespeare said, so...
  The following is just my own list, feel free to disregard if it doesn't appeal to you. And I know it won't to many people.

  You May Have fairy Blood If....
  1) An aversion or reaction to iron and iron alloys - its pretty traditional in most stories for the good Neighbors to have issues with iron, which is why its such a powerful protection against them. This same thing can also apply to other traditional fairy protections.
  2) A flamingly inappropriate sense of humor - laughing when other people are crying, or laughing when other people are very angry. In many stories fairies are described crying at happy occassions or laughing at funerals. The jokes they play on people are also often extreme and lean towards the macabre.
  3) An unusual charisma or ability to charm people - if we look at stories that mention people with mixed ancestry they are usually described this way
  4) A reputation for magical skill or healing - same as above
  5) An unusual physical appearance - in stories this can be exceedingly pale, fair, dark, tall, beautiful, Otherworldly or so on.
  6) Intense emotions that may be described as inflexible - again based on looking at how folklore portrays fairies, they are often described as quick to anger, quick to love, and difficult to sway.
  7) A love of both the beautiful and the broken - in folklore the Fey love luxury and fine things. They also have a penchant for the grotesque.